Contributors
- Contributors
Kia Afra has taught film history and documentary at Brown University and Moorpark College. He worked for several years as an assistant sound editor in the film and TV industry, and his articles have previously appeared in Film History and Quarterly Review of Film and Video. His award-winning experimental film work (Texture, 1998) and his more recent digital production (The Redwoods Variations, 2011) have also addressed the concept of synaesthesia.
kiaafra@yahoo.com
Maria Cizmic is Associate Professor in the Humanities and Cultural Studies Department at the University of South Florida. She earned her PhD in Musicology from the University of California, Los Angeles. In 2012 Oxford University Press published her monograph Performing Pain: Music and Trauma in Eastern Europe.
mcizmic@usf.edu
Daniela Fountain (née Schwark) recently completed her PhD, entitled ‘Contextualising Music at a Cinematic Tudor Court’, at the University of Hull. She is an active performer on early plucked instruments as well as a researcher and teacher, with a background in music education as well as experience in language learning support and translation. She is an active contributor to the newly established Nottingham-based research group REMOSS (Representations of Early Music on Stage and Screen).
d.g.fountain@hull.ac.uk
Douglas Knight is a doctoral student at Royal Holloway, University of London. He holds bachelor’s and master’s degrees in musicology from the University of Oxford. His research looks at the use of classical music in postwar European art cinema.
douglas.knight.2014@live.rhul.ac.uk
Davina Quinlivan is a Senior Lecturer in Performance and Screen Studies at Kingston University. Her first book, The Place of Breath in Cinema (Edinburgh University Press, 2012), explored the locus of the breathing body, silences, and invisibilities in the context of embodied film theory, exploring the films of David Cronenberg, Lars von Trier, and Atom Egoyan. She has published in Screen, Studies in French Cinema, LOLA, and Cinema Journal.
davinaquinlivan@hotmail.com
Katherine Spring is an Associate Professor of Film Studies at Wilfrid Laurier University in Waterloo, Canada. She is the author of Saying It with Songs: Popular Music and the Coming of Sound to Hollywood Cinema (Oxford University Press, 2013) and articles on film sound and music that have appeared in Cinema Journal, Film History, Music and the Moving Image, and numerous edited anthologies.
kspring@wlu.ca [End Page 1]
