1. ACCESS DENIED: Godard Palestine Representation
  2. Niels Niessen
  3. pp. 1-22
  4. DOI: 10.1353/cj.2013.0003
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  1. Mental Landscapes: Bazin, Deleuze, and Neorealism (Then and Now)
  2. Justin Horton
  3. pp. 23-45
  4. DOI: 10.1353/cj.2013.0005
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  1. "Hard to Handle": Camp Criticism, Trash-Film Reception, and the Transgressive Pleasures of Myra Breckinridge
  2. David Scott Diffrient
  3. pp. 46-70
  4. DOI: 10.1353/cj.2013.0007
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  1. Persistently Displaced: Situated Knowledges and Interrelated Histories in The Spook Who Sat by the Door
  2. Samantha N. Sheppard
  3. pp. 71-92
  4. DOI: 10.1353/cj.2013.0009
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  1. "Rotten to the Core": Exposing America's Energy-Media Complex in The China Syndrome
  2. Tony Shaw
  3. pp. 93-113
  4. DOI: 10.1353/cj.2013.0011
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  1. We're Definitely Not in Kansas Anymore—But Are We in Oz?
  2. Jennifer Crewe
  3. pp. 116-122
  4. DOI: 10.1353/cj.2013.0002
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  1. "Midnight in Princeton": Publishing in 3-D
  2. Leslie Mitchner
  3. pp. 122-126
  4. DOI: 10.1353/cj.2013.0006
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  1. Fair Use and Its Users
  2. Susan Bielstein
  3. pp. 127-131
  4. DOI: 10.1353/cj.2013.0001
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  1. The Future of the Book as a Media Project
  2. Ken Wissoker
  3. pp. 131-137
  4. DOI: 10.1353/cj.2013.0008
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  1. Surveying Recent Scholarship on Fair Use: A Conversation
  2. Peter Decherney
  3. pp. 138-149
  4. DOI: 10.1353/cj.2013.0010
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  1. Forthcoming
  2. p. 166
  3. DOI: 10.1353/cj.2013.0000
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  1. Introduction
  2. Mary C. Francis
  3. pp. 114-116
  4. DOI: 10.1353/cj.2013.0004
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  1. Contributors
  2. p. 137
  3. DOI: 10.1353/cj.2013.0012
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  1. Contributors
  2. p. 150
  3. DOI: 10.1353/cj.2013.0013
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