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Table of Contents

  1. From the Editor
  2. Ricardo D. Trimillos
  3. p. 1
  4. DOI: https://doi.org/10.1353/amu.2013.0017
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  1. From the Guest Editors
  2. Jeremy Wallach, Esther Clinton
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/amu.2013.0012
  5. restricted access
  1. History, Modernity, and Music Genre in Indonesia: Popular Music Genres in the Dutch East Indies and Following Independence
  2. Jeremy Wallach, Esther Clinton
  3. pp. 3-23
  4. DOI: https://doi.org/10.1353/amu.2013.0020
  5. restricted access
  1. Three Genres of Indonesian Popular Music: Genre, Hybridity, and Globalization, 1960-2012
  2. Philip Yampolsky
  3. pp. 24-80
  4. DOI: https://doi.org/10.1353/amu.2013.0018
  5. restricted access
  1. Musical Genre and Hybridity in Indonesia: Simponi Kecapi and Campur Sari
  2. R. Anderson Sutton
  3. pp. 81-94
  4. DOI: https://doi.org/10.1353/amu.2013.0016
  5. restricted access
  1. Exemplary Centers and Musical Elsewheres: On Authenticity and Autonomy in Indonesian Indie Music
  2. Brent Luvaas
  3. pp. 95-114
  4. DOI: https://doi.org/10.1353/amu.2013.0011
  5. restricted access
  1. “Dance to Your Roots”: Genre Fusions in the Music of Indonesia’s Krakatau
  2. David Harnish, Jeremy Wallach
  3. pp. 115-134
  4. DOI: https://doi.org/10.1353/amu.2013.0014
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  1. Elevating the Underground: Claiming a Space for Indie Music among Bali’s Many Soundworlds
  2. Rebekah E. Moore
  3. pp. 135-159
  4. DOI: https://doi.org/10.1353/amu.2013.0013
  5. restricted access
  1. The Sound and Spectacle of Dangdut Koplo: Genre and Counter-Genre in East Java, Indonesia
  2. Andrew N. Weintraub
  3. pp. 160-194
  4. DOI: https://doi.org/10.1353/amu.2013.0019
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  1. About the Contributors
  3. pp. 195-197
  4. DOI: https://doi.org/10.1353/amu.2013.0015
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