Abstract

This essay examines several modern Chinese spoken dramas known for their formalistic features in early post-Mao theatre. It discusses the dynamics of form and content, Eastern and Western dramatic traditions and styles, and political culture and theatre performance in contemporary China.

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Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. 200-221
Launched on MUSE
2001-09-01
Open Access
No
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