We cannot verify your location
Browse Book and Journal Content on Project MUSE
OR

  Volume 71, Number 1, September 2014

Table of Contents

From Debussy’s Studio: The Little-Known Autograph of De rêve, the First of the Proses lyriques (1892)

pp. 9-34
|

A Long-Lost Partbook of French Chansons Resurfaces at the University of Virginia

pp. 35-61
|

Notes for Notes

pp. 62-67
|

Book Reviews

Pelléas et Mélisande, cent ans après: Études et documents Edited by Jean-Christophe Branger, Sylvie Douche, and Denis Herlin (review)

pp. 68-70
|

Messiaen’s Musical Techniques: The Composer’s View and Beyond by Gareth Healey (review)

pp. 70-72
|

Chopin’s Prophet: The Life of Pianist Vladimir de Pachmann by Edward Blickstein and Gregor Benko (review)

pp. 73-74
|

Dramatic Expression in Rameau’s Tragédie en Musique: Between Tradition and Enlightenment by Cynthia Verba (review)

pp. 74-78
|

Mozart’s Grace by Scott G. Burnham (review)

pp. 78-81
|

Bachs Orchester- und Kammermusik: Das Handbuch Edited by Siegbert Rampe (review)

pp. 81-83
|

Postmoderne hinter dem Eisernen Vorhang: Werk und Rezeption Alfred Schnittkes im Kontext ost- und mitteleuropäischer Musikdiskurse Edited by Amrei Flechsig and Stefan Weiss (review)

pp. 83-86
|

I codici liturgici di Castel Tirolo by Marco Gozzi (review)

pp. 86-88
|

Insights and Essays on the Music Performance Library Edited by Russ Girsberger and Laurie Lake (review)

pp. 88-91
|

The Persistence of Sentiment: Display and Feeling in Popular Music of the 1970s by Mitchell Morris (review)

pp. 91-93
|

Listening to Stanley Kubrick: The Music in His Films by Christine Lee Gengaro (review)

pp. 93-95
|

Pretty Good for a Girl: Women in Bluegrass by Murphy Hicks Henry (review)

pp. 95-97
|

God Bless America: The Surprising History of an Iconic Song by Sheryl Kaskowitz (review)

pp. 97-100
|

Dinner with Lenny: The Last Long Interview with Leonard Bernstein by Jonathan Cott (review)

pp. 100-101
|

Before Elvis: The Prehistory of Rock ‘n’ Roll by Larry Birnbaum (review)

pp. 101-103
|

Blues: A Regional Experience by Bob Eagle and Eric S. LeBlanc, and: The Great Jazz Guitarists: The Ultimate Guide by Scott Yanow (review)

pp. 103-105
|

The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop by Guthrie P. Ramsey Jr. (review)

pp. 105-108
|

Walk Tall: The Music and Life of Julian “Cannonball” Adderley by Cary Ginell, and: Jazz Icons: Heroes, Myths and the Jazz Tradition by Tony Whyton (review)

pp. 108-112
|

Whose Spain?: Negotiating “Spanish Music” in Paris, 1908–1929 by Samuel Llano (review)

pp. 112-114
|

Music and the Politics of Negation by James R. Currie (review)

pp. 114-116
|

Singing a Hindu Nation: Marathi Devotional Performance and Nationalism by Anna C. Schultz (review)

pp. 116-119
|

Books Recently Published

pp. 120-126
|

New Periodicals

pp. 127-131
|

Digital Media Reviews

Digital Media Reviews

pp. 132-134
|

Video Reviews

Lulu by Alban Berg (review)

pp. 135-136
|

Preussisches Märchen by Boris Blacher, and: Oedipus: Musiktheater by Wolfgang Rihm (review)

pp. 136-137
|

Die Soldaten by Bernd Alois Zimmermann (review)

pp. 137-138
|

The Perfect American by Philip Glass (review)

pp. 138-139
|

El Niño by John Adams (review)

pp. 139-140
|

Moby-Dick by Jake Heggie (review)

pp. 140-141
|

Claude Debussy: Music Cannot be Learned Directed by Georges Gachot (review)

pp. 141-142
|

Bloody Daughter Directed by Stéphanie Argerich (review)

pp. 142-143
|

Speak the Music: Robert Mann and the Mysteries of Chamber Music Directed by Allan Miller (review)

pp. 143-144
|

The Italian Character: The Story of a Great Italian Orchestra Directed by Angelo Bozzolini (review)

pp. 144-145
|

Enigma Variations by Edward Elgar (review)

pp. 145-146
|

Sergiu Celibidache: Firebrand and Philosopher Directed by Norbert Busè, and: Celibidache Rehearses Bruckner’s Ninth Directed by Jan Schmidt-Garre (review)

pp. 146-147
|

Legendary Conductors of the Boston Symphony Orchestra (review)

pp. 147-149
|

Le Sacre du printemps, L’Oiseau de feu (review)

pp. 149-150
|

Live at Montreux by Stan Getz (review)

pp. 150-151
|

Primavera by The Banda Brothers (review)

pp. 151-152
|

Greenwich Village: Music That Defined a Generation Directed by Laura Archibald (review)

pp. 152-153
|

Music Reviews

Fifteenth-Century Settings of the Gloria and Credo

pp. 154-157
|

Rosenmüller’s Kernsprüche

pp. 157-160
|

Completions of Mozart Aria Fragments

pp. 160-162
|

Music Received

pp. 163-173
|

Index to Advertisers

p. 174
|

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access