Index to Volume 50

Contributors Index

Articles

Balme, Christopher B. Staging the Pacific: Framing Authenticity in Performances for Tourists at the Polynesian Cultural Center. 53–70.

Bottoms, Steven. The Tangled Flora of Goat Island: Rhizome, Repetition, Reality. 421–46.

Burningham, Bruce. Barbarians at the Gates: The Invasive Discourse of Medieval Performance in Lope’s Arte Nuevo. 289–302.

Canning, Charlotte. The Platform vs. the Stage: The Circuit Chautauqua’s Antitheatrical Theatre. 303–18.

Carlson, Marla. Impassive Bodies: Hrotsvit Stages Martyrdom. 473–87.

Dharwadker, Aparna. Diaspora, Nation, and the Failure of Home: Two Contemporary Indian Plays. 71–94.

Ewbank, Inga-Stina. The Intimate Theatre: Shakespeare Teaches Strindberg Theatrical Modernism. 165–74.

Feldman, Sharon G. Scenes from the Contemporary Barcelona Stage: La Fura dels Baus’s Aspirations to the Authentic. 447–72.

Gross, Robert F. Fuhrmann Henschel and the Ruins of Realism. 319–34.

Hodgdon, Barbara. Replicating Richard: Body Doubles, Body Politics. 207–25.

Hill, Philip G. Doctoral Projects in Progress in Theatre Arts, 1998. 227–32.

Ireland, John. Freedom as Passion: Sartre’s Mystery Plays. 335–48.

Kaynar, Gad. National Theatre as Colonized Theatre: The Paradox of Habima. 1–20.

Kennedy, Dennis. Shakespeare and Cultural Tourism. 175–88.

Knowles, Richard P. From Dream to Machine: Peter Brook, Robert Lepage, and the Contemporary Shakespearean Director as (Post)Modernist. 189–206.

Lane, Jill. Blackface Nationalism: Cuba 1840–1868. 21–38.

Makaryk, Irena. Shakespeare Right and Wrong. 153–63.

O’Brien, John. Harlequin Britain: Eighteenth-Century Pantomime and the Cultural Location of Entertainment(s). 489–510.

Roach, Joseph. Barnumizing Diaspora: The “Irish Skylark” Does New Orleans. 39–51.

Underiner, Tamara. Incidents of Theatre in Chiapas, Tabasco and Yucatan: Cultural Excitements in Mayan Mexico. 349–70.

Performance Reviews

Apple, Thomas T. Berlin Theatertreffen. 262–66.

Auslander, Philip. Kwaidon. Adapt. Ping Chong. 521–23.

Baker, Kit. F@ust: Version 3.0. Johann Wolfgang Goethe, adapt. Pablo Ley. 511–13.

———. Macbeth. William Shakespeare. 242–46.

Barnett, Claudia. Mr. Bundy. Jane Martin. 382.

Barnett, Dennis. 1997 BITEF Festival. 392–97.

Beck, Dennis C. Jób—An Oratorio for Actors. Joseph Roth and Martin Dohnal, adapt. Milan Czerny. 113–14.

Borgstrom, C. Henrik. The Father. August Strindberg. 261–62.

Brietzke, Zander. Ah, Wilderness! and The Emperor Jones. Eugene O’Neill. 385–88.

Carlson, Marvin. Hamletas. William Shakespeare. 233–34.

Carmody, Jim. The School for Wives. Molière. 251–52.

Cheng, Meiling. Monsters of Grace 1.0: A Digital Opera in Three Dimensions. Philip Glass and Robert Wilson. 513–14.

Conley, Francine Heather. The Kitchen. Arnold Wesker. 125–27.

Conner, Kim S. 13 Días/13 Days: How the New Zapatistas Shook the World. Joan Holden, Paula Loera, Daniel Nugent, and Eva Tessler. 97–98.

Cummings, Scott. The Three Sisters. Anton Chekhov. 397–400.

Diamond, Catherine. Anatomy of Corruption and Ilustrado. Malou Jacob and Paul Dumol. 531–34.

———. Metamorphosis. Franz Kafka, adapt. Steven Berkoff. 114–16.

Dolan, Jill. How I Learned to Drive. Paula Vogel. 127–28.

Dunbar, Judith. Richard III. William Shakespeare. 240–42.

Ferguson, Marcia L. Menopausal Gentleman. Peggy Shaw. 377–78.

Fisher, James. Hydriotaphia, or The Death of Dr. Browne. Tony Kushner. 373–75.

Frank, Glenda. Terra Incognita. Maria Irene Fornes. 98–99.

Freeman, Roger. BOB. Saratoga International Theater Institute. 514–17.

Friedler, Sharon. Marche des Arts du Spectacle Africain (MASA ‘97), Ivory Coast. 108–10.

Gendrich, Cynthia. With Woodrow Hood. House/Lights. The Wooster Group. 383–85.

Goodstein, Jack. Culture of Desire. Ann Bogart. 380–81.

Gross, Robert F. Pearls for Pigs. Richard Foreman. 517–18.

Hammerbeck, David. Los Biombos/The Screens. Jean Genet, adapt. Gloria Alverez, with Pete Galindo, Lynn Jeffries, and Peter Sellars. 525–29.

Hill, Holly. IX Cairo International Festival for Experimental Theatre. 390–93.

Holt, Marion Peter. The Reluctant Lovers. Tirso de Molina. 252–54.

Hood, Woodrow. With Cynthia Gendrich. House/Lights. The Wooster Group. 383–85.

Johnson, Odai. The Witlings. Frances Burney. 543–44.

Kloppenberg, Brian. Der Fensterputzer (The Window Washer). Pina Bausch. 388–89.

Kubikowski, Tomasz. Noc listopadowa (November Night). Stanis¬aw Wyspian;ski. 518–21.

Kuftinec, Sonja. XVIII International Days of Youth Theatre Festival, Bosnia-Herzegovina. 111–13.

Lamont, Rosette C. Tartuffe. Molière. 249–51.

Lewis, Megan. Standard Bank National Arts Festival, South Africa. 105–7.

Mason, Susan...