In this Issue
Founded in 1962 to further the aesthetic study of the poetry of the Victorian period (1830-1914) in Britain, Victorian Poetry today publishes articles from a broad range of theoretical/critical angles, including but not confined to new historicism, feminism, and social/cultural issues. The journal has expanded its purview from the major figures of Victorian England (Tennyson, Browning, the Rossettis, etc.) to a wider compass of poets of all classes and gender indentifications in nineteenth-century Britain and the Commonwealth.
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West Virginia University Pressviewing issue
Volume 44, Number 3, Fall 2006Table of Contents
- Guide to the Year's Work: General Materials
- pp. 311-316
- DOI: 10.1353/vp.2006.0040
- Matthew Arnold
- pp. 316-321
- DOI: 10.1353/vp.2006.0035
- Elizabeth Barrett Browning
- pp. 322-331
- DOI: 10.1353/vp.2006.0041
- Robert Browning
- pp. 332-340
- DOI: 10.1353/vp.2006.0036
- Thomas Hardy
- pp. 341-356
- DOI: 10.1353/vp.2006.0037
- Hopkins
- pp. 357-361
- DOI: 10.1353/vp.2006.0034
- The Poets of the Nineties
- pp. 361-364
- DOI: 10.1353/vp.2006.0031
- The Pre-Raphaelites
- pp. 364-375
- DOI: 10.1353/vp.2006.0027
- Swinburne
- pp. 375-380
- DOI: 10.1353/vp.2006.0033
- Tennyson
- pp. 381-387
- DOI: 10.1353/vp.2006.0032
- Contributors
- pp. 389-390
- DOI: 10.1353/vp.2006.0029