In this Issue

Table of Contents

Editor's Note

Samuel L. Leiter
pp. iii-iv
DOI: https://doi.org/10.1353/atj.2001.0019
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Play

Water!: A Tamil Play by Komal Swaminathan

Komal Swaminathan, Subramanian Shankar
pp. 123-173
DOI: https://doi.org/10.1353/atj.2001.0023
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Articles

The Farcical Mosaic: The Changing Masks of Political Theatre in Contemporary India

Darren C. Zook
pp. 174-199
DOI: https://doi.org/10.1353/atj.2001.0024
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A Stage in Search of a Tradition: The Dynamics of Form and Content in Post-Maoist Theatre

Xiaomei Chen
pp. 200-221
DOI: https://doi.org/10.1353/atj.2001.0014
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Historicity and Contemporaneity: Adaptations of Yuan Plays in the 1990s

Wenwei Du
pp. 222-237
DOI: https://doi.org/10.1353/atj.2001.0015
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Debut Panel Papers

Putana's Salvation in Kathakali: Embodying the Sacred Journey

Marlene B. Pitkow
pp. 238-248
DOI: https://doi.org/10.1353/atj.2001.0020
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Androgyny and Otherness: Exploring the West Through the Japanese Performative Body

Erica Stevens Abbitt
pp. 249-256
DOI: https://doi.org/10.1353/atj.2001.0012
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No Performances in Gaichi

Shinko Kagaya
pp. 257-269
DOI: https://doi.org/10.1353/atj.2001.0018
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Book Reviews

Sri Lankan Theater in a Time of Terror: Political Satire in a Permitted Space (review)

Sudipto Chatterjee
pp. 270-273
DOI: https://doi.org/10.1353/atj.2001.0013
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The Politics of Cultural Practice: Thinking Through Theatre in an Age of Globalization (review)

Barbara Sellers-Young
pp. 274-275
DOI: https://doi.org/10.1353/atj.2001.0022
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Dis/Orientations: Cultural Praxis in Theatre: Asia, Pacific, Australia (review)

Lyn Margaret Scott
pp. 275-278
DOI: https://doi.org/10.1353/atj.2001.0021
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The Cinema of Hong Kong: History, Arts, Identity (review)

Ping Fu
pp. 279-281
DOI: https://doi.org/10.1353/atj.2001.0017
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Media Review

Borrowed Fire (review)

Kathy Foley
pp. 282-283
DOI: https://doi.org/10.1353/atj.2001.0016
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