1. Possible Worlds of the Pomarańczowa Alternatywa
  2. Michal Kobialka
  3. pp. 605-623
  4. DOI: 10.1353/tj.2015.0146
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  1. A Theatre of Many Dimensions: The Italian New Spectacularity and the Inhabitable Image
  2. Flora Pitrolo
  3. pp. 625-642
  4. DOI: 10.1353/tj.2015.0114
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  1. Drones, Projections, and Ghosts: Restaging Virtual War in Grounded and You Are Dead. You Are Here.
  2. Christine Evans
  3. pp. 663-686
  4. DOI: 10.1353/tj.2015.0126
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  1. Virtual Realisms: Dramatic Forays into the Future
  2. Sarah Bay-Cheng
  3. pp. 687-698
  4. DOI: 10.1353/tj.2015.0132
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  1. Song About Himself by Mickle Maher (review)
  2. John Hunt Muse
  3. pp. 699-700
  4. DOI: 10.1353/tj.2015.0138
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  1. The Upstairs Concierge by Kristoffer Diaz (review)
  2. Carla Della Gatta
  3. pp. 700-702
  4. DOI: 10.1353/tj.2015.0144
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  1. Twitch Plays Pokemon by Anonymous, and: Mari/O by Seth Bling, and: Dreeps by Hisanori Hiraoka (review)
  2. Michael St. Clair
  3. pp. 702-706
  4. DOI: 10.1353/tj.2015.0112
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  1. My Voice Has An Echo in It by Temporary Distortion (review)
  2. Stephen Wisker
  3. pp. 706-708
  4. DOI: 10.1353/tj.2015.0118
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  1. Cineastas by Mariano Pensotti (review)
  2. Analola Santana
  3. pp. 708-710
  4. DOI: 10.1353/tj.2015.0124
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  1. At the Vanishing Point by Naomi Iizuka (review)
  2. Sara Freeman
  3. pp. 710-711
  4. DOI: 10.1353/tj.2015.0130
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  1. Zero Hour: Tokyo Rose’s Last Tape by Miwa Yanagi (review)
  2. Jessica Nakamura
  3. pp. 711-713
  4. DOI: 10.1353/tj.2015.0136
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  1. The 1855 Lager Beer Riot Dodgeball Reenactment and Beer Tasting by Pocket Guide to Hell (review)
  2. Scott Magelssen
  3. pp. 716-718
  4. DOI: 10.1353/tj.2015.0148
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  1. Musa Dagh: Tage Des Widerstands dir. by Hans-Werner Kroesinger (review)
  2. Loren Kruger
  3. pp. 718-719
  4. DOI: 10.1353/tj.2015.0116
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  1. Angels in America by Tony Kushner (review)
  2. Virginia Anderson
  3. pp. 719-722
  4. DOI: 10.1353/tj.2015.0122
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  1. The Green Bay Tree by Mordaunt Shairp (review)
  2. Tom Ue
  3. pp. 722-724
  4. DOI: 10.1353/tj.2015.0128
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  1. Off the Rails by Randy Reinholz (review)
  2. Heidi L. Nees
  3. pp. 724-727
  4. DOI: 10.1353/tj.2015.0134
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  1. Tamburlaine, Parts I and II by Christopher Marlowe (review)
  2. Dan Venning
  3. pp. 727-729
  4. DOI: 10.1353/tj.2015.0139
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  1. The Balcony by Jean Genet (review)
  2. Kimberly Jannarone
  3. pp. 729-731
  4. DOI: 10.1353/tj.2015.0145
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  1. Suddenly Everywhere Is Black with People by Marcelo Evelin (review)
  2. Lily E. Kelting
  3. pp. 732-734
  4. DOI: 10.1353/tj.2015.0113
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  1. Performance and the Spatial Turn
  2. Fiona Wilkie
  3. pp. 735-745
  4. DOI: 10.1353/tj.2015.0119
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  1. Performed Imaginaries by Richard Schechner (review)
  2. Patrick Anderson
  3. pp. 747-748
  4. DOI: 10.1353/tj.2015.0125
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  1. The Theatrical Public Sphere by Christopher B. Balme (review)
  2. David Krasner
  3. pp. 749-750
  4. DOI: 10.1353/tj.2015.0131
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  1. Learning How to Fall: Art and Culture After September 11 by T. Nikki Cesare Schotzko (review)
  2. Jenny Hughes
  3. pp. 750-751
  4. DOI: 10.1353/tj.2015.0137
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  1. Wandering: Philosophical Performances of Racial and Sexual Freedom by Sarah Jane Cervenak (review)
  2. Kristyl Dawn Tift
  3. pp. 751-752
  4. DOI: 10.1353/tj.2015.0143
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  1. Coloring Whiteness: Acts of Critique in Black Performance by Faedra Chatard Carpenter (review)
  2. Nicole Hodges Persley
  3. pp. 753-754
  4. DOI: 10.1353/tj.2015.0149
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  1. All Joking Aside: American Humor and Its Discontents by Rebecca Krefting (review)
  2. Miriam Chirico
  3. pp. 754-755
  4. DOI: 10.1353/tj.2015.0117
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  1. Political Performance in Syria: From The Six-Day War to the Syrian Uprising by Edward Ziter (review)
  2. Mohamed El Mejdki
  3. p. 756
  4. DOI: 10.1353/tj.2015.0123
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  1. The Soviet Theater: A Documentary History ed. by Laurence Senelick, Sergei Ostrovsky (review)
  2. Robert F. Crane
  3. pp. 757-758
  4. DOI: 10.1353/tj.2015.0129
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  1. Plowed Under: Food Policy Protests and Performance in New Deal America by Ann Folino White (review)
  2. Michael Schwartz
  3. pp. 758-759
  4. DOI: 10.1353/tj.2015.0135
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  1. Bernard Shaw and Totalitarianism: Longing for Utopia by Matthew Yde (review)
  2. Julia A. Walker
  3. pp. 759-760
  4. DOI: 10.1353/tj.2015.0141
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  1. The First Frame: Theatre Space in Enlightenment France by Pannill Camp (review)
  2. R. Darren Gobert
  3. pp. 761-762
  4. DOI: 10.1353/tj.2015.0147
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  1. Inventing the Spectator: Subjectivity and the Theatrical Experience in Early Modern France by Joseph Harris (review)
  2. Timothy J. Reiss
  3. pp. 762-763
  4. DOI: 10.1353/tj.2015.0115
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  1. Befriending the Commedia Dell’arte of Flaminio Scala: The Comic Scenarios by Natalie Crohn Schmitt (review)
  2. Thomas F. Heck
  3. pp. 763-764
  4. DOI: 10.1353/tj.2015.0121
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  1. Shakespeare’s Medieval Craft: Remnants of the Mysteries on the London Stage by Kurt A. Schreyer (review)
  2. Horacio Sierra
  3. pp. 764-766
  4. DOI: 10.1353/tj.2015.0127
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  1. Index to Volume 67
  2. pp. 771-778
  3. DOI: 10.1353/tj.2015.0133
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  1. Editorial Comment: Possible Worlds
  2. Joanne Tompkins
  3. pp. ix-xii
  4. DOI: 10.1353/tj.2015.0140
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