restricted access   Volume 61, Number 4, Winter 2017 (T236)

Table of Contents


p. 1


Acoustic Sounds, “Uhh...Moab who?!” : Lessons 1–5

pp. 2-3


Reclaiming the Real: Introduction

p. 8

Here We Are Again: Performing the Temporality of the Brazilian Transition

pp. 9-21

The Performative Utterance “I”: Theatricality and Subversion of Identity in the Works of Eyal Weiser

pp. 22-39

Theatre of War: Commemorating World War I in Belgium

pp. 40-58

Fandom and Punchdrunk’s Sleep No More: Audience Ethnography of Immersive Dance

pp. 59-77

Transmitting, Transforming, and Documenting Dance in the Digital Environment: What Dance Does Now that It Didn’t Do Before

pp. 78-95

Does the NEA Need Saving?

pp. 96-106


Stand By for Tape Back-Up

pp. 107-127

Critical Acts

In the Dark: Sex, Lies, and Fake News in Sam Gold’s Othello

pp. 128-133

Exorcism, Autobiography, and Une Chambre en Inde: The Soleil Stages Terrorism and Much More

pp. 133-141

Caught by Caught

pp. 141-146

Not Just Adult Entertainment: Milo Rau and CAMPO’s Collaborative Five Easy Pieces

pp. 147-155

Reality and Fiction in Contemporary Television: The Case of Skam

pp. 156-161


Vanguard Performance Beyond Left and Right ed. by Kimberly Jannarone (review)

pp. 162-164

Embodied Avatars: Genealogies of Black Feminist Art and Performance by Uri McMillan (review)

pp. 165-166

Gesture and Power: Religion, Nationalism, and Everyday Performance in Congo by Yolanda Covington-Ward (review)

pp. 166-168

Obstruction by Nick Salvato (review)

pp. 169-170

Concerning Consequences: Studies in Art, Destruction, and Trauma by Kristine Stiles (review)

pp. 170-172

Queer Dramaturgies: International Perspectives on Where Performance Leads Queer ed. by Alyson Campbell and Stephen Farrier (review)

pp. 172-174

Tactical Performance: The Theory and Practice of Serious Play by L.M. Bogad (review)

pp. 174-176

Come home Charley Patton by Ralph Lemon, and: Dramaturgy in Motion: At Work on Dance and Movement Performance by Katherine Profeta (review)

pp. 176-180

Voices from Within: Grotowski’s Polish Collaborators ed. by Paul Allain and Grzegorz Ziółkowski, and: Acting with Grotowski: Theatre as a Field for Experiencing Life by Zbigniew Cynkutis (review)

pp. 180-183

Cultural Responses to Occupation in Japan: The Performing Body During and After the Cold War by Adam Broinowski, and: Learning to Kneel: Noh, Modernism, and Journeys in Teaching by Carrie J. Preston, and: Flowers Cracking Concrete: Eiko & Koma’s Asian/American Choreographies by Rosemary Candelario, and: Beat Drama: Playwrights and Performances of the “Howl” Generation ed. by Deborah R. Geis, and: Antonin Artaud by David A. Shafer, and: Ruth Maleczech at Mabou Mines: Woman’s Work by Jessica Silsby Brater (review)

pp. 183-186