Auto/Assemblage: Reading the Zine

This article investigates the zine as a compelling example of autographics, theorizing the dynamics of self-representation in these handmade texts. Reading the intersection of text, layout, and production as a complex site of self-representation, the materiality of the zine form is examined as a meta-critical refl ection on the form of the book and the potential of the photocopier as a means of production.