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Browse Book and Journal Content on Project MUSE

Volume 52, Number 3, Spring 2013

Table of Contents


Raymond Williams on Film

pp. 1-18 | DOI: 10.1353/cj.2013.0023

Film and the Cultural Tradition

pp. 19-24 | DOI: 10.1353/cj.2013.0026

“A Remarkable Adventure”: Martin Luther and the 1950s Religious Marketplace

pp. 25-48 | DOI: 10.1353/cj.2013.0029

Visual Riposte: Looking Back at the Return of the Gaze as Postcolonial Theory’s Gift to Film Studies

pp. 49-74 | DOI: 10.1353/cj.2013.0015

Frustrated Climaxes: On Maya Deren’s Meshes of the Afternoon and Witch’s Cradle

pp. 75-98 | DOI: 10.1353/cj.2013.0018

Media Fantasies: Women, Mobility, and Silent-Era Japanese Ballad Films

pp. 99-119 | DOI: 10.1353/cj.2013.0020

“Independence,” Industrial Authorship, and Professional Entrepreneurship: Representing and Reorganizing Television Writing in the FCC Media Ownership Reviews

pp. 120-144 | DOI: 10.1353/cj.2013.0022

In Focus: Media Industries Studies


pp. 145-149 | DOI: 10.1353/cj.2013.0025

Critical Crossroads or Parallel Routes?: Political Economy and New Approaches to Studying Media Industries and Cultural Products

pp. 150-157 | DOI: 10.1353/cj.2013.0028

Para-Industry: Researching Hollywood’s Blackwaters

pp. 157-165 | DOI: 10.1353/cj.2013.0014

Rethinking Distribution for the Future of Media Industry Studies

pp. 165-171 | DOI: 10.1353/cj.2013.0017

Recognizing “Industry”

pp. 172-176 | DOI: 10.1353/cj.2013.0019

On a Screen Near You: The New Soundwork Industry

pp. 177-182 | DOI: 10.1353/cj.2013.0021

Two-Way Mirrors: Looking at the Future of Academic-Industry Engagement

pp. 183-188 | DOI: 10.1353/cj.2013.0024


pp. 188-189 | DOI: 10.1353/cj.2013.0027

Book Review Essay: Television 2013

pp. 190-197 | DOI: 10.1353/cj.2013.0030


p. 214 | DOI: 10.1353/cj.2013.0016

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