Books Received

Berger, Thomas L., and Sonia Massai, eds. Paratexts in English Printed Drama to 1642. New York: Cambridge University Press, 2014.

Bryer, Jackson R., and Robert M. Dowling, eds. Eugene O’Neill: The Contemporary Reviews. New York: Cambridge University Press, 2014.

Bryer, Jackson R., and Mary C. Hartig, eds. William Inge: Essays and Reminiscences on the Plays and the Man. Jefferson, NC: McFarland, 2014.

Crombez, Thomas, and Luk Van den Dries, eds. Mass Theatre in Interwar Europe: Flanders and the Netherlands in an International Perspective. Leuven, Belgium: Leuven University Press, 2014.

Dillon, Elizabeth Maddock. New World Drama: The Performative Commons in the Atlantic World, 1649–1849. Durham, NC: Duke University Press, 2014.

Dowling, Robert M. Eugene O’Neill: A Life in Four Acts. New Haven, CT: Yale University Press, 2014.

Faroqhi, Suraiya, and Arzu Öztürkmen, eds. Celebration, Entertainment and Theatre in the Ottoman World. New York: Seagull Books, 2014.

Hagher, Iyorwuese. The Kwagh-hir Theater: A Weapon for Social Action. Lanham, MD: University Press of America, 2014.

Lee, Rachel C. The Exquisite Corpse of Asian America: Biopolitics, Biosociality, and Posthuman Ecologies. New York: New York University Press, 2014.

Leiter, Samuel L. Historical Dictionary of Japanese Traditional Theatre. 2nd ed. New York: Rowman & Littlefield, 2014.

Lim, Eng-Beng. Brown Boys and Rice Queens: Spellbinding Performance in the Asias. New York: New York University Press, 2014.

Magelssen, Scott. Simming: Participatory Performance and the Making of Meaning. Ann Arbor: University of Michigan Press, 2014.

Malia, Scott. Giorgio Strehler Directs Carlo Goldini. Lanham, MD: Lexington, 2014.

Peschel, Lisa, ed. Performing Captivity, Performing Escape: Cabarets and Plays from the Terezin/Theresienstadt Ghetto. London: Seagull, 2014.

Prentiss, Craig R. Staging Faith: Religion and African American Theatre from the Harlem Renaissance to World War II. New York: New York University Press, 2014.

Prizant, Yael. Cuba Inside Out: Revolutionary and Contemporary Theatre. Carbondale: Southern Illinois University Press, 2014.

Robalino, Gladys, ed. Female Amerindians in Early Modern Spanish Theatre.Lanham, MD: Rowman & Littlefield, 2014.

Schreyer, Kurt A. Shakespeare’s Medieval Craft: Remnants of the Mysteries on the London Stage. Ithaca, NY: Cornell University Press, 2014.

Senelick, Laurence, and Sergei Ostrovsky, eds. The Soviet Theatre: A Documentary History. New Haven, CT: Yale University Press, 2014.

Westgate, J. Chris. Staging the Slums, Slumming the Stage: Class Poverty, Ethnicity, and Sexuality in American Theatre, 1890–1916. New York: Palgrave Macmillan, 2014.

Wills, Garry. Making Make-Believe Real: Politics as Theatre in Shakespeare’s Time. New Haven, CT: Yale University Press, 2014.