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  Volume 43, Number 2, Summer/Fall 2012

Table of Contents

From the Editor

pp. 1-2
|

Nationalism and Musical Style in Interwar Yōgaku: A Reappraisal

pp. 3-46
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An Odyssey for Korean Rock: From Subversive to Patriotic

pp. 47-70
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The Expression of Chineseness and Americanness in Chinese Popular Music: A Comparison of ABC Pop Stars Wang Leehom and Vanness Wu

pp. 71-87
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The Timbre of Thai Classical Singing

pp. 88-114
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The Trajectories of Transplants: Singing Alhā, Birhā, and the Rāmāyan in the Indic Caribbean

pp. 115-154
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Reviews

Book Reviews

Wicked Theory, Naked Practice: A Fred Ho Reader (review)

pp. 155-158
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Le pouvoir en chantant, tome II: une musique d’état impériale (review)

pp. 159-162
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Ritual Music and Hindu Rituals of Kerala (review)

pp. 162-164
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Performing Otherness: Java and Bali on International Stages, 1905–1952 (review)

pp. 164-167
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Music in Mainland Southeast Asia: Experiencing Music, Expressing Culture (review)

pp. 167-170
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Recording Reviews

Hanoi Eclipse: The Music of Dai Lam Linh (review)

pp. 171-173
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The River of Exchange: Music of Agusan Manobo and Visayan Relations in Caraga, Mindanao, Philippines (review)

pp. 173-175
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Songs from Siberut, Flores, and Solor Islands (Indonesia): Two Albums

pp. 175-179
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About the Contributors

pp. 180-182
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Research Areas

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