1. Editorial
  2. Tess Knighton
  3. p. 555
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  1. Iconography in the history of the recorder up to c.1430--Part 1
  2. Anthony Rowland-Jones
  3. pp. 557-574
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  1. Handel and the confusd shepherdess: a case study of stylistic eclecticism
  2. Graham Cummings
  3. pp. 575-589
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  1. Gottfried Finger's Christmas pastorellas
  2. Robert Rawson
  3. pp. 591-606
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  1. A 41-cent emendation: a textual problem in Wheatstones publication of Giulio Regondis Serenade for English concertina and piano
  2. Allan W. Atlas
  3. pp. 609-616
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  1. Infunde amorem cordibus : an early 16th-century polyphonic hymn cycle from Seville
  2. Juan Ruiz Jimenez
  3. pp. 619-638
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  1. The partbooks of a Florentine ex-patriate: new light on Florence, Biblioteca Nazionale Centrale Ms. Magl. XIX 164-7
  2. Joshua F. Drake
  3. pp. 639-645
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  1. Reconstructing Talliss Latin Magnificat and Nunc dimittis
  2. Stephen Rice
  3. pp. 647-658
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  1. More on the Lambeth Choirbook
  2. Roger Bowers
  3. pp. 659-664
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  1. Completing the picture: the importance of reconstructing early opera
  2. Frans Muller, Julie Muller
  3. pp. 667-681
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  1. Tallis in performance
  2. Timothy Day
  3. pp. 683-692
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  1. After the party: Hildegard since 1998
  2. Honey Meconi
  3. pp. 693-695
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  1. A guide to Willaert
  2. Noel O'Regan
  3. pp. 695-696
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  1. The power of song?
  2. Tim Carter
  3. pp. 696-700
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  1. The bear growls
  2. Stephen Rose
  3. pp. 700-702
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  1. Eloquent bodies: humanist and grotesque dance
  2. Jennifer Thorp
  3. pp. 702-704
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  1. Disclosing women's voices
  2. Margaret Yelloly
  3. pp. 704-706
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  1. The earliest songbook in England
  2. Lisa Colton
  3. pp. 707-708
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  1. Riches of organum
  2. Jeremy Yudkin
  3. pp. 708-710
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  1. On editing Byrd
  2. Richard Rastall
  3. pp. 710-713
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  1. The 'famous organist' Vincent Lubeck
  2. Douglas Hollick
  3. pp. 713-714
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  1. Rameau's galante orgy
  2. Lois Rosow
  3. pp. 714-716
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  1. Renaissance polyphony
  2. Magnus Williamson
  3. pp. 717-721
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  1. A century of English song
  2. John Milsom
  3. pp. 721-723
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  1. Italian vocal music
  2. Michael Talbot
  3. pp. 723-725
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  1. Varieties of Vivaldi
  2. Peter Holman
  3. pp. 725-727
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  1. French harpsichord music
  2. David Chung
  3. pp. 728-729
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  1. Death and the Mayerin : Germanic harpsichord music
  2. Bradley Lehman
  3. pp. 730-732
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  1. 18th-century Peru
  2. Geoffrey Baker
  3. p. 732
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  1. Recent recordings from the Classical period
  2. Peter Branscombe
  3. pp. 732-734
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  1. The fortepiano from Silbermann to Pleyel
  2. Derek Adlam
  3. pp. 734-736
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  1. Howard Schott (1923-2005)
  2. Paul Cienniwa
  3. pp. 739-740
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  1. Boris at Boston
  2. Paul Cienniwa
  3. pp. 741-743
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  1. Baroque music in Faenza
  2. Giovanni Tasso
  3. pp. 743-744
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  1. Italians in Spain
  2. Jose Maria Dominguez
  3. pp. 744-745
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  1. Intercultural contact
  2. Ian Woodfield
  3. pp. 745-747
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  1. A correction
  2. Annual Index
  3. p. 747
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  1. The clarinet in England
  2. Peter Holman
  3. p. 749
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  1. Cricket songs
  2. Marianne Hund
  3. p. 749
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  1. Boccherini and the cello
  2. Agnes Kory
  3. pp. 749-751
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  1. A new Internet Academy
  2. Clemens Goldberg
  3. p. 751
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  1. Howard Schott: a personal tribute
  2. Virginia Pleasants
  3. p. 751
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  1. A new Internet Academy
  2. Annual Index
  3. pp. 759-766
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  1. A new Internet Academy
  2. p. 767
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