1. "That's Jazz Made in Germany!": Hallo, Fraulein! and the Limits of Democratic Pedagogy
  2. Jennifer Fay
  3. pp. 3-24
  4. DOI: 10.1353/cj.2004.0044
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  1. Disabling African American Men: Liberalism and Race Message Films
  2. John Nickel
  3. pp. 25-48
  4. DOI: 10.1353/cj.2004.0051
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  1. "You're Next!": Postwar Hegemony Besieged in Invasion of the Body Snatchers (1956)
  2. Katrina Mann
  3. pp. 49-68
  4. DOI: 10.1353/cj.2004.0049
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  1. "Too Close for Comfort": American Beauty and the Incest Motif
  2. Kathleen Rowe Karlyn
  3. pp. 69-93
  4. DOI: 10.1353/cj.2004.0048
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  1. In Focus: Film History, or a Baedeker Guide to the Historical Turn
  2. Sumiko Higashi
  3. pp. 94-100
  4. DOI: 10.1353/cj.2004.0047
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  1. Historiographic Method and the Study of Early Cinema
  2. Charles Musser
  3. pp. 101-107
  4. DOI: 10.1353/cj.2004.0050
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  1. "History Can Work for You, You Know How to Use It"
  2. Richard Abel
  3. pp. 107-112
  4. DOI: 10.1353/cj.2004.0042
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  1. Film History and the Two Presents of Feminist Film Theory
  2. Jane Gaines
  3. pp. 113-119
  4. DOI: 10.1353/cj.2004.0045
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  1. Woof, Warp, History
  2. Lee Grieveson
  3. pp. 119-126
  4. DOI: 10.1353/cj.2004.0046
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  1. The Future of the Past
  2. Janet Staiger
  3. pp. 126-129
  4. DOI: 10.1353/cj.2004.0054
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  1. Jargon and the Crisis of Readability: Methodology, Language, and the Future of Film History
  2. Steven Joseph Ross
  3. pp. 130-133
  4. DOI: 10.1353/cj.2004.0052
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  1. Does Film History Need a Crisis?
  2. Robert Sklar
  3. pp. 134-138
  4. DOI: 10.1353/cj.2004.0053
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  1. "Collaborative Research, Doc?"
  2. Donald Crafton
  3. pp. 138-142
  4. DOI: 10.1353/cj.2004.0043
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  1. Contributors
  2. pp. 142-143
  3. DOI: 10.1353/cj.2004.0041
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