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  43, Number 4, Summer 2004

Table of Contents

From: Cinema Journal

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The Global Return of the Wu Xia Pian (Chinese Sword-Fighting Movie): Ang Lee's Crouching Tiger, Hidden Dragon

pp. 3-17 | DOI: 10.1353/cj.2004.0030

Crouching Tiger, Hidden Dragon : A Diasporic Reading

pp. 18-42 | DOI: 10.1353/cj.2004.0035

Aesthetic Identities: A Response to Kenneth Chan and Christina Klein

pp. 43-52 | DOI: 10.1353/cj.2004.0038

Indeterminate and Inhuman: Georgette Leblanc in L'Inhumaine (1924)

pp. 53-75 | DOI: 10.1353/cj.2004.0039

Projections of Rural Life: The Agricultural Film Initiative in France, 1919-39

pp. 76-95 | DOI: 10.1353/cj.2004.0036

In Focus: The Media and the New Cold War

In Focus: The Media and the New Cold War

pp. 96-97 | DOI: 10.1353/cj.2004.0026

Fox and Its Friends: Global Commodification and the New Cold War

pp. 97-102 | DOI: 10.1353/cj.2004.0027

Conglomeration, New Media, and the Cultural Production of the "War on Terror"

pp. 102-108 | DOI: 10.1353/cj.2004.0029

Fending Off the Barbarians: Agit-Media and the Middle East

pp. 108-114 | DOI: 10.1353/cj.2004.0032

Reevaluating the "Old" Cold War: A Dialectical Reading of Two 9/11 Narratives

pp. 114-121 | DOI: 10.1353/cj.2004.0034

The Limits of the Cold War Analogy

pp. 121-125 | DOI: 10.1353/cj.2004.0037

9/11, The Useful Incident, and the Legacy of the Creel Committee

pp. 125-131 | DOI: 10.1353/cj.2004.0040


pp. 131-135 | DOI: 10.1353/cj.2004.0028



pp. 135-136 | DOI: 10.1353/cj.2004.0031


Cinema Journal Annotated Index to Volume 43

pp. 162-165 | DOI: 10.1353/cj.2004.0033

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