1. A Laugh a Second?: Music and Sound in Comedy Trailers
  2. James Deaville, Agnes Malkinson
  3. pp. 121-140
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  1. A Pop Music Progression in Recent Popular Movies and Movie Trailers
  2. Scott Murphy
  3. pp. 141-162
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  1. Sound and (No) Vision: Locating the Radio Trailer
  2. Keith M. Johnston
  3. pp. 163-178
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  1. Creative Titles: Audiovisual Experimentation and Self-Reflexivity in Italian Industrial Films of the Economic Miracle and After
  2. Alessandro Cecchi
  3. pp. 179-194
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  1. Playing with Sound: A Theory of Interacting with Sound and Music in Video Games by Karen Collins (review)
  2. Nessa Johnston
  3. pp. 217-222
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  1. The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture by Timothy D. Taylor (review)
  2. Landon Palmer
  3. pp. 223-227
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  1. The Oxford Handbook of New Audiovisual Aesthetics ed. by John Richardson, Claudia Gorbman, and Carol Vernallis (review)
  2. Ben Winters
  3. pp. 229-235
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  1. Saying It with Songs: Popular Music & The Coming of Sound to Hollywood Cinema by Katherine Spring (review)
  2. Kate Guthrie
  3. pp. 237-240
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  1. Quadrophenia by Stephen Glynn (review)
  2. Paul Newland
  3. pp. 241-244
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  1. Index to Volume 8
  2. p. 249
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  1. Introduction: Trailers, Titles, and End Credits
  2. Phil Powrie, Guido Heldt
  3. pp. 111-120
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  1. The End is Nigh: Music Postfaces and End-Credit Sequences in Contemporary Television Serials
  2. Annette Davison
  3. pp. 195-215
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  1. Contributors to Issue 8:2
  2. pp. 245-247
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