1. From Debussy’s Studio: The Little-Known Autograph of De rêve, the First of the Proses lyriques (1892)
  2. Denis Herlin, Peter Bloom
  3. pp. 9-34
  4. DOI: 10.1353/not.2014.0101
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  1. A Long-Lost Partbook of French Chansons Resurfaces at the University of Virginia
  2. Paul Walker, Rya Martin
  3. pp. 35-61
  4. DOI: 10.1353/not.2014.0109
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  1. Notes for Notes
  2. pp. 62-67
  3. DOI: 10.1353/not.2014.0117
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  1. Messiaen’s Musical Techniques: The Composer’s View and Beyond by Gareth Healey (review)
  2. Vincent Benitez
  3. pp. 70-72
  4. DOI: 10.1353/not.2014.0084
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  1. Chopin’s Prophet: The Life of Pianist Vladimir de Pachmann by Edward Blickstein and Gregor Benko (review)
  2. Donald Manildi
  3. pp. 73-74
  4. DOI: 10.1353/not.2014.0091
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  1. Dramatic Expression in Rameau’s Tragédie en Musique: Between Tradition and Enlightenment by Cynthia Verba (review)
  2. Nathan John Martin
  3. pp. 74-78
  4. DOI: 10.1353/not.2014.0098
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  1. Mozart’s Grace by Scott G. Burnham (review)
  2. Steven D. Mathews
  3. pp. 78-81
  4. DOI: 10.1353/not.2014.0106
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  1. Bachs Orchester- und Kammermusik: Das Handbuch Edited by Siegbert Rampe (review)
  2. John Moran
  3. pp. 81-83
  4. DOI: 10.1353/not.2014.0114
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  1. I codici liturgici di Castel Tirolo by Marco Gozzi (review)
  2. Jacopo Mazzeo
  3. pp. 86-88
  4. DOI: 10.1353/not.2014.0081
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  1. Insights and Essays on the Music Performance Library Edited by Russ Girsberger and Laurie Lake (review)
  2. Laurel Diskin
  3. pp. 88-91
  4. DOI: 10.1353/not.2014.0088
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  1. The Persistence of Sentiment: Display and Feeling in Popular Music of the 1970s by Mitchell Morris (review)
  2. Joseph R. Matson
  3. pp. 91-93
  4. DOI: 10.1353/not.2014.0095
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  1. Listening to Stanley Kubrick: The Music in His Films by Christine Lee Gengaro (review)
  2. Jessica L. Getman
  3. pp. 93-95
  4. DOI: 10.1353/not.2014.0103
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  1. Pretty Good for a Girl: Women in Bluegrass by Murphy Hicks Henry (review)
  2. Philip Vandermeer
  3. pp. 95-97
  4. DOI: 10.1353/not.2014.0111
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  1. God Bless America: The Surprising History of an Iconic Song by Sheryl Kaskowitz (review)
  2. John Hausmann
  3. pp. 97-100
  4. DOI: 10.1353/not.2014.0119
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  1. Dinner with Lenny: The Last Long Interview with Leonard Bernstein by Jonathan Cott (review)
  2. Lars Helgert
  3. pp. 100-101
  4. DOI: 10.1353/not.2014.0078
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  1. Before Elvis: The Prehistory of Rock ‘n’ Roll by Larry Birnbaum (review)
  2. Vincent J. Novara
  3. pp. 101-103
  4. DOI: 10.1353/not.2014.0086
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  1. The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop by Guthrie P. Ramsey Jr. (review)
  2. Anthony Bushard
  3. pp. 105-108
  4. DOI: 10.1353/not.2014.0100
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  1. Whose Spain?: Negotiating “Spanish Music” in Paris, 1908–1929 by Samuel Llano (review)
  2. Carol A. Hess
  3. pp. 112-114
  4. DOI: 10.1353/not.2014.0116
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  1. Music and the Politics of Negation by James R. Currie (review)
  2. Linda Kouvaras
  3. pp. 114-116
  4. DOI: 10.1353/not.2014.0124
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  1. Singing a Hindu Nation: Marathi Devotional Performance and Nationalism by Anna C. Schultz (review)
  2. Justin Scarimbolo
  3. pp. 116-119
  4. DOI: 10.1353/not.2014.0083
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 120-126
  4. DOI: 10.1353/not.2014.0090
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  1. New Periodicals
  2. pp. 127-131
  3. DOI: 10.1353/not.2014.0097
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  1. Digital Media Reviews
  2. Felicity Ann Brown
  3. pp. 132-134
  4. DOI: 10.1353/not.2014.0105
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  1. Lulu by Alban Berg (review)
  2. Alexander Carpenter
  3. pp. 135-136
  4. DOI: 10.1353/not.2014.0113
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  1. Preussisches Märchen by Boris Blacher, and: Oedipus: Musiktheater by Wolfgang Rihm (review)
  2. John Holland
  3. pp. 136-137
  4. DOI: 10.1353/not.2014.0121
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  1. Die Soldaten by Bernd Alois Zimmermann (review)
  2. Emily Richmond Pollock
  3. pp. 137-138
  4. DOI: 10.1353/not.2014.0080
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  1. The Perfect American by Philip Glass (review)
  2. James M. Doering
  3. pp. 138-139
  4. DOI: 10.1353/not.2014.0087
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  1. El Niño by John Adams (review)
  2. S. Andrew Granade
  3. pp. 139-140
  4. DOI: 10.1353/not.2014.0094
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  1. Moby-Dick by Jake Heggie (review)
  2. Ryan Ebright
  3. pp. 140-141
  4. DOI: 10.1353/not.2014.0102
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  1. Claude Debussy: Music Cannot be Learned Directed by Georges Gachot (review)
  2. Roderick L. Sharpe
  3. pp. 141-142
  4. DOI: 10.1353/not.2014.0110
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  1. Bloody Daughter Directed by Stéphanie Argerich (review)
  2. Lisa Woznicki
  3. pp. 142-143
  4. DOI: 10.1353/not.2014.0118
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  1. Speak the Music: Robert Mann and the Mysteries of Chamber Music Directed by Allan Miller (review)
  2. Beth Fleming
  3. pp. 143-144
  4. DOI: 10.1353/not.2014.0126
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  1. The Italian Character: The Story of a Great Italian Orchestra Directed by Angelo Bozzolini (review)
  2. Shelley L. Rogers
  3. pp. 144-145
  4. DOI: 10.1353/not.2014.0085
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  1. Enigma Variations by Edward Elgar (review)
  2. Roderick L. Sharpe
  3. pp. 145-146
  4. DOI: 10.1353/not.2014.0092
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  1. Legendary Conductors of the Boston Symphony Orchestra (review)
  2. John Clark
  3. pp. 147-149
  4. DOI: 10.1353/not.2014.0107
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  1. Le Sacre du printemps, L’Oiseau de feu (review)
  2. Michael Ashenfelder
  3. pp. 149-150
  4. DOI: 10.1353/not.2014.0115
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  1. Live at Montreux by Stan Getz (review)
  2. Alexander Carpenter
  3. pp. 150-151
  4. DOI: 10.1353/not.2014.0123
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  1. Primavera by The Banda Brothers (review)
  2. Christopher L. Ballengee
  3. pp. 151-152
  4. DOI: 10.1353/not.2014.0082
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  1. Greenwich Village: Music That Defined a Generation Directed by Laura Archibald (review)
  2. Randall Zwally
  3. pp. 152-153
  4. DOI: 10.1353/not.2014.0089
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  1. Fifteenth-Century Settings of the Gloria and Credo
  2. Robert Nosow
  3. pp. 154-157
  4. DOI: 10.1353/not.2014.0096
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  1. Rosenmüller’s Kernsprüche
  2. Derek Stauff
  3. pp. 157-160
  4. DOI: 10.1353/not.2014.0104
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  1. Completions of Mozart Aria Fragments
  2. Cliff Eisen
  3. pp. 160-162
  4. DOI: 10.1353/not.2014.0112
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  1. Index to Advertisers
  2. p. 174
  3. DOI: 10.1353/not.2014.0079
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  1. Music Received
  2. David Knapp
  3. pp. 163-173
  4. DOI: 10.1353/not.2014.0120
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