In this Issue

Table of Contents

Theatre History, Theatrical Mimesis, and the Myth of the Abydos Passion Play

Alan Sikes
pp. 3-18
DOI: https://doi.org/10.1353/ths.2015.0027
restricted access

William Alexander Leidesdorff and the American 1847: Minstrelsy and Race in California before the Gold Rush

Andrew Gibb
pp. 19-37
DOI: https://doi.org/10.1353/ths.2015.0032
restricted access

Antebellum Touring and the Culture of Deception: The Case of Master Diamond

Nicole Berkin
pp. 39-58
DOI: https://doi.org/10.1353/ths.2015.0004
restricted access

Performing the Polish-American Patriot: Civic Performance and Hyphenated Identity in World War I Chicago

Megan E. Geigner
pp. 59-78
DOI: https://doi.org/10.1353/ths.2015.0009
restricted access

New Paths to Representation; or, How Under the Cherokee Moon Broke the Outdoor Historical Drama Mold

Heidi L. Nees
pp. 79-102
DOI: https://doi.org/10.1353/ths.2015.0014
restricted access

Russian Culture and Theatrical Performance in America, 1891–1933 by Valleri J. Hohman (review)

Sharon Marie Carnicke
pp. 103-105
DOI: https://doi.org/10.1353/ths.2015.0019
restricted access

Staging the People: Community and Identity in the Federal Theatre Project by Elizabeth A. Osborne (review)

Johnathan Chambers
pp. 105-108
DOI: https://doi.org/10.1353/ths.2015.0025
restricted access

The Politics of the Pantomime: Regional Identity in the Theatre, 1860–1900 by Jill A. Sullivan (review)

Meredith Conti
pp. 110-113
DOI: https://doi.org/10.1353/ths.2015.0002
restricted access

Performing Gender Violence: Plays by Contemporary American Women Dramatists ed. by Barbara Ozieblo Noelia, Hernando-Real (review)

Jerry Dickey
pp. 113-115
DOI: https://doi.org/10.1353/ths.2015.0007
restricted access

Performing Remains: Art and War in Times of Theatrical Reenactment by Rebecca Schneider (review)

Julia Fawcett
pp. 115-118
DOI: https://doi.org/10.1353/ths.2015.0012
restricted access

Violence in American Drama: Essays on Its Staging, Meanings and Effects ed. by Alfonso Ceballos Muñoz, Ramón Espejo Romero, Bernardo Muñoz Martinez (review)

Iris Fischer
pp. 118-120
DOI: https://doi.org/10.1353/ths.2015.0017
restricted access

Changed for Good: A Feminist History of the Broadway Musical by Stacy Wolf (review)

Brett D. Johnson
pp. 121-123
DOI: https://doi.org/10.1353/ths.2015.0023
restricted access

Self and Space in the Theater of Susan Glaspell by Noelia Hernando-Real (review)

Emeline Jouve
pp. 123-125
DOI: https://doi.org/10.1353/ths.2015.0028
restricted access

The Making of Cabaret by Keith Garebian (review)

Valerie Joyce
pp. 125-127
DOI: https://doi.org/10.1353/ths.2015.0000
restricted access

How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement by Ruth Feldstein (review)

Keith Byron Kirk
pp. 128-130
DOI: https://doi.org/10.1353/ths.2015.0005
restricted access

There’s a Place for Us: The Musical Theatre Works of Leonard Bernstein by Helen Smith (review)

Jenna L. Kubly
pp. 130-132
DOI: https://doi.org/10.1353/ths.2015.0010
restricted access

Simming: Participatory Performance and the Making of Meaning by Scott Magelssen (review)

Martha S. Lomonaco
pp. 132-134
DOI: https://doi.org/10.1353/ths.2015.0015
restricted access

Theatre and Museums by Susan Bennett (review)

Scott Magelssen
pp. 134-137
DOI: https://doi.org/10.1353/ths.2015.0020
restricted access

Ecocriticism and Shakespeare: Reading Ecophobia by Simon C. Estok (review)

Theresa J. May
pp. 137-140
DOI: https://doi.org/10.1353/ths.2015.0026
restricted access

Alfred Jarry: A Pataphysical Life by Alastair Brotchie (review)

Lance Mekeel
pp. 141-143
DOI: https://doi.org/10.1353/ths.2015.0031
restricted access

La Voz Latina: Contemporary Plays and Performance Pieces by Latinas ed. by Elizabeth C. Ramírez, Catherine Casiano (review)

Beliza Torres Narváez
pp. 143-146
DOI: https://doi.org/10.1353/ths.2015.0003
restricted access

Racial Innocence: Performing American Childhood from Slavery to Civil Rights by Robin Bernstein (review)

Tavia Nyong’o
pp. 146-148
DOI: https://doi.org/10.1353/ths.2015.0008
restricted access

Keith Johnstone: A Critical Biography by Theresa Robbins Dudeck (review)

Alexis Riley
pp. 148-151
DOI: https://doi.org/10.1353/ths.2015.0013
restricted access

An Actress Prepares: Women and “the Method.” by Rosemary Malague (review)

Kristen Rogers
pp. 151-153
DOI: https://doi.org/10.1353/ths.2015.0018
restricted access

Mabou Mines: Making Avant-Garde Theater in the 1970s by Iris Smith Fischer (review)

Cindy Rosenthal
pp. 154-156
DOI: https://doi.org/10.1353/ths.2015.0024
restricted access

Transposing Broadway: Jews, Assimilation, and the American Musical by Stuart J. Hecht (review)

Judith Sebesta
pp. 157-159
DOI: https://doi.org/10.1353/ths.2015.0029
restricted access

Native Acts: Indian Performance, 1603-1832 ed. by Joshua David Bellin, Laura L. Mielke, and: Ceremony, Spirituality, and Ritual in Native American Performance: A Creative Notebook by Hanay Geiogamah (review)

Teresa Stankiewicz
pp. 159-165
DOI: https://doi.org/10.1353/ths.2015.0001
restricted access

The Problem of the Color[blind]: Racial Transgression and the Politics of Black Performance by Brandi Wilkins Catanese (review)

Harvey Young
pp. 167-170
DOI: https://doi.org/10.1353/ths.2015.0011
restricted access

Illustrations

p. ix
DOI: https://doi.org/10.1353/ths.2015.0033
restricted access

Introduction

Elizabeth Reitz Mullenix
pp. 1-2
DOI: https://doi.org/10.1353/ths.2015.0021
restricted access

Comedy: A Critical Introduction by Eli Rozik (review)

Miriam Chirico
pp. 108-110
DOI: https://doi.org/10.1353/ths.2015.0030
restricted access

Suzan-Lori Parks: Essays on the Plays and Other Works ed. by Philip C. Kolin (review)

Kevin J. Wetmore Jr.
pp. 165-167
DOI: https://doi.org/10.1353/ths.2015.0006
restricted access

Books Received

pp. 171-172
DOI: https://doi.org/10.1353/ths.2015.0016
restricted access

Contributors

pp. 173-174
DOI: https://doi.org/10.1353/ths.2015.0022
restricted access

Previous Issue

Volume 33, 2014

Next Issue

Volume 35, 2016