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  Volume 48, Number 1, Spring 2005

Table of Contents

From: Modern Drama: world drama from 1850 to the present

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Ibsen and Darwin: A Reading of The Wild Duck

pp. 1-10
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Bernard Shaw's Weekly Supplement

pp. 11-21
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Polemic as Parting Advice: The "Argument" of The Cherry Orchard

pp. 30-54
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"A Hole in the Paper Sky": Psycho-Scenographic Rifts in Pirandello's Henry IV

pp. 55-70
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"Silencio, he dicho!" Space, Language, and Characterization as Agents of Social Protest in Lorcais Rural Tragedies

pp. 71-86
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Colchester's Legend on Stage: The Emperor Constantine by Dorothy L. Sayers

pp. 87-107
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Re-reading Stephen Sewell's Traitors : Ideology and Gender in "the Australian Play"

pp. 108-117
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Infernal Sound Cues: Aural Geographies and the Politics of Noise

pp. 118-131
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Fables of (Cuban) Exile: Special Periods and Queer Moments in Eduardo Machado's Floating Island Plays

pp. 132-162
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Conversion Tactics in Terrence McNally's and Paul Rudnick's Gay Gospels

pp. 163-185
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"Loyal to the Truth": Gary Mitchell's Aesthetic Loyalism in As the Beast Sleeps and The Force of Change

pp. 186-201
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Reviews

Riot and Great Anger: Stage Censorship in Twentieth-Century Ireland (review)

pp. 202-204
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The Censorship of British Drama 1900-1968 (review)

pp. 204-206
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Contemporary Black and Asian Women Playwrights in Britain (review)

pp. 206-208
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Performance and Evolution in the Age of Darwin: Out of the Natural Order (review)

pp. 208-210
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Hidden Territories: The Theatre of Gardzienice (review)

pp. 211-212
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The Federal Theatre Project: A Case Study (review)

pp. 213-214
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Popular Culture Icons in Contemporary American Drama (review)

pp. 215-217
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Making Americans: Jews and the Broadway Musical (review)

pp. 217-219
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The Tennessee Williams Encyclopedia (review)

pp. 219-221
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Contributors

Contributors

pp. 222-224
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Memoriam

Research Areas

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