Abstract

This paper focuses on research into relations between the “physical” and the “qualitative” dimensions of architecture. The geometry of the architectural space was the independent variable and its possible aesthetic-emotional effects constituted the dependent variable for the study. In the context of a 2 × 3 Analysis of Variance (ANOVA) within-subjects factorial experimental design, scale models of rectangular, triangular and circular office interiors were manipulated. Architects and chemists were chosen as subjects used to test the aesthetic effects of these geometries, as well as the influence of professional background on aesthetic reactions. The author discusses the results of this research, possibilities for future research and the changing roles of architects.

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