restricted access   Volume 62, Number 1, Spring 2018 (T237)

Table of Contents



Girl Talk and Hold Music: On the Sculptural Poetics of Chat

pp. 2-3


Performance and Reproduction: Introduction

pp. 8-13

Black Cinematic Gesture and the Aesthetics of Contagion

pp. 14-30

The Wallflower Order and Social Reproduction: Gender, Work, and Feminist Dance

pp. 31-45

The Queer of Color's Mother: Ryan Rivera, Audre Lorde, Martin Wong, Danh Vō

pp. 46-59

In the Interstice: Lorraine O'Grady's Interruptive Performances and the Circuits of (Feminist) Reproduction

pp. 60-78

Reproducing the White Bourgeois: The Sitting-Room Drama of Marina Abramović

pp. 79-97

Performing the "Foreign Maid" in the Global Market

pp. 98-112

Strike Debt's Rolling Jubilee: The Promise and the Performativity of Financial Contracts

pp. 113-130

Times of Dispossession and (Re)possession: An Interview with Silvia Federici

pp. 131-142

Reproducing Witchcraft: Thou Shalt Not Perform a Witch to Live

pp. 143-159

Black Performance and Reproduction: A Set of Four Essays in a Round


pp. 161-162

Erykah Badu's Ambulatory Acts

pp. 162-166

"Black Night Is Falling": The "Airy Poetics" of Some Performance

pp. 166-169


pp. 169-171

Generational Schism, Fannie Lou Hamer, and the Future of Protest

pp. 172-175

Critical Acts

"Be Uncomfortable with Me for a Moment": Performing an Uneasy Solidarity in the New Black Fest's Hands Up: 7 Playwrights, 7 Testaments

pp. 176-181

Street Theatre East of Eden: The 10th International Street Theatre Festival in Mariwan, Iran

pp. 182-190

Sordid Ironies and the Short-Fingered Vulgarian Alison Jackson's Mental Images

pp. 191-200

How Do You Play Bones?: Pia Lindman's A Kalevala Duo, Playing Bones

pp. 201-206


It's All Allowed: The Performances of Adrian Howells ed. by Deirdre Heddon and Dominic Johnson (review)

pp. 207-208

Disabled Theater ed. by Sandra Umathum and Benjamin Wihstutz (review)

pp. 209-210

Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance by Brian Eugenio Herrera (review)

pp. 211-213

Dancing with the Zapatistas ed. by Diana Taylor and Lorie Novak (review)

pp. 213-214

Acting Up: Gender and Theatre in India, 1979 Onwards by A. Mangai (review)

pp. 215-216

Alienation Effects: Performance and Self-Management in Yugoslavia, 1945–1991 by Branislav Jakovljević (review)

pp. 216-219

Memories of the Revolution: The First Ten Years of the WOW Café Theater ed. by Holly Hughes, Carmelita Tropicana, and Jill Dolan, and: The Only Way Home is Through the Show: Performance Work of Lois Weaver ed. by Jen Harvie and Lois Weaver (review)

pp. 219-222

More Books

pp. 222-224