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  Volume 48, Number 1, Spring 2005

Table of Contents

From: Modern Drama: world drama from 1850 to the present

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Ibsen and Darwin: A Reading of The Wild Duck

pp. 1-10

Bernard Shaw's Weekly Supplement

pp. 11-21

Polemic as Parting Advice: The "Argument" of The Cherry Orchard

pp. 30-54

"A Hole in the Paper Sky": Psycho-Scenographic Rifts in Pirandello's Henry IV

pp. 55-70

"Silencio, he dicho!" Space, Language, and Characterization as Agents of Social Protest in Lorcais Rural Tragedies

pp. 71-86

Colchester's Legend on Stage: The Emperor Constantine by Dorothy L. Sayers

pp. 87-107

Re-reading Stephen Sewell's Traitors : Ideology and Gender in "the Australian Play"

pp. 108-117

Infernal Sound Cues: Aural Geographies and the Politics of Noise

pp. 118-131

Fables of (Cuban) Exile: Special Periods and Queer Moments in Eduardo Machado's Floating Island Plays

pp. 132-162

Conversion Tactics in Terrence McNally's and Paul Rudnick's Gay Gospels

pp. 163-185

"Loyal to the Truth": Gary Mitchell's Aesthetic Loyalism in As the Beast Sleeps and The Force of Change

pp. 186-201


Riot and Great Anger: Stage Censorship in Twentieth-Century Ireland (review)

pp. 202-204

The Censorship of British Drama 1900-1968 (review)

pp. 204-206

Contemporary Black and Asian Women Playwrights in Britain (review)

pp. 206-208

Performance and Evolution in the Age of Darwin: Out of the Natural Order (review)

pp. 208-210

Hidden Territories: The Theatre of Gardzienice (review)

pp. 211-212

The Federal Theatre Project: A Case Study (review)

pp. 213-214

Popular Culture Icons in Contemporary American Drama (review)

pp. 215-217

Making Americans: Jews and the Broadway Musical (review)

pp. 217-219

The Tennessee Williams Encyclopedia (review)

pp. 219-221



pp. 222-224


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