1. Naturalist and Classical Styles in Early Sound Film Acting
  2. Johannes Riis
  3. pp. 3-17
  4. DOI: 10.1353/cj.2004.0023
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  1. Hard Hats and Movie Brats: Auteurism and the Class Politics of the New Hollywood
  2. Derek Nystrom
  3. pp. 18-41
  4. DOI: 10.1353/cj.2004.0022
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  1. "Dancing through the Minefield": Passion, Pedagogy, Politics, and Production in The Tango Lesson
  2. Lucy Fischer
  3. pp. 42-58
  4. DOI: 10.1353/cj.2004.0016
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  1. New Perceptions: Kinugasa Teinosuke's Films and Japanese Modernism
  2. William O. Gardner
  3. pp. 59-78
  4. DOI: 10.1353/cj.2004.0017
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  1. In Focus: What Is Cinema? What Is Cinema Journal ?
  2. Frank P. Tomasulo
  3. pp. 79-81
  4. DOI: 10.1353/cj.2004.0025
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  1. New Media and Film History: Walter Benjamin and the Awakening of Cinema
  2. Catherine Russell
  3. pp. 81-85
  4. DOI: 10.1353/cj.2004.0024
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  1. The State of the Field: Notes toward an Article
  2. E. Ann Kaplan
  3. pp. 85-88
  4. DOI: 10.1353/cj.2004.0019
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  1. Diversity or Dilution? Thoughts on Film Studies and the SCMS
  2. Barry Keith Grant
  3. pp. 88-91
  4. DOI: 10.1353/cj.2004.0018
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  1. The State of Things
  2. Robert Phillip Kolker
  3. pp. 91-93
  4. DOI: 10.1353/cj.2004.0020
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  1. Click This: From Analog Dreams to Digital Realities
  2. Anna Everett
  3. pp. 93-98
  4. DOI: 10.1353/cj.2004.0015
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  1. Parting Glances
  2. Jon Lewis
  3. pp. 98-101
  4. DOI: 10.1353/cj.2004.0021
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  1. Contributors
  2. p. 101
  3. DOI: 10.1353/cj.2004.0014
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