1. (If) You Make Your Own Story
  2. Ian Kaler
  3. pp. 2-3
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  1. Nehad Selaiha: 1945–2017
  2. Richard Schechner
  3. pp. 8-9
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  1. The Changing TDR Consortium: Princeton Exits, Yale Enters
  2. Richard Schechner
  3. p. 10
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  1. André Lepecki: A New TDR Contributing Editor
  2. Richard Schechner
  3. p. 11
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  1. Global Rasikas: Audience Reception for Akram Khan's Desh
  2. Shanti Pillai
  3. pp. 12-35
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  1. Cybernetic-Existentialism and Being-towards-death in Contemporary Art and Performance
  2. Steve Dixon
  3. pp. 36-55
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  1. Ritual in Prague's Velvet Carnival
  2. Ronald L. Grimes
  3. pp. 56-71
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  1. How to See Black Space in Total Whiteness: taisha paggett's underwaters (we is ready, we is ready) and the 2014 Whitney Biennial
  2. Jaime Shearn Coan
  3. pp. 72-93
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  1. "My relationship to the public is changing": Marina Abramović: In Residence
  2. Sarah Balkin, Sandra D'Urso
  3. pp. 94-111
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  1. "We Rule the Waves": Athletic Labor, Femininity, and National Collective in Billy Rose's Aquacade
  2. Yasmine Marie Jahanmir
  3. pp. 112-131
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  1. Dancing Material History: Site-Specific Performance in Michigan
  2. Petra Kuppers
  3. pp. 132-140
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  1. Asian Theatre as Method: The Toki Experimental Project and Sino-Japanese Transnationalism in Performance
  2. Rossella Ferrari
  3. pp. 141-164
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  1. Germinal: Theatre for Beginners
  2. Lindsay Goss
  3. pp. 165-172
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  1. Still Expressing the Need for the Rational: Edward Bond's Dea
  2. Yeliz Biber Vangölü
  3. pp. 173-177
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  1. After Live: Possibility, Potentiality, and the Future of Performance by Daniel Sack (review)
  2. Joseph Roach
  3. pp. 178-179
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  1. Tragedy and Dramatic Theatre by Hans-Thies Lehmann (review)
  2. W.B. Worthen
  3. pp. 180-181
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  1. Moving Together: Theorizing and Making Contemporary Dance by Rudi Laermans (review)
  2. Amanda Hamp
  3. pp. 181-183
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  1. Sensational Flesh: Race, Power, and Masochism by Amber Jamilla Musser (review)
  2. E. Hella Tsaconas
  3. pp. 184-185
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  1. Spectacular Disappearances: Celebrity and Privacy, 1696–1801 by Julia H. Fawcett (review)
  2. Leslie Ritchie
  3. pp. 186-187
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  1. Resounding Afro Asia: Interracial Music and the Politics of Collaboration by Tamara Roberts (review)
  2. Zachary Price
  3. pp. 188-190
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  1. Performance by Diana Taylor, and: What Is Performance Studies? ed. by Diana Taylor, Marcos Steuernagel (review)
  2. Patricia Ybarra
  3. pp. 190-193
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  1. More Books
  2. Christofer A. Rodelo
  3. pp. 193-195
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