Index to Volume 8

Articles

• Alunno, Marco (Introduction and English translation), Cinema and Music (1937) by Ignacio Isaza Martínez 87

• Cecchi, Alessandro, Creative Titles: Audio-Visual Experimentation and Self-Reflexivity in Italian Industrial Films of the Economic Miracle and After 179

• Davison, Annette, The End is Nigh: Music Postfaces and End-Credit Sequences in Contemporary Television Serials 195

• Deaville, James and Malkinson, Agnes, A Laugh a Second? Music and Sound in Comedy Trailers 121

• Dubowsky, Jack Curtis, Musical Cachet in New Queer Cinema 25

• Johnston, Keith M., Sound and (No) Vision: Locating the Radio Trailer 163

• Murphy, Scott, A Pop Music Progression in Recent Popular Movies and Movie Trailers 141

• Pontara, Tobias, Bach at the Space Station: Hermeneutic Pliability and Multiplying Gaps in Andrei Tarkovsky’s Solaris 1

• Powrie, Phil and Heldt, Guido, Introduction: Trailers, Titles, and End Credits 111

• Renihan, Colleen, Gesture, Temporality, and the Politics of Engagement in Opera on Film: Penny Woolcock’s The Death of Klinghoffer 57

Reviews

• Brown, Julie and Davison, Annette (eds), The Sounds of the Silents in Britain, review by Rick Altman 93

• Callaway, Kutter, Scoring Transcendence: Contemporary Film Music as Religious Experience, review by Carl Laamanen 103

• Collins, Karen, Playing with Sound: A Theory of Interacting with Sound and Music in Video Games, review by Nessa Johnston 217

• Glynn, Stephen, Quadrophenia, review by Paul Newland 241

• Kassabian, Anahid, Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity, review by Annabel Fleming-Brown 97

• Richardson, John, Gorbman, Claudia, and Vernallis, Carol (eds), The Oxford Handbook of New Audiovisual Aesthetics, review by Ben Winters 229

• Spring, Katherine, Saying It With Songs: Popular Music & The Coming of Sound to Hollywood Cinema, review by Kate Guthrie 237

• Taylor, Timothy D., The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture, review by Landon Palmer 223