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Table of Contents

  1. Other Transnationals: An Introductory Essay
  2. Haiping Yan
  3. pp. 225-248
  4. DOI: https://doi.org/10.1353/mdr.2005.0041
  5. restricted access
  1. Reimagining Political Community: Diaspora, Nation-State, and the Struggle for Recognition
  2. Ban Wang
  3. pp. 249-271
  4. DOI: https://doi.org/10.1353/mdr.2005.0040
  5. restricted access
  1. Performing the "Filipino" at the Crossroads: Filipino Bands in Five-Star Hotels Throughout Asia
  2. Stephanie Ng
  3. pp. 272-296
  4. DOI: https://doi.org/10.1353/mdr.2005.0034
  5. restricted access
  1. Melancholia of Freedom: Humour and Nostalgia among Indians in South Africa
  2. Thomas Blom Hansen
  3. pp. 297-315
  4. DOI: https://doi.org/10.1353/mdr.2005.0027
  5. restricted access
  1. Dancing on the Hyphen: Performing Diasporic Subjectivity
  2. Laila Farah
  3. pp. 316-345
  4. DOI: https://doi.org/10.1353/mdr.2005.0025
  5. restricted access
  1. I Think Only Our Kisses Really Translated
  2. Kip Fulbeck
  3. pp. 344-371
  4. DOI: https://doi.org/10.1353/mdr.2005.0026
  5. restricted access
  1. Transnational Legitimization of an Actor: The Life and Career of Soon-Tek Oh
  2. Esther Kim Lee
  3. pp. 372-407
  4. DOI: https://doi.org/10.1353/mdr.2005.0029
  5. restricted access
  1. Unimaginable Communities: Identities in Traffic in Rukhsana Ahmad's Black Shalwar
  2. Jisha Menon
  3. pp. 407-427
  4. DOI: https://doi.org/10.1353/mdr.2005.0031
  5. restricted access
  1. Afterword: Brief Meditation on Diaspora Studies
  2. Evelyn Hu-DeHart
  3. pp. 428-439
  4. DOI: https://doi.org/10.1353/mdr.2005.0028
  5. restricted access
  1. Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India (review)
  2. Aparna Bhargava Dharwadker
  3. pp. 440-444
  4. DOI: https://doi.org/10.1353/mdr.2005.0024
  5. restricted access
  1. Post-imperial Brecht: Politics and Performance, East and South (review)
  2. Antony Tatlow
  3. pp. 444-448
  4. DOI: https://doi.org/10.1353/mdr.2005.0038
  5. restricted access
  1. The Past as Present in the Drama of August Wilson (review)
  2. Keith Clark
  3. pp. 448-452
  4. DOI: https://doi.org/10.1353/mdr.2005.0023
  5. restricted access
  1. The Cambridge Companion to David Mamet (review)
  2. Jeanne-Andree Nelson
  3. pp. 452-454
  4. DOI: https://doi.org/10.1353/mdr.2005.0033
  5. restricted access
  1. The Drama of Fallen France: Reading la Comedie sans Tickets (review)
  2. Catherine Masson
  3. pp. 454-457
  4. DOI: https://doi.org/10.1353/mdr.2005.0030
  5. restricted access
  1. Dodin and the Maly Drama Theatre: Process to Performance (review)
  2. Peta Tait
  3. pp. 457-459
  4. DOI: https://doi.org/10.1353/mdr.2005.0037
  5. restricted access
  1. Steven Berkoff and the Theatre of Self-Performance (review)
  2. Annette Pankratz
  3. pp. 459-461
  4. DOI: https://doi.org/10.1353/mdr.2005.0035
  5. restricted access
  1. Reading the Material Theatre (review)
  2. Willmar Sauter
  3. pp. 461-463
  4. DOI: https://doi.org/10.1353/mdr.2005.0036
  5. restricted access
  1. Disability and Contemporary Performance: Bodies on Edge (review)
  2. Sheila C. Moeschen
  3. pp. 463-465
  4. DOI: https://doi.org/10.1353/mdr.2005.0032
  5. restricted access
  1. Captive Audience: Prison and Captivity in Contemporary Theatre (review)
  2. James Thompson
  3. pp. 465-468
  4. DOI: https://doi.org/10.1353/mdr.2005.0039
  5. restricted access
  1. Contributors
  3. pp. 468-470
  4. DOI: https://doi.org/10.1353/mdr.2005.0022
  5. restricted access