In this Issue

Table of Contents

William Mundy's 'Vox Patris Caelestis' and the Assumption of the Virgin Mary

Kerry Robin McCarthy
pp. 353-367
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Rendering the Sense More Conspicuous: Grammatical and Rhetorical Principles of Vocal Phrasing in Art and Popular/Jazz Music

Robert Toft
pp. 368-387
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'When a Woman Speaks the Truth About Her Body': Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography

Christopher Wiley
pp. 388-414
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Musical Meaning: Toward a Critical History (review)

Nicholas Cook
pp. 415-418
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Decentering Music: A Critique of Contemporary Musical Research (review)

Ruth A. Solie
pp. 418-423
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On the Publishing and Dissemination of Music 1500-1850 (review)

Stephen Rose
pp. 423-424
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The Guitar and its Music: From the Renaissance to the Classical Era (review)

Thorsten Hindrichs
pp. 424-427
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Roland de Lassus (review)

Peter Bergquist
pp. 427-432
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Music and Women of the Commedia dell'Arte in the Late Sixteenth Century (review)

Ruth I. DeFord
pp. 432-434
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The Sounds of Milan, 1585-1650 (review)

Noel O'Regan
pp. 434-436
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La Commedia dell'Arte in Naples: A Bilingual Edition of the 176 Casamarciano Scenarios/La commedia dell'arte a Napoli: edizione bilingue dei 176 scenari Casamarciano (review)

Eleanor Selfridge-Field
pp. 436-437
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Italian Opera and European Theatre, 1680-1720: Plots, Performers, Dramaturgies (review)

Eleanor Selfridge-Field
pp. 438-439
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The String Quartet, 1750-1797: Four Types of Musical Conversation (review)

David Wyn Jones
pp. 439-440
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Cultivating Music: The Aspirations, Interests, and Limits of German Musical Culture, 1770-1848 (review)

James Garratt
pp. 440-445
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London und der Klassizismus in der Musik: Die Idee der 'absoluten Musik' und Muzio Clementis Klavierwerke (review)

R. H. Stewart-MacDonald
pp. 445-449
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Schubert the Progressive: History, Performance Practice, Analysis, and: Schubert's Song Sets (review)

Cynthia J. Cyrus
pp. 449-454
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Programming the Absolute: Nineteenth-Century German Music and the Hermeneutics of the Moment (review)

James Garratt
pp. 454-457
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Nineteenth-Century Music: Selected Proceedings of the Tenth International Conference (review)

Amanda Glauert
pp. 457-460
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George Grove, Music and Victorian Culture (review)

Nicholas Temperley
pp. 460-462
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Reading Opera between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg (review)

Michael Puri
pp. 462-466
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Gilbert and Sullivan: A Dual Biography (review)

David Mackie
pp. 466-469
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Scotland and the Music Hall, 1850-1914 (review)

Derek B. Scott
pp. 469-471
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Parry's Creative Process (review)

Jeremy Dibble
pp. 472-475
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Symphonic Metamorphoses: Subjectivity and Alienation in Mahler's Re-Cycled Songs (review)

Mary Callaghan
pp. 475-477
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Francesco Cilea e il suo tempo: atti del convegno internazionale di studi (Palmi-Reggio Calabria, 20-22 ottobre 2000) (review)

Alexandra Wilson
pp. 477-479
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Rudolf Serkin : A Life, and: Lost in the Stars: The Forgotten Musical Life of Alexander Siloti, and: Vladimir de Pachmann: A Piano Virtuoso's Life and Art (review)

Peter Grahame Woolf
pp. 480-483
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Portrait of Percy Grainger (review)

Jeremy Dibble
pp. 483-486
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Prokofiev: A Biography. From Russia to the West 1891-1935 (review)

Pauline Fairclough
pp. 486-492
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Proof through the Night: Music and the Great War (review)

Stephen C. Downes
pp. 489-492
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Quotation and Cultural Meaning in Twentieth-Century Music (review)

Björn Heile
pp. 492-494
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Britten on Music, and: Britten, Voice and Piano: Lectures on the Vocal Music of Benjamin Britten (review)

Arnold Whittall
pp. 494-497
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Symphonik 1930-1950: Gattungsgeschichtliche und analytische Beitrage (review)

David Fanning
pp. 498-499
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Peter Maxwell Davies: A Source Book (review)

Kenneth Gloag
p. 499
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Kataloge der Universitatsbibliothek Eichstatt. Das Bucharchiv Hans Schneider: Musikantiquariat und Verlag 1949-2002 (review)

Peter Ward Jones
p. 500
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Newe deutzsche Lieder (review)

Virginia Hancock
pp. 501-502
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La Galatea (review)

Davide Daolmi, Bonnie J. Blackburn
pp. 502-505
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Cantatas for Alto and Continuo: 16 Alto Cantatas from the Manuscripts in the Bodleian Library, Oxford (review)

Davide Daolmi, Bonnie J. Blackburn
pp. 505-508
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Symphonie pour orgue et orchestre, op. 42 [bis], and: Fuge uber ein Thema von Jules Massenet fur Orgel (review)

Lawrence Archbold
pp. 508-510
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Correspondence

John Caldwell, Roger Wibberley, Alan Gibbs
pp. 511-516
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Recipients of 'Music & Letters' Awards

p. 516
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The Westrup Prize

p. 516
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'Music & Letters' Awards

p. 518
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Authors of Articles in this Issue

p. 518
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Books Received

pp. 519-520
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