Abstract

The seminal collection of early 16th-century polyphony, Florence, Biblioteca Nazionale Centrale Ms. Magl.XIX 164­7, has often been cited for its usefulness, both in terms of chronology and content. The enigmatic emblems found in the bassus partbook, however, have not yet been identified. The article explores some of the reasons why the emblems might rightly be associated with the Buonaparte family and, perhaps, with Clement VII's long-standing friend and advisor, Jacopo Buonaparte. To make such an association would begin to explain the geographical dispute surrounding these partbooks, which consist of a Roman binding, Florentine script and Florentine paper.

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