1. The Tangled Flora of Goat Island: Rhizome, Repetition, Reality
  2. Stephen J. Bottoms
  3. pp. 421-446
  4. DOI: 10.1353/tj.1998.0100
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  1. Scenes from the Contemporary Barcelona Stage: La Fura dels Baus's Aspiration to the Authentic
  2. Sharon G. Feldman
  3. pp. 447-472
  4. DOI: 10.1353/tj.1998.0112
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  1. Impassive Bodies: Hrotsvit Stages Martyrdom
  2. Marla Carlson
  3. pp. 473-487
  4. DOI: 10.1353/tj.1998.0111
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  1. Harlequin Britain: Eighteenth-Century Pantomime and the Cultural Location of Entertainment(s)
  2. John O'Brien
  3. pp. 489-510
  4. DOI: 10.1353/tj.1998.0099
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  1. F@ust: Version 3.0 (review)
  2. Kit Baker
  3. pp. 511-513
  4. DOI: 10.1353/tj.1998.0120
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  1. Monsters of Grace 1.0: A Digital Opera in Three Dimensions (review)
  2. Mei-ling Cheng
  3. pp. 513-514
  4. DOI: 10.1353/tj.1998.0119
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  1. BOB (review)
  2. Roger Freeman
  3. pp. 514-517
  4. DOI: 10.1353/tj.1998.0113
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  1. Pearls for Pigs (review)
  2. Robert F. Gross
  3. pp. 517-518
  4. DOI: 10.1353/tj.1998.0117
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  1. November Night (Noc Listopadowa) (review)
  2. Tomasz Kubikowski
  3. pp. 518-521
  4. DOI: 10.1353/tj.1998.0126
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  1. Kwaidan (review)
  2. Philip Auslander
  3. pp. 521-523
  4. DOI: 10.1353/tj.1998.0115
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  1. Jails, Hospitals & Hip Hop (review)
  2. Ginger Gail Strand
  3. pp. 523-525
  4. DOI: 10.1353/tj.1998.0121
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  1. Los Biombos/The Screens (review)
  2. David Hammerbeck
  3. pp. 525-529
  4. DOI: 10.1353/tj.1998.0118
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  1. Et soudain, des nuits d'eveil (And Suddenly, Nights of Awakening) (review)
  2. Loren Ringer
  3. pp. 529-531
  4. DOI: 10.1353/tj.1998.0116
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  1. Anatomy of Corruption, and: Ilustrado (review)
  2. Catherine Diamond
  3. pp. 531-534
  4. DOI: 10.1353/tj.1998.0123
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  1. 1998 Hong Kong Fringe Festival (review)
  2. James S. Moy
  3. pp. 535-537
  4. DOI: 10.1353/tj.1998.0122
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  1. Pacific Overtures (review)
  2. Cecilia J. Pang
  3. pp. 537-540
  4. DOI: 10.1353/tj.1998.0125
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  1. Ragtime (review)
  2. Rick Simas
  3. pp. 540-542
  4. DOI: 10.1353/tj.1998.0124
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  1. The Witlings (review)
  2. Odai Johnson
  3. pp. 543-544
  4. DOI: 10.1353/tj.1998.0114
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  1. Arlecchino a Parigi: Lo Scenario di Domenico Biancolelli (review)
  2. Thomas F. Heck
  3. pp. 545-546
  4. DOI: 10.1353/tj.1998.0105
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  1. Leone de'Sommi and the Performing Arts (review)
  2. Madeleine Schechter
  3. pp. 546-547
  4. DOI: 10.1353/tj.1998.0101
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  1. Mourning Sex: Performing Public Memories (review)
  2. Janelle G. Reinelt
  3. pp. 547-549
  4. DOI: 10.1353/tj.1998.0109
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  1. Re-Dressing the Canon: Essays on Theatre and Gender (review)
  2. David Román
  3. pp. 549-550
  4. DOI: 10.1353/tj.1998.0110
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  1. Approaching the Millennium: Essays on Angels in America (review)
  2. James Fisher
  3. pp. 550-552
  4. DOI: 10.1353/tj.1998.0106
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  1. Stephen Sondheim: A Casebook (review)
  2. Kim H. Kowalke
  3. pp. 552-554
  4. DOI: 10.1353/tj.1998.0107
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  1. Dramaturgy in American Theater: A Source Book (review)
  2. Susan C. Haedicke
  3. pp. 554-555
  4. DOI: 10.1353/tj.1998.0108
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  1. My Story and my Life as an Actress (review)
  2. Kathryn Hansen
  3. pp. 555-557
  4. DOI: 10.1353/tj.1998.0102
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  1. A History of Polish Theater, 1939-1989: Spheres of Captivity and Freedom (review)
  2. Anna Krajewska-Wieczorek
  3. pp. 557-558
  4. DOI: 10.1353/tj.1998.0103
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  1. Alternative Theatre in Poland, 1954-1989 (review)
  2. Richard G. Scharine
  3. pp. 558-559
  4. DOI: 10.1353/tj.1998.0104
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  1. Index to Volume 50
  2. pp. 563-569
  3. DOI: 10.1353/tj.1998.0127
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  1. Comment
  2. Susan Bennett
  3. pp. iv-v
  4. DOI: 10.1353/tj.1998.0128
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