Color Plates

CowRPLATEA No.1. (top right) Artur Matuck, slow-scan television frame sent from Pittsburgh to Sao Paulo, 1988. A Pittsburgh 'replicant' responds to Rejane Augusto's interactive piece. (photo: Paulo Laurentiz) No.2. (center right) Mobile Image/Kit Galloway and Sherrie Rabinowitz, Jlirtual SPace/CompositeImage-SpaceDance, from SatelliteArtsProject, 1977. The image of Mitsu (with white hat) in Maryland was mixed with the image of her dance partners , Keija and Soto, in California, enabling them to dance together in the same live image. Copyright 1977 Galloway and Rabinowitz. Reprinted by permission, (See article by Don Foresta.) No.3 (bottom left)Jennifer Hall, testing MultiScene, a multi-user/multi-Iayered telecommunications program, 1985. The user can use real-time type, online private messages and a shared painting palette at _ the same time. The blue section of the screen is where regular online typing communication occurs. The white section is a slightly delayed pamting palette. Each participant can draw to this section of the screen, eventually creating an image with contributions by many users. The yellow section occurs over the white sectionwhen an incoming message is posted for an individual user. This message can only be seen on the screens of those users to whom the message has been sent. No.4. (bottom right) M. Aitiani, Citta satelliteand computers, watercolor and wood, 290 x 165 x 80 em (1987-1990). Computer programming by F. Giomi. COLOR PlATE B No.1. (top) Peeter Sepp, color photocopy of documentation booklet depicting a session at an Alien Nation improvisation at Cameron Public House in Toronto, 5 May 1972, for later broadcast into outer space, 81,.2 x 14 in (detail). (Photo: LembitRistsoo) . No.2. (left) Stefan Barron and Sylvia Hansmann, from the Linesproject, 1989. Each of the eight reception points was sent 106 faxes, for a total of 848 faxes. The faxes were not cut; each point received a 30-meter roll of telefax, The "M.E.R.I.D.I.E.N." serial was made the eighth day of the project, near Tarbes in the South ofFrance. (photo: Fran~oisLabastie) No.3. (bottom) Dana Moser, slow-scan image from CorrespondentinBabel, Munich, Germany/Boston, Massachusetts (1983). ...