In this Issue

Table of Contents

A Laugh a Second?: Music and Sound in Comedy Trailers

James Deaville, Agnes Malkinson
pp. 121-140
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A Pop Music Progression in Recent Popular Movies and Movie Trailers

Scott Murphy
pp. 141-162
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Sound and (No) Vision: Locating the Radio Trailer

Keith M. Johnston
pp. 163-178
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Creative Titles: Audiovisual Experimentation and Self-Reflexivity in Italian Industrial Films of the Economic Miracle and After

Alessandro Cecchi
pp. 179-194
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Playing with Sound: A Theory of Interacting with Sound and Music in Video Games by Karen Collins (review)

Nessa Johnston
pp. 217-222
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The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture by Timothy D. Taylor (review)

Landon Palmer
pp. 223-227
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The Oxford Handbook of New Audiovisual Aesthetics ed. by John Richardson, Claudia Gorbman, and Carol Vernallis (review)

Ben Winters
pp. 229-235
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Saying It with Songs: Popular Music & The Coming of Sound to Hollywood Cinema by Katherine Spring (review)

Kate Guthrie
pp. 237-240
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Quadrophenia by Stephen Glynn (review)

Paul Newland
pp. 241-244
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Index to Volume 8

p. 249
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Introduction: Trailers, Titles, and End Credits

Phil Powrie, Guido Heldt
pp. 111-120
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The End is Nigh: Music Postfaces and End-Credit Sequences in Contemporary Television Serials

Annette Davison
pp. 195-215
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Contributors to Issue 8:2

pp. 245-247
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