Books Received

Inclusion in this list neither implies nor precludes subsequent review. The editors regret that material sent for review cannot be acknowledged or returned.

Women’s Voices across Musical Worlds. Ed. by Jane A. Bernstein, pp. xvi + 353. (Northeastern University Press, Boston, 2004, $22.50. ISBN 1-55553-588-7.)

Opera in Theory and Practice, Image and Myth. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans, by Kenneth Chalmers and Mary Whittall. pp. xiv + 456. The History of Italian Opera, 6. (University of Chicago Press, Chicago and London, 2003, $70. ISBN 0-226-04592-7.)

The Aquitanian Kyrie Repertory of the Tenth and Eleventh Centuries. By David A. Bjork. Ed. by Richard L. Crocker, pp. ix + 394. (Ashgate, Aldershot, 2003, £42.50. ISBN 0-7546-3290-3.)

Drama and the World of Richard Wagner. By Dieter Borchmeyer. Trans, by Daphne Ellis, pp. x + 391. (Princeton University Press, Princeton and Oxford, 2003, £26.95. ISBN 0-691-11497-8.)

Debussy’s Ibéria’. By Matthew Brown, pp. xvi + 177. Studies in Musical Genesis and Structure. (Oxford University Press, Oxford and New York, 2003, £50. ISBN 0-19-816199-9.)

The Musical Madhouse: An English Translation of Berlioz’s Les Grotesques de la musique. Ed. and trans, by Alastair Bruce and Hugh Macdonald. pp. xxiv + 239. (University of Rochester Press, Rochester and Woodbridge, 2003, £50. ISBN 1-58046-132-8.)

The Oboe. By Geoffrey Burgess and Bruce Haynes. pp. xiv + 418. Yale Musical Instrument Series. (Yale University Press, New Haven and London, 2004, £19.95. ISBN 0-300-10053-1.)

Teaching Music Globally. By Patricia Shehan Campbell. pp. xxvii + 258; CD. (Oxford University Press, New York and Oxford, 2004, £14.99. ISBN 0-19-517143-8.)

The Cambridge Companion to Grand Opera. Ed. by David Charlton, pp. xxi + 496. The Cambridge Companion Series. (Cambridge University Press, Cambridge, 2003, £50. ISBN 0-521-64118-7.)

Dictionnaire Berlioz. Ed. by Pierre Citron, Cécile Reynaud, Jean-Pierre Bartoli, and Peter Bloom, pp. 613. (Fayard, Paris, 2003, €35. ISBN 2-213-61528-4.)

The Life and Music of Brian Boydell. Ed. by Gareth Cox, Axel Klein, and Michael Taylor, pp. 132. (Irish Academic Press, Dublin and Pordand, Ore., 2004, £35. ISBN 0-7165-2762-6.)

Sir Arthur Somervell on Music Education: His Writings, Speeches and Letters. Ed. by Gordon Cox. pp. xv + 144. Classic Texts in Music Education, 26. (Boydell Press, Woodbridge, 2003, £25. ISBN 1-84383-019-1.)

Nicolas-Étienne Framery and Lyric Theatre in Eighteenth-Century France. By Mark Darlow. pp. xi + 400. Studies on Voltaire and the Eighteenth Century, 2003, no. 11. (Voltaire Foundation, Oxford, 2003, £59. ISBN 0-7294-0836-1.)

Stravinsky à Bruxelles 1920–1960. By Valérie Dufour. pp. 316. (Académie royale de Belgique, Brussels, 2003, €28. ISBN 2-8031-0197-1.)

Musik zwischen Mythologie und Sozialgeschichte: Ausgewahlte Aufsdtze aus den Jahren 1972 bis 2000. By Arnfried Edler. pp. 408. Publikationen der Hochschule für Musik und Theater Hannover, 13. (Wissner, Augsburg, 2003, €35. ISBN 3-89639-379-0.)

Music and Mathematics: From Pythagoras to Fractals. Ed. by John Fauvel, Raymond Flood, and Robin Wilson. pp. 189. (Oxford University Press, New York and Oxford, 2003, £39.50. ISBN 0-19-851187-6.)

Early Music History, vol. 22. Ed. by Iain Fenlon. pp. 335. Studies in Medieval and Early Modern Music. (Cambridge University Press, Cambridge, 2003, £70. ISBN 0-521-83109-1.)

Dialogue on Ancient and Modern Music. By Vincenzo Galilei. Trans, by Claude V. Palisca. pp. lxix + 390. (Yale University Press, New Haven and London, 2004, £50. ISBN 0-300-09045-5.)

Essays on Music and Poetry in the Late Middle Ages. By Marie Louise Göllner. pp. viii + 277. Münchner Veröffentli-chungen zur Musikgeschichte, 61. (Hans Schneider, Tutzing, 2003, €45. ISBN 3-7952-1107-7.)

L’Apollomde de Leconte de Lisle et Franz Servais: 20 ans de collaboration. By Malou Haine. pp. 293. (Mardaga, Sprimont, 2004, €29. ISBN 2-87009-813-8.)

Philipp de Monte (1521–1603): Komponist, Kapellmeister, Korrespondent. By Thorsten Hindrichs. pp. xi + 257. (Hainholz, Gottingen, 2002, €79. ISBN 3-932622-73-1.)

Nineteenth-Century British Music Studies. Ed. by Peter Horton and Bennett Zon. pp. xxiii + 309. Music in 19th-century Britain. (Ashgate, Aldershot, 2003, £55. ISBN 0-7546-3614-3.)

George Gershwin: A New Biography. By William G Hyland. pp. xv + 279. (Praeger, Westport, Conn, and London, 2003, £25.80. ISBN 0-275-98111-8.)

Bunting’s Messiah. By Roy Johnston, pp. xii + 143. (Belfast Natural History and Philosophical Society, Belfast, 2003, £10. ISBN 0-9539604-6-3.)

Theodor W. Adorno: Moments musicaux. Ed. and trans, by Martin Kaltenecker. pp. 211. (Contrechamps, Geneva, 2003, €22. ISBN 2-940068-19-4.)

Charles Edward Horn’s Memoirs of his Father and Himself. Ed. by Michael Kassler. pp. ix + 131. (Ashgate, Aider-shot, 2003, £20. ISBN 0-7546-3174-5.)

Music Entries at Stationers’Hall 1710–1818. Comp. and ed. by Michael Kassler. pp. xxviii + 735. (Ashgate, Aider-shot, 2004, £70. ISBN 0-7546-3458-2.)

Recorded Music in American Life: The Phonograph and Popular Memory, 1890–1945. By William Howland Kenney. pp. xix + 258. (Oxford University Press, New York and Oxford, 2004, £17.99. ISBN 0-19-517177-2.)

Musikalische Quellen — Quellen zur Musikgeschichte: Festschrift für Martin Staehelin zum 65 Geburtstag. Ed. by Ulrich Konrad. pp. x + 507. (Vandenhoeck & Ruprecht, Göttingen, 2002, €79. ISBN 3-525-27820-9.)

Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann. By Harald Krebs. pp. xiv + 290. (Oxford University Press, New York and Oxford, 2003, £24.99. ISBN 0-19-516946-8.)

L’Opéra en France et en Italie (1792–1925): Une scène prtvilégiée d’échanges littéraires et musicaux. By Hervé Lacombe. pp. 320. Publications de la Société française de Musicologie, 8. (Société française de Musicologie, Paris, 2000, €25. ISBN 2-85357-011-8.)

Sing, Artel: Essays and Thoughts for Alexander Goehr’s Seventieth Birthday. Ed. by Alison Latham, pp. xxii + 369; CD. (Ashgate, Aldershot, 2003, £47.50. ISBN 0-7546-3497-3.)

Joseph D’Ortigue: Écnts sur la musique 1827–1846. Comp. and ed. by Sylvia L’Écuyer. pp. 723. Publications de la Société française de Musicologie, 17. (Société française de Musicologie, Paris, 2003, €40. ISBN 2-85357-012-6.)

Athena Sings: Wagner and the Greeks. By M. Owen Lee. pp. x + 110. (University of Toronto Press, Toronto, 2003, £20. ISBN 0-8020-8795-7.) Paperback edn. of a book first published in 1999.

Bach’s Works for Solo Violin: Style, Structure, Performance. By Joel Lester, pp. x + 186. (Oxford University Press, New York and London, 2004, £12.99. ISBN 0-19-517144-6.) Paperback edn. of a book first published in 1999.

Music from the Age of Shakespeare: A Cultural History. By Suzanne Lord. pp. xxiv + 236. (Greenwood Press, Westport, Conn, and London, 2003, $45. ISBN 0-313-31713-5.)

Mallarmé and Debussy: Unheard Music, Unseen Text. By Elizabeth McCombie. pp. xix + 219. Oxford Modern Languages and Literature Monographs. (Oxford University Press, Oxford and New York, 2004, £55. ISBN 0-19-926637-9.)

Paul Bowles on Music. Ed. by Timothy Mangan and Irene Herrman. pp. xviii + 292. (University of California Press, Berkeley, Los Angeles, and London, 2003, $34.95. ISBN 0-520-23655-6.)

Performing Brahms: Early Evidence of Performance Style. Ed. by Michael Musgrave and Bernard D. Sherman. pp. xviii + 391; CD. Musical Performance and Reception. (Cambridge University Press, Cambridge, 2003, £60. ISBN 0-521-65273-1.)

Sounding Art: Eight Literary Excursions through Electronic Music. By Katherine Norman, pp. xiii + 227; CD. (Ashgate, Aldershot, 2004, £47.50. ISBN 0-7546-0426-8.)

Divining the Oracle: Monteverdi’s Seconda Prattica. By Massimo Ossi. pp. 280. (University of Chicago Press, 2003, $60. ISBN 0-226-63883-9.)

Symphonik 1930–1950: Gattungsgeschichtliche und analytische Beiträge. Ed. by Wolfgang Osthoff and Giselher Schubert. pp. 310. Schott Musikwissenschaft. (Schott, Mainz, 2003, €36. ISBN 3-7957-0115-5.) Reviewed on pp. 498–9 above.

Lisztian Keyboard Energy: An Essay on the Planum of Franz Liszt. By Bertrand Ott. Trans, by Donald H. Windham. pp. xxiv + 261. (Edwin Mellen, Lewiston, NY, Queenston, and Lampeter, 1992, $119.95. ISBN 0-7734-9589-4.)

The Collected Essays of Milton Babbitt. Ed. by Stephen Peles, Stephen Dembski, Andrew Mead, and Joseph N. Straus, pp. xi + 517. (Princeton University Press, Princeton and Oxford, 2003, $26.95. ISBN 0-691-08966-3.)

The Clarinet in the Classical Period. By Albert R. Rice. pp. xx + 316. (Oxford University Press, New York and Oxford, 2003, £50. ISBN 0-19-514483-X.)

Music in Bulgaria: Experiencing Music, Expressing Culture. By Timothy Rice. pp. xviii + 119; CD. (Oxford University Press, New York and Oxford, 2003, £19.99. ISBN 0-19-514147-4.)

Words on Music: Essays in Honor of Andrew Porter on the Occasion of his 75th Birthday. Ed. by David Rosen and Claire Brook, pp. xiii + 346. Festschrift Series, 20. (Pendragon Press, Stuyvesant, NY, 2003, £42.50. ISBN 1-57647-097-0.)

Music in North India: Experiencing Music, Expressing Culture. By George E. Ruckert. pp. xii + 100; CD. (Oxford University Press, New York and Oxford, 2004, £14.99. ISBN 0-19-513993-3.)

Vulgan Orecchie — Purgate Orecchie. By Katelijne Schiltz. pp. 267. (Leuven University Press, Leuven, 2003, €34. ISBN 90-5867-328-6.)

A Geometer of Sound Crystals: A Book on Herschkowitz. By Dmitri Smirnov. pp. viii + 264. Studia Slavica Musico-logica, 34. (Ernst Kuhn, Berlin, 2003, €59.95. ISBN 3-928864-99-8.)

Bach: The Mass in B minor. The Great Catholic Mass. By George B. Stauffer. pp. xiv + 311. Yale Music Master-works Series. (Yale University Press, New Haven and London, 2004, £12.95. ISBN 0-300-09966-5.)

Broadway Yearbook 2001–2002. By Steven Suskin. pp. ix + 398. (Oxford University Press, New York and Oxford, 2003, £45. ISBN 0-19-515876-8.)

Hugo Wolf: Letters to Melame Köchert. Ed. and trans, by Louise McClelland Urban, pp. xxxviii + 293. (University of Wisconsin Press, Madison, 2004, $24.95. ISBN 0-299-19444-2.)

The Cappella Musicale of San Petromo in Bologna under Giovanni Paolo Colonna (1674–95). Marc Vanscheeu-wijck. pp. 422; CD. Institut historique beige de Rome: Études d’histoire de l’art, 8. (Brepols, Brussels and Rome, 2003, €46.73. ISBN 90-74461-52-2.)

Music in South India. By T. Viswanathan and Matthew Harp Allen, pp. xxv + 150. (Oxford University Press, New York and Oxford, 2004, £14.99. ISBN 0-19-514591-7.)

History, Imagination and the Performance of Music. By Peter Walls, pp. xiv + 184. (Boydell Press, Woodbridge, 2003, £40. ISBN 1-84383-005-1.)

A New Way of Making Fowre Parts in Counterpoint by Thomas Campion and Rules how to Compose by Giovanni Coprano. Ed. by Christopher R. Wilson, pp. x + 122. (Ashgate, Aldershot, 2003, £39.95. ISBN 0-7546-0515-9.)