1. William Mundy's 'Vox Patris Caelestis' and the Assumption of the Virgin Mary
  2. Kerry Robin McCarthy
  3. pp. 353-367
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  1. Rendering the Sense More Conspicuous: Grammatical and Rhetorical Principles of Vocal Phrasing in Art and Popular/Jazz Music
  2. Robert Toft
  3. pp. 368-387
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  1. 'When a Woman Speaks the Truth About Her Body': Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography
  2. Christopher Wiley
  3. pp. 388-414
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  1. Musical Meaning: Toward a Critical History (review)
  2. Nicholas Cook
  3. pp. 415-418
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  1. Decentering Music: A Critique of Contemporary Musical Research (review)
  2. Ruth A. Solie
  3. pp. 418-423
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  1. On the Publishing and Dissemination of Music 1500-1850 (review)
  2. Stephen Rose
  3. pp. 423-424
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  1. The Guitar and its Music: From the Renaissance to the Classical Era (review)
  2. Thorsten Hindrichs
  3. pp. 424-427
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  1. Roland de Lassus (review)
  2. Peter Bergquist
  3. pp. 427-432
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  1. Music and Women of the Commedia dell'Arte in the Late Sixteenth Century (review)
  2. Ruth I. DeFord
  3. pp. 432-434
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  1. The Sounds of Milan, 1585-1650 (review)
  2. Noel O'Regan
  3. pp. 434-436
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  1. Italian Opera and European Theatre, 1680-1720: Plots, Performers, Dramaturgies (review)
  2. Eleanor Selfridge-Field
  3. pp. 438-439
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  1. The String Quartet, 1750-1797: Four Types of Musical Conversation (review)
  2. David Wyn Jones
  3. pp. 439-440
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  1. Cultivating Music: The Aspirations, Interests, and Limits of German Musical Culture, 1770-1848 (review)
  2. James Garratt
  3. pp. 440-445
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  1. London und der Klassizismus in der Musik: Die Idee der 'absoluten Musik' und Muzio Clementis Klavierwerke (review)
  2. R. H. Stewart-MacDonald
  3. pp. 445-449
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  1. Schubert the Progressive: History, Performance Practice, Analysis, and: Schubert's Song Sets (review)
  2. Cynthia J. Cyrus
  3. pp. 449-454
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  1. Programming the Absolute: Nineteenth-Century German Music and the Hermeneutics of the Moment (review)
  2. James Garratt
  3. pp. 454-457
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  1. Nineteenth-Century Music: Selected Proceedings of the Tenth International Conference (review)
  2. Amanda Glauert
  3. pp. 457-460
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  1. George Grove, Music and Victorian Culture (review)
  2. Nicholas Temperley
  3. pp. 460-462
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  1. Reading Opera between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg (review)
  2. Michael Puri
  3. pp. 462-466
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  1. Gilbert and Sullivan: A Dual Biography (review)
  2. David Mackie
  3. pp. 466-469
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  1. Scotland and the Music Hall, 1850-1914 (review)
  2. Derek B. Scott
  3. pp. 469-471
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  1. Parry's Creative Process (review)
  2. Jeremy Dibble
  3. pp. 472-475
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  1. Symphonic Metamorphoses: Subjectivity and Alienation in Mahler's Re-Cycled Songs (review)
  2. Mary Callaghan
  3. pp. 475-477
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  1. Francesco Cilea e il suo tempo: atti del convegno internazionale di studi (Palmi-Reggio Calabria, 20-22 ottobre 2000) (review)
  2. Alexandra Wilson
  3. pp. 477-479
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  1. Portrait of Percy Grainger (review)
  2. Jeremy Dibble
  3. pp. 483-486
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  1. Prokofiev: A Biography. From Russia to the West 1891-1935 (review)
  2. Pauline Fairclough
  3. pp. 486-492
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  1. Proof through the Night: Music and the Great War (review)
  2. Stephen C. Downes
  3. pp. 489-492
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  1. Quotation and Cultural Meaning in Twentieth-Century Music (review)
  2. Björn Heile
  3. pp. 492-494
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  1. Britten on Music, and: Britten, Voice and Piano: Lectures on the Vocal Music of Benjamin Britten (review)
  2. Arnold Whittall
  3. pp. 494-497
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  1. Symphonik 1930-1950: Gattungsgeschichtliche und analytische Beitrage (review)
  2. David Fanning
  3. pp. 498-499
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  1. Peter Maxwell Davies: A Source Book (review)
  2. Kenneth Gloag
  3. p. 499
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  1. Kataloge der Universitatsbibliothek Eichstatt. Das Bucharchiv Hans Schneider: Musikantiquariat und Verlag 1949-2002 (review)
  2. Peter Ward Jones
  3. p. 500
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  1. Newe deutzsche Lieder (review)
  2. Virginia Hancock
  3. pp. 501-502
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  1. La Galatea (review)
  2. Davide Daolmi, Bonnie J. Blackburn
  3. pp. 502-505
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  1. Cantatas for Alto and Continuo: 16 Alto Cantatas from the Manuscripts in the Bodleian Library, Oxford (review)
  2. Davide Daolmi, Bonnie J. Blackburn
  3. pp. 505-508
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  1. Symphonie pour orgue et orchestre, op. 42 [bis], and: Fuge uber ein Thema von Jules Massenet fur Orgel (review)
  2. Lawrence Archbold
  3. pp. 508-510
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  1. Correspondence
  2. John Caldwell, Roger Wibberley, Alan Gibbs
  3. pp. 511-516
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  1. Recipients of 'Music & Letters' Awards
  2. p. 516
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  1. The Westrup Prize
  2. p. 516
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  1. 'Music & Letters' Awards
  2. p. 518
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  1. Authors of Articles in this Issue
  2. p. 518
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  1. Books Received
  2. pp. 519-520
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