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  Volume 48, Number 3, Fall 2005

Table of Contents

From: Modern Drama

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Special Issue: Technology

Guest Editor: W.B. Worthen

SuperGaming: Ubiquitous Play and Performance for Massively Scaled Community

pp. 471-491 | DOI: 10.1353/mdr.2006.0012

Out of the Box: Performance, Drama, and Interactive Software

pp. 492-512 | DOI: 10.1353/mdr.2006.0004

"Always in the Likeness": The Virtual Presences of Helmut Kajzaris Gw'azda in the Lothe Lachmann Theatre

pp. 513-539 | DOI: 10.1353/mdr.2006.0009

"Genuine Negroes and Real Bloodhounds": Cross-Dressing, Eugene O'Neill, the Wooster Group, and The Emperor Jones

pp. 540-564 | DOI: 10.1353/mdr.2006.0013

Fixing the TV: Televisual Geography in the Wooster Group's Brace Up!

pp. 565-584 | DOI: 10.1353/mdr.2006.0002

The TGarden Performance Research Project

pp. 585-608 | DOI: 10.1353/mdr.2006.0017


Arthur Miller: A Critical Study (review)

pp. 609-611 | DOI: 10.1353/mdr.2006.0011

Playing Underground: A Critical History of the 1960s Off-Off-Broadway Movement (review)

pp. 611-613 | DOI: 10.1353/mdr.2006.0001

American Theater in the Culture of the Cold War: Producing and Contesting Containment, 1947-1962 (review)

pp. 613-615 | DOI: 10.1353/mdr.2006.0006

The Archive and the Repertoire: Performing Cultural Memory in the Americas (review)

pp. 615-617 | DOI: 10.1353/mdr.2006.0015

Significant Other: Staging the American in China (review)

pp. 617-619 | DOI: 10.1353/mdr.2006.0010

Oscar Asche, Orientalism and British Musical Comedy (review)

pp. 619-621 | DOI: 10.1353/mdr.2006.0003

The Cambridge Companion to Victorian and Edwardian Theatre (review)

pp. 621-623 | DOI: 10.1353/mdr.2006.0014

The Theatre of Suzuki Tadashi (review)

pp. 623-625 | DOI: 10.1353/mdr.2006.0008

Interfaces: Women/Autobiography/Image/Performance (review)

pp. 625-628 | DOI: 10.1353/mdr.2006.0007

Virtual Theatres: An Introduction (review)

pp. 629-631 | DOI: 10.1353/mdr.2006.0016



pp. 632-634 | DOI: 10.1353/mdr.2006.0005

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