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  1. Girl Talk and Hold Music: On the Sculptural Poetics of Chat
  2. Amalle Dublon
  3. pp. 2-3
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  1. Performance and Reproduction: Introduction
  2. Beth Capper, Rebecca Schneider
  3. pp. 8-13
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  1. Black Cinematic Gesture and the Aesthetics of Contagion
  2. Rizvana Bradley
  3. pp. 14-30
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  1. The Wallflower Order and Social Reproduction: Gender, Work, and Feminist Dance
  2. Olive Mckeon
  3. pp. 31-45
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  1. The Queer of Color's Mother: Ryan Rivera, Audre Lorde, Martin Wong, Danh Vō
  2. Joshua Chambers-Letson
  3. pp. 46-59
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  1. In the Interstice: Lorraine O'Grady's Interruptive Performances and the Circuits of (Feminist) Reproduction
  2. Beth Capper
  3. pp. 60-78
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  1. Reproducing the White Bourgeois: The Sitting-Room Drama of Marina Abramović
  2. Eleanor Skimin
  3. pp. 79-97
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  1. Performing the "Foreign Maid" in the Global Market
  2. Jimena Ortuzar
  3. pp. 98-112
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  1. Strike Debt's Rolling Jubilee: The Promise and the Performativity of Financial Contracts
  2. Christian Riley Nagler
  3. pp. 113-130
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  1. Times of Dispossession and (Re)possession: An Interview with Silvia Federici
  2. Arlen Austin, Beth Capper, Rebecca Schneider
  3. pp. 131-142
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  1. Reproducing Witchcraft: Thou Shalt Not Perform a Witch to Live
  2. VK Preston
  3. pp. 143-159
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  1. Introduction
  2. pp. 161-162
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  1. Erykah Badu's Ambulatory Acts
  2. Kimberly Juanita Brown
  3. pp. 162-166
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  1. "Black Night Is Falling": The "Airy Poetics" of Some Performance
  2. Sarah Jane Cervenak
  3. pp. 166-169
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  1. Casualties
  2. Jasmine Elizabeth Johnson
  3. pp. 169-171
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  1. Generational Schism, Fannie Lou Hamer, and the Future of Protest
  2. Paige A. McGinley
  3. pp. 172-175
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  1. Street Theatre East of Eden: The 10th International Street Theatre Festival in Mariwan, Iran
  2. Doug Paterson
  3. pp. 182-190
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  1. Sordid Ironies and the Short-Fingered Vulgarian Alison Jackson's Mental Images
  2. Tony Perucci
  3. pp. 191-200
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  1. How Do You Play Bones?: Pia Lindman's A Kalevala Duo, Playing Bones
  2. Beth Hinderliter
  3. pp. 201-206
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  1. It's All Allowed: The Performances of Adrian Howells ed. by Deirdre Heddon and Dominic Johnson (review)
  2. Christopher Grobe
  3. pp. 207-208
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  1. Disabled Theater ed. by Sandra Umathum and Benjamin Wihstutz (review)
  2. Pablo Assumpção Barros Costa
  3. pp. 209-210
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  1. Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance by Brian Eugenio Herrera (review)
  2. Frances Negrón-Muntaner
  3. pp. 211-213
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  1. Dancing with the Zapatistas ed. by Diana Taylor and Lorie Novak (review)
  2. Christen Sperry-Garcia
  3. pp. 213-214
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  1. Acting Up: Gender and Theatre in India, 1979 Onwards by A. Mangai (review)
  2. Maggie B. Gale
  3. pp. 215-216
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  1. Alienation Effects: Performance and Self-Management in Yugoslavia, 1945–1991 by Branislav Jakovljević (review)
  2. Matthew Goulish
  3. pp. 216-219
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  1. More Books
  2. Michell Nicole Miller
  3. pp. 222-224
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