In this Issue

Table of Contents

The Vicissitudes of Listening: Music, Empathy, and Escape in Lars von Trier’s Breaking the Waves

Maria Cizmic
pp. 1-32
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‘Vertical Montage’ and Synaesthesia: Movement, Inner Synchronicity, and Music–Image Correlation in Alexander Nevsky (1938)

Kia Afra
pp. 33-61
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On How Queer Cinema Might Feel

Davina Quinlivan
pp. 63-77
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Conference Report: ‘Film & History’ Conference, Madison, Wisconsin, October 30 to November 1, 2014

Katherine Spring
pp. 79-83
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Animierte Musik—Beseelte Zeichen: Tonspuren anthropomorpher Tiere in Animated Cartoons by Saskia Jaszoltowski (review)

Daniela Fountain
pp. 85-90
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Music, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction by Ben Winters (review)

Douglas Knight
pp. 91-97
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Contributors

p. 1
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