In this Issue

Table of Contents

Possible Worlds of the Pomarańczowa Alternatywa

Michal Kobialka
pp. 605-623
DOI: https://doi.org/10.1353/tj.2015.0146
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A Theatre of Many Dimensions: The Italian New Spectacularity and the Inhabitable Image

Flora Pitrolo
pp. 625-642
DOI: https://doi.org/10.1353/tj.2015.0114
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Co-Performances of Bodies and Buildings: Compagnie Willi Dorner’s Bodies in Urban Spaces and fitting and Asphalt Piloten’s Around the Block

Susan Haedicke
pp. 643-661
DOI: https://doi.org/10.1353/tj.2015.0120
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Drones, Projections, and Ghosts: Restaging Virtual War in Grounded and You Are Dead. You Are Here.

Christine Evans
pp. 663-686
DOI: https://doi.org/10.1353/tj.2015.0126
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Virtual Realisms: Dramatic Forays into the Future

Sarah Bay-Cheng
pp. 687-698
DOI: https://doi.org/10.1353/tj.2015.0132
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Song About Himself by Mickle Maher (review)

John Hunt Muse
pp. 699-700
DOI: https://doi.org/10.1353/tj.2015.0138
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The Upstairs Concierge by Kristoffer Diaz (review)

Carla Della Gatta
pp. 700-702
DOI: https://doi.org/10.1353/tj.2015.0144
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Twitch Plays Pokemon by Anonymous, and: Mari/O by Seth Bling, and: Dreeps by Hisanori Hiraoka (review)

Michael St. Clair
pp. 702-706
DOI: https://doi.org/10.1353/tj.2015.0112
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My Voice Has An Echo in It by Temporary Distortion (review)

Stephen Wisker
pp. 706-708
DOI: https://doi.org/10.1353/tj.2015.0118
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Cineastas by Mariano Pensotti (review)

Analola Santana
pp. 708-710
DOI: https://doi.org/10.1353/tj.2015.0124
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At the Vanishing Point by Naomi Iizuka (review)

Sara Freeman
pp. 710-711
DOI: https://doi.org/10.1353/tj.2015.0130
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Zero Hour: Tokyo Rose’s Last Tape by Miwa Yanagi (review)

Jessica Nakamura
pp. 711-713
DOI: https://doi.org/10.1353/tj.2015.0136
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We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Sudwestafrika, Between the Years 1884-1915 by Jackie Sibblies Drury (review)

Oona Hatton
pp. 713-716
DOI: https://doi.org/10.1353/tj.2015.0142
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The 1855 Lager Beer Riot Dodgeball Reenactment and Beer Tasting by Pocket Guide to Hell (review)

Scott Magelssen
pp. 716-718
DOI: https://doi.org/10.1353/tj.2015.0148
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Musa Dagh: Tage Des Widerstands dir. by Hans-Werner Kroesinger (review)

Loren Kruger
pp. 718-719
DOI: https://doi.org/10.1353/tj.2015.0116
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Angels in America by Tony Kushner (review)

Virginia Anderson
pp. 719-722
DOI: https://doi.org/10.1353/tj.2015.0122
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The Green Bay Tree by Mordaunt Shairp (review)

Tom Ue
pp. 722-724
DOI: https://doi.org/10.1353/tj.2015.0128
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Off the Rails by Randy Reinholz (review)

Heidi L. Nees
pp. 724-727
DOI: https://doi.org/10.1353/tj.2015.0134
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Tamburlaine, Parts I and II by Christopher Marlowe (review)

Dan Venning
pp. 727-729
DOI: https://doi.org/10.1353/tj.2015.0139
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The Balcony by Jean Genet (review)

Kimberly Jannarone
pp. 729-731
DOI: https://doi.org/10.1353/tj.2015.0145
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Suddenly Everywhere Is Black with People by Marcelo Evelin (review)

Lily E. Kelting
pp. 732-734
DOI: https://doi.org/10.1353/tj.2015.0113
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Performance and the Spatial Turn

Fiona Wilkie
pp. 735-745
DOI: https://doi.org/10.1353/tj.2015.0119
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Performed Imaginaries by Richard Schechner (review)

Patrick Anderson
pp. 747-748
DOI: https://doi.org/10.1353/tj.2015.0125
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The Theatrical Public Sphere by Christopher B. Balme (review)

David Krasner
pp. 749-750
DOI: https://doi.org/10.1353/tj.2015.0131
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Learning How to Fall: Art and Culture After September 11 by T. Nikki Cesare Schotzko (review)

Jenny Hughes
pp. 750-751
DOI: https://doi.org/10.1353/tj.2015.0137
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Wandering: Philosophical Performances of Racial and Sexual Freedom by Sarah Jane Cervenak (review)

Kristyl Dawn Tift
pp. 751-752
DOI: https://doi.org/10.1353/tj.2015.0143
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Coloring Whiteness: Acts of Critique in Black Performance by Faedra Chatard Carpenter (review)

Nicole Hodges Persley
pp. 753-754
DOI: https://doi.org/10.1353/tj.2015.0149
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All Joking Aside: American Humor and Its Discontents by Rebecca Krefting (review)

Miriam Chirico
pp. 754-755
DOI: https://doi.org/10.1353/tj.2015.0117
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Political Performance in Syria: From The Six-Day War to the Syrian Uprising by Edward Ziter (review)

Mohamed El Mejdki
p. 756
DOI: https://doi.org/10.1353/tj.2015.0123
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The Soviet Theater: A Documentary History ed. by Laurence Senelick, Sergei Ostrovsky (review)

Robert F. Crane
pp. 757-758
DOI: https://doi.org/10.1353/tj.2015.0129
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Plowed Under: Food Policy Protests and Performance in New Deal America by Ann Folino White (review)

Michael Schwartz
pp. 758-759
DOI: https://doi.org/10.1353/tj.2015.0135
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Bernard Shaw and Totalitarianism: Longing for Utopia by Matthew Yde (review)

Julia A. Walker
pp. 759-760
DOI: https://doi.org/10.1353/tj.2015.0141
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The First Frame: Theatre Space in Enlightenment France by Pannill Camp (review)

R. Darren Gobert
pp. 761-762
DOI: https://doi.org/10.1353/tj.2015.0147
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Inventing the Spectator: Subjectivity and the Theatrical Experience in Early Modern France by Joseph Harris (review)

Timothy J. Reiss
pp. 762-763
DOI: https://doi.org/10.1353/tj.2015.0115
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Befriending the Commedia Dell’arte of Flaminio Scala: The Comic Scenarios by Natalie Crohn Schmitt (review)

Thomas F. Heck
pp. 763-764
DOI: https://doi.org/10.1353/tj.2015.0121
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Shakespeare’s Medieval Craft: Remnants of the Mysteries on the London Stage by Kurt A. Schreyer (review)

Horacio Sierra
pp. 764-766
DOI: https://doi.org/10.1353/tj.2015.0127
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Index to Volume 67

pp. 771-778
DOI: https://doi.org/10.1353/tj.2015.0133
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Editorial Comment: Possible Worlds

Joanne Tompkins
pp. ix-xii
DOI: https://doi.org/10.1353/tj.2015.0140
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