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Volume 44, Number 1, Winter/Spring 2013

Table of Contents

From the Editor

pp. 1-2 | DOI: 10.1353/amu.2013.0008

Let Morning Shine over Pyongyang: The Future-Oriented Nationalism of North Korea's Arirang Mass Games

pp. 3-32 | DOI: 10.1353/amu.2013.0010

What's in a Word?: Classifications and Conundrums in Japanese Folk Performing Arts

pp. 33-70 | DOI: 10.1353/amu.2013.0001

Tonight You Will Hear the Wedding of God: Heteroglossia and Polythematicism in the Performance of a Rājasthani Kathā

pp. 71-112 | DOI: 10.1353/amu.2013.0003

The Tibetan gCod Ḍamaru—A Reprise: Symbolism, Function, and Difference in a Tibetan Adept's Interpretive Community

pp. 113-139 | DOI: 10.1353/amu.2013.0005

Reviews

Music and Cultural Rights (review)

pp. 140-143 | DOI: 10.1353/amu.2013.0006

Cambodian Dance: Celebration of the Gods (review)

pp. 144-146 | DOI: 10.1353/amu.2013.0007

Musical Renderings of the Philippine Nation (review)

pp. 146-151 | DOI: 10.1353/amu.2013.0009

Colonial Counterpoint: Music in Early Modern Manila (review)

pp. 151-154 | DOI: 10.1353/amu.2013.0000

Angry Drummers: A Taiko Group from Naniwa, Osaka, Japan (review)

pp. 155-158 | DOI: 10.1353/amu.2013.0002

About the Contributors

pp. 159-160 | DOI: 10.1353/amu.2013.0004

Research Areas

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