Volume 52, Number 4, Summer 2013

Table of Contents

Articles

Introducing the Band

pp. 1-2
|

The Unheard Voice in the Sound Film

pp. 3-24
|

The Maison and Its Minor: Lumière(s), Film History, and the Early Archive

pp. 25-48
|

Absolute Advertising: Walter Ruttmann and the Weimar Advertising Film

pp. 49-73
|

Landscape, Vitality, and Desire: Cross-Dressed Frontier Girls in Transitional-Era American Cinema

pp. 74-98
|

Dying to Love: Gay Identity, Suicide, and Aesthetics in A Single Man

pp. 99-120
|

In Focus: New Voices

Introduction

pp. 121-122
|

Identity Crisis

pp. 123-128
|

Researching Online Fandom

pp. 129-134
|

Transitional Eras

pp. 134-140
|

Lassoing the Unicorn

pp. 141-146
|

New Specificities

pp. 147-154
|

Beyond Bollywood?

pp. 155-160
|

Contributors

p. 161
|

Book Reviews: First Monographs

Book Reviews: First Monographs

p. 162
|

Censorship and Sexuality in Bombay Cinema by Monika Mehta (review)

pp. 162-167
|

Transmedia Television: Audiences, New Media, and Daily Life by Elizabeth Evans (review)

pp. 167-171
|

Killer Tapes and Shattered Screens: Video Spectatorship from VHS to File-Sharing by Caetlin Benson-Allott (review)

pp. 171-175
|

American Film Cycles: Reframing Genres, Screening Social Problems, and Defining Subcultures by Amanda Ann Klein (review)

pp. 175-178
|

The Films of Elías Querejeta: A Producer of Landscapes by Tom Whittaker (review)

pp. 179-181
|

Contributors

p. 182
|

Forthcoming

p. 190
|