Contributors
Rent from DeepDyve- Contributors
Andrew Stauffer is Associate Professor of English at Boston University. He is the author of Anger, Revolution and Romanticism (2005) and has produced an annotated edition of H. Rider Haggard's She: A History of Adventure (2006). Together with James Loucks, he is also the editor of Robert Browning's Poetry, forthcoming from W.W. Norton in 2006.
Florence S. Boos is Professor of English at the University of Iowa. She is the editor of History and Community: Essays in Victorian Medievalism (1992) and author of The Design of William Morris' The Earthly Paradise (1991)
Thomas J. Brennan is an Assistant Professor of English at St. Joseph's University. He has recently published essays on Wordsworth and Coleridge and is currently working on a book about the psychoanalytic dimensions of poetry of mourning.
Sarah Eron is a graduate student at Cornell University.
Benjamin F. Fisher, Professor of English, University of Mississippi, has published essays on Mrs. J. H. Riddell, Marie Corelli, A. E. Housman, and Poe. He is also editing Ella D'Arcy's letters and working on a book on John Lane's Keynotes Series, and a shorter study of laughter in Tennyson's poems.
Linda K. Hughes is Professor of English at Texas Christian University. She is the author of The Manyfacèd Glass: Tennyson's Dramatic Monologues (1987) and co-author, with Michael Lund, of The Victorian Serial (1991).
Yisrael Levin is a Ph.D. candidate in the Department of English at the University of Victoria. His dissertation focuses on Swinburne's poetic representations of Apollo and explores the formation of Swinburne's Apollonian theology.
Jeffrey B. Loomis teaches at Northwest Missouri State University. He is the author of Dayspring in Darkness: Sacrament in Hopkins (1988).
Margot K. Louis is Associate Professor of English at the University of Victoria and author of Swinburne and His Gods: The Roots and Growth of an Agnostic Poetry (1990).
Clinton Machann is Professor of English at Texas A&M University. Among his recent publication are The Genre of Autobiography in Victorian Literature (1994), The Essential Matthew Arnold: An Annotated Bibliography of Major Modern Studies (1993), and Matthew Arnold: A Literary Life (1998).
Rosemarie Morgan, research fellow at Yale University, is author of Women and Sexuality in the Novels of Thomas Hardy (1988), Cancelled Words: Rediscovering Thomas Hardy (1992), and A Student Companion to Thomas Hardy (Greenwood, 2006). She is currently editing a Research Companion to Thomas Hardy (Ashgate, 2008).
Brian Opie is a Senior Lecturer in the School of English, Film, Theatre and Media Studies at Victoria University of Wellington, New Zealand. He has interests in English Renaissance and post-modern literature, with particular reference to the relations between literature and technology. He convened the History of Print Culture in New Zealand research programme, to which his electronic edition of The Poetry of William Golder (in progress) is a contribution. He is Executive Director of Te Whainga Aronui The Council for the Humanities, and is particularly concerned to improve the position of the humanities in public policy
Marjorie Stone is Professor of English and Women's Studies at Dalhousie University. She is author of Elizabeth Barrett Browning (Macmillan and St. Martin, 1995) and co-editor, with Judith Thompson, of Literary Couplings and the Construction of Authorship: Writing Couples and Collaborators in Historical Context (forthcoming, Wisconsin Univ. Press).
Eynel Wardi is Senior Lecturer at the Hebrew University of Jerusalem. He is the author of Once Below a Time: Dyland Thomas, Julia Kristeva, and Other Speaking Subjects (2000), and has published in Orbis Letterarum and the Hopkins Quarterly.
