1. Color Plates
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  1. Modem Dialing Out
  2. Carl Eugene Loeffler
  3. pp. 113-114
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  1. Connectivity: Art and Interactive Telecommunications
  2. Roy Ascott
  3. pp. 115-117
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  1. The Cosmic and the Digital Code
  2. Jürgen Claus
  3. pp. 119-121
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  1. Technology, Artistic Production and the ‘Aesthetics of Communication’
  2. Mario Costa
  3. pp. 123-125
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  1. Art Works As Organic Communications Systems
  2. Anna Couey
  3. pp. 127-130
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  1. Communication Arts for a New Spatial Sensibility
  2. Derrick de Kerckhove
  3. pp. 131-135
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  1. Aesthetics and Telecommunications Systems
  2. Fred Forest
  3. pp. 137-138
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  1. The Many Worlds of Art, Science and the New Technologies
  2. Don Foresta
  3. pp. 139-144
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  1. Music Is Duty-Free: Sending Sounds across Borders
  2. Mathias Fuchs
  3. pp. 145-146
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  1. Art and Telecommunications—10 Years On
  2. Eric Gidney
  3. pp. 147-152
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  1. Cultural Implications of Integrated Media
  2. Beverly Jones
  3. pp. 153-158
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  1. Oracular Art and the Global Telecommunications Net
  2. Timothy O’Neill
  3. pp. 159-161
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  1. Primary Devices: Artists’ Strategic Use of Video, Computers and Telecommunications Networks
  2. Tom Sherman
  3. pp. 163-166
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  1. Electronic Space in Contemporary Australian Art—Practice and Theory
  2. Urszula Szulakowska
  3. pp. 167-170
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  1. The Prompt and Virtual Reality
  2. Fred Truck
  3. pp. 171-173
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  1. Noise on the Line: Emerging Issues in Telecommunications-Based Art
  2. Stephen Wilson
  3. pp. 175-177
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  1. The Artwork Nave di Luce: A Journey into Telematics, Art and Music
  2. Marcello Aitiani, Francesco Giomi
  3. pp. 179-183
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  1. Lines: A Project by Stéphan Barron and Sylvia Hansmann
  2. Stéphan Barron
  3. pp. 185-186
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  1. Reversing the Lens System: The DAX Group in 1991
  2. Bruce Breland
  3. pp. 187-188
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  1. Art, Images, Communications and Children
  2. Sarah Dickinson, Marilyn Schaffer
  3. pp. 189-192
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  1. Netdrama: An Online Environmental Scheme
  2. Jennifer Hall
  3. pp. 193-194
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  1. Uncle Roger, an Online Narrabase
  2. Judy Malloy
  3. pp. 195-202
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  1. Telecommunications Art and Play: Intercities São Paulo/Pittsburgh
  2. Artur Matuck
  3. pp. 203-206
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  1. Notes on Telecommunications Art: Shifting Paradigms
  2. Dana Moser
  3. pp. 213-214
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  1. City Portraits: An Experience in the Interactive Transmission of Imagination
  2. Karen O’Rourke
  3. pp. 215-219
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  1. Let the People Play: How Improvised Sounds and Telecommunications Can Let Everyone Participate
  2. Peeter Sepp
  3. pp. 221-222
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  1. The Creation of A Living Library™: An International Network of Interactive Life Frames
  2. Bonnie Sherk
  3. pp. 223-226
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  1. An Electronic Arts Network for Australia
  2. Phillip Bannigan, Sue Harris
  3. p. 227
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  1. Poetry Online
  2. Ron Buck
  3. pp. 227-228
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  1. Fineart Forum and F.A.S.T.: Experiments in Electronic Publishing in the Arts
  2. Roger F. Malina
  3. pp. 228-230
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  1. The Matrix Artists’ Network: An Electronic Community
  2. Jeff Mann
  3. pp. 230-231
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  1. ARTLINK™
  2. Alan Sandman
  3. p. 232
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  1. Ornitorrinco: Exploring Telepresence and Remote Sensing
  2. Eduardo Kac
  3. p. 233
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  1. The Poly-Phone
  2. Benoît Maubrey
  3. pp. 233-234
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  1. Hidden Bearers: An Exquisite Corpse Online
  2. Gil MinaMora
  3. p. 234
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  1. Still Life/Alive
  2. Carlos Fadon Vicente
  3. pp. 234-235
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  1. Synthesis: Visual Arts in the Electronic Culture ed. by Manfred Esenbeis and Heide Hagenbolling (review)
  2. Stephen Wilson
  3. p. 241
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  1. Beyond Vision by John Darius (review)
  2. Robert S. Lansdon, Elizabeth Crumley
  3. pp. 241-242
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  1. Mind Children: The Future of Robot and Human Intelligence by Hans Moravec (review)
  2. Fred Truck
  3. pp. 242-243
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  1. Inside the Robot Kingdom: Japan, Mechatronics, and the Coming Robotopia by Frederik L. Schodt (review)
  2. Stephen Wilson
  3. p. 243
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  1. Tools for Thought: the People and Ideas Behind the Next Computer Revolution by Howard Rheingold (review)
  2. Fred Truck
  3. pp. 243-244
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  1. Artificial Life ed. by Christopher G. Langton (review)
  2. Stephen Wilson
  3. p. 244
  4. restricted access contents
  1. Artificial Life ed. by Christopher G. Langton (review)
  2. Robert S. Lansdon
  3. p. 245
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  1. !%@:: A Directory Of Electronic Mail Addressing And Networks by Rick Adams, Donnalyn Frey (review)
  2. Fred Truck
  3. p. 246
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  1. The Matrix: An Atlas of World Telecommunications by John S. Quarterman (review)
  2. Roger F. Malina
  3. p. 247
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  1. Signal: Communication Tools for the Information Age by Kevin Kelley (review)
  2. Clifford A. Pickover
  3. p. 247
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  1. Art After Modernism: Rethinking Representation ed. by Brian Wallis (review)
  2. David Topper
  3. p. 247
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  1. Postmodern Currents: Art and the Artists in the Age of Electronic Media by Margot Lovejoy (review)
  2. Roger F. Molina
  3. pp. 247-248
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  1. Contingency, Irony, and Solidarity by Richard Rorty (review)
  2. Elmer H. Duncan
  3. pp. 248-249
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  1. The Cuckoo’s Egg: Tracking a Spy through a Maze of Computer Espionage by Clifford Stoll (review)
  2. Roger F. Malina
  3. p. 249
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  1. Advanced Imaging
  2. Elizabeth Crumley
  3. p. 249
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  1. Computers and Art Issues of Content (review)
  2. Roger F. Malina
  3. p. 249
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  1. Mondo 2000
  2. Roger F. Malina
  3. p. 250
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  1. 2600: The Hacker Quarterly
  2. Clifford A. Pickover
  3. p. 250
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  1. Books
  2. pp. 250-252
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  1. Chronology and Working Survey of Select Telecommunications Activity
  2. Carl Eugene Loeffler, Roy Ascott
  3. pp. 236-240
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