Index to Volume 67
Buy Issue for $25 at JHUP- Index to Volume 67
CONTRIBUTORS’ INDEX
ARTICLES
Abeliovich, Ruthie. “Voice, Identity, Presence: Aural Images of Stammering in Victoria Hanna’s Performance Signals.” 43–61.
Allen, Chadwick. “Performing Serpent Mound: A Trans-Indigenous Meditation.” 391–411.
Carter, Jill. “Discarding Sympathy, Disrupting Catharsis: The Mortification of Indigenous Flesh as Survivance-Intervention.” 413–32.
Chambers, Claire Maria. “Transcultural Consumption through a “Queer” Narrative: Douglas Maxwell’s Our Bad Magnet in Seoul.” 235–52.
Cornish, Matthew. “Performing the Archive: History and Memory in Recent German Theatre.” 63–82.
Delgado, Maria M. “Memory, Silence, and Democracy in Spain: Federico García Lorca, the Spanish Civil War, and the Law of Historical Memory.” 177–96.
Essin, Christin. “Unseen Labor and Backstage Choreographies: A Materialist Production History of A Chorus Line.” 197–212.
Evans, Christine. “Drones, Projections, and Ghosts: Restaging Virtual War in Grounded and You Are Dead. You Are Here.” 663–86.
Felton-Dansky, Miriam. “Anonymous Is a Woman: The New Politics of Identification in Magical and Untitled Feminist Show.” 253–71.
Galella, Donatella. “Redefining America, Arena Stage, and Territory Folks in a Multiracial Oklahoma!” 213–33.
Haedicke, Susan. “Co-Performances of Bodies and Buildings: Compagnie Willi Dorner’s Bodies in Urban Spaces and fitting and Asphalt Piloten’s Around the Block.” 643–61.
Harriman-Smith, James. “Comédien–Actor–Paradoxe: The Anglo-French Sources of Diderot’s Paradoxe sur le comédien.” 83–96.
Hughes, Jenny. “The Theatre and Its Poor: Neoliberal Economies of Waste and Gold in Les Misérables (1985) and Road (1986).” 1–19.
Kobialka, Michal. “Possible Worlds of the Pomarańczowa Alternatywa.” 605–23.
Looser, Diana. “Oceanic Imaginaries and Waterworlds: Vaka Moana on the Sea and Stage.” 465–86.
Pitrolo, Flora. “A Theatre of Many Dimensions: The Italian New Spectacularity and the Inhabitable Image.” 625–42.
Schultz, Marianne. “A ‘Harmony of Frenzy’: Māori in Manhattan, 1909–10.” 445–64.
Shaka, Angeline. “Hula for the Future: Patrick Makuakāne and the Hula Mua ‘Salva Mea.’” 487–501.
Shaw, Brandon. “Phantom Limbs and the Weight of Grief in Sasha Waltz’s noBody.” 21–42.
Stevenson, Jill. “Poised at the Threatening Edge: Feeling the Future in Medieval Last Judgment Performances.” 273–93.
Swain, Rachael. “A Meeting of Nations: Trans-Indigenous and Intercultural Interventions in Contemporary Indigenous Dance.” 503–21.
Weaver, Jace. “Shakespeare among the ‘Salvages’: The Bard in Red Atlantic Performance.” 433–43.
PERFORMANCE REVIEW ESSAYS
Bay-Cheng, Sarah. “Virtual Realisms: Dramatic Forays into the Future.” 687–98.
Dolan, Jill. “Seeing Broadly: A Cultural Omnivore’s Menu.” 295–309.
PERFORMANCE REVIEWS
Anderson, Virginia. Angels in America. 719–22.
Aragón, Cecilia J. Tekcno Powwow III. 533–35.
Beck, Lauren. Since I Suppose. 338–40.
Buckner, Jocelyn L. Zealot. 556–58.
Bunzli, James. Well, I Think You’re Beautiful, Philadelphia. 340–41.
Cayer, Jennifer. Nomads. 127–29.
Chambers, Claire Maria, and Dong Hwan Alex Chun. Musical Woyzeck. 541–43.
Crane, Robert. Bankrupt. 109–13.
———. The Blue Shawl. 109–13.
———. Mullah. 109–13. [End Page 771]
Cummings, Scott T. brownsville song (b-side for tray). 129–34.
———. The Christians. 129–34.
———. The Grown-Up. 129–34.
———. Partners. 129–34.
———. Steel Hammer. 129–34.
Dougherty, Laura R. Father Comes Home from the Wars (Parts 1, 2 & 3). 560–63.
Engle, Sherry. Springs Eternal. 119–22.
Freeman, Sara. At the Vanishing Point. 710–11.
Friedman, Andrew. Kindertotenlieder. 319–20.
Gatta, Carla Della. The Upstairs Concierge. 700–702.
Geigner, Megan E. Antony and Cleopatra. 117–19.
———. Elizabeth Rex. 117–19.
———. Much Ado About Nothing. 117–19.
Glynn, Dominic. Macbeth. 115–17.
Goldstein, Julia. Africa Kills Her Sun. 535–40.
———. Black Maria on Koinange Street. 535–40.
———. Déchirement. 535–40.
———. Desperate to Fight. 535–40.
———. DJ Lwanda. 535–40.
———. Radio Play. 535–40.
———. Strings. 535–40.
———. Wimbo Wa Nyonga. 535–40.
Hatton, Oona. We Are Proud to Present a Presentation about the Herero of Namibia, Formerly Known as Southwest Africa, from the German Sudwestafrika, between the Years 1884–1915. 713–16.
Hinds-Bond, Jessica. Dulcey and Roxy at City Hall: A Play for the Theater of Arrhythmic Bullshit. 343–46.
Hollingshaus, Wade. The Cherry Orchard. 113–15.
Hubbard, Robert. The Silver Tassie. 122–24.
Jannarone, Kimberly. The Balcony. 729–31.
Johnston, Chloe. Hit the Wall. 100–102.
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