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In this Issue

Table of Contents

  1. SuperGaming: Ubiquitous Play and Performance for Massively Scaled Community
  2. Jane McGonigal
  3. pp. 471-491
  4. DOI: https://doi.org/10.1353/mdr.2006.0012
  5. restricted access
  1. Out of the Box: Performance, Drama, and Interactive Software
  2. Derek Alexander Burrill
  3. pp. 492-512
  4. DOI: https://doi.org/10.1353/mdr.2006.0004
  5. restricted access
  1. "Always in the Likeness": The Virtual Presences of Helmut Kajzaris Gw'azda in the Lothe Lachmann Theatre
  2. Katarzyna Kwapisz
  3. pp. 513-539
  4. DOI: https://doi.org/10.1353/mdr.2006.0009
  5. restricted access
  1. "Genuine Negroes and Real Bloodhounds": Cross-Dressing, Eugene O'Neill, the Wooster Group, and The Emperor Jones
  2. Aoife Monks
  3. pp. 540-564
  4. DOI: https://doi.org/10.1353/mdr.2006.0013
  5. restricted access
  1. Fixing the TV: Televisual Geography in the Wooster Group's Brace Up!
  2. Phaedra Bell
  3. pp. 565-584
  4. DOI: https://doi.org/10.1353/mdr.2006.0002
  5. restricted access
  1. The TGarden Performance Research Project
  2. Sha Xin Wei
  3. pp. 585-608
  4. DOI: https://doi.org/10.1353/mdr.2006.0017
  5. restricted access
  1. Arthur Miller: A Critical Study (review)
  2. Jeffrey D. Mason
  3. pp. 609-611
  4. DOI: https://doi.org/10.1353/mdr.2006.0011
  5. restricted access
  1. Playing Underground: A Critical History of the 1960s Off-Off-Broadway Movement (review)
  2. Arnold Aronson
  3. pp. 611-613
  4. DOI: https://doi.org/10.1353/mdr.2006.0001
  5. restricted access
  1. American Theater in the Culture of the Cold War: Producing and Contesting Containment, 1947-1962 (review)
  2. Peter A. Davis
  3. pp. 613-615
  4. DOI: https://doi.org/10.1353/mdr.2006.0006
  5. restricted access
  1. The Archive and the Repertoire: Performing Cultural Memory in the Americas (review)
  2. Deborah Paredez
  3. pp. 615-617
  4. DOI: https://doi.org/10.1353/mdr.2006.0015
  5. restricted access
  1. Significant Other: Staging the American in China (review)
  2. Colin Mackerras
  3. pp. 617-619
  4. DOI: https://doi.org/10.1353/mdr.2006.0010
  5. restricted access
  1. Oscar Asche, Orientalism and British Musical Comedy (review)
  2. J. S. Bratton
  3. pp. 619-621
  4. DOI: https://doi.org/10.1353/mdr.2006.0003
  5. restricted access
  1. The Cambridge Companion to Victorian and Edwardian Theatre (review)
  2. Jane Moody
  3. pp. 621-623
  4. DOI: https://doi.org/10.1353/mdr.2006.0014
  5. restricted access
  1. The Theatre of Suzuki Tadashi (review)
  2. Hayato Kosuge
  3. pp. 623-625
  4. DOI: https://doi.org/10.1353/mdr.2006.0008
  5. restricted access
  1. Interfaces: Women/Autobiography/Image/Performance (review)
  2. Penny Farfan
  3. pp. 625-628
  4. DOI: https://doi.org/10.1353/mdr.2006.0007
  5. restricted access
  1. Virtual Theatres: An Introduction (review)
  2. David Z. Saltz
  3. pp. 629-631
  4. DOI: https://doi.org/10.1353/mdr.2006.0016
  5. restricted access
  1. Contributors
  3. pp. 632-634
  4. DOI: https://doi.org/10.1353/mdr.2006.0005
  5. restricted access