restricted access   Volume 61, Number 3, Fall 2017 (T235)

Table of Contents


(If) You Make Your Own Story

pp. 2-3

TDR Comment

Nehad Selaiha: 1945–2017

pp. 8-9

Letters, Etc.

The Changing TDR Consortium: Princeton Exits, Yale Enters

p. 10

André Lepecki: A New TDR Contributing Editor

p. 11


Global Rasikas: Audience Reception for Akram Khan's Desh

pp. 12-35

Cybernetic-Existentialism and Being-towards-death in Contemporary Art and Performance

pp. 36-55

Ritual in Prague's Velvet Carnival

pp. 56-71

How to See Black Space in Total Whiteness: taisha paggett's underwaters (we is ready, we is ready) and the 2014 Whitney Biennial

pp. 72-93

"My relationship to the public is changing": Marina Abramović: In Residence

pp. 94-111

"We Rule the Waves": Athletic Labor, Femininity, and National Collective in Billy Rose's Aquacade

pp. 112-131

Dancing Material History: Site-Specific Performance in Michigan

pp. 132-140

Asian Theatre as Method: The Toki Experimental Project and Sino-Japanese Transnationalism in Performance

pp. 141-164

Critical Acts

Germinal: Theatre for Beginners

pp. 165-172

Still Expressing the Need for the Rational: Edward Bond's Dea

pp. 173-177


After Live: Possibility, Potentiality, and the Future of Performance by Daniel Sack (review)

pp. 178-179

Tragedy and Dramatic Theatre by Hans-Thies Lehmann (review)

pp. 180-181

Moving Together: Theorizing and Making Contemporary Dance by Rudi Laermans (review)

pp. 181-183

Sensational Flesh: Race, Power, and Masochism by Amber Jamilla Musser (review)

pp. 184-185

Spectacular Disappearances: Celebrity and Privacy, 1696–1801 by Julia H. Fawcett (review)

pp. 186-187

Resounding Afro Asia: Interracial Music and the Politics of Collaboration by Tamara Roberts (review)

pp. 188-190

Performance by Diana Taylor, and: What Is Performance Studies? ed. by Diana Taylor, Marcos Steuernagel (review)

pp. 190-193

More Books

pp. 193-195