restricted access   Volume 71, Number 2, December 2014

Table of Contents


C. P. E. Bach and the History of Music

pp. 197-218

The Sound of Moog: Using Vinyl Recordings to Reconstruct a History of the Moog Synthesizer

pp. 219-236

A Panoramic Survey of Beethoven’s Hammerklavier Sonata, Op. 106: Composition and Performance

pp. 237-262

Prices of Music Monographs and Scores as Reflected in Notes, 2008–2013

pp. 263-270

Notes for Notes

pp. 271-272

Book Reviews

Aesthetics, Philosophy

Rethinking Hanslick: Music, Formalism, and Expression ed. by Nicole Grimes, Siobhán Donovan, Wolfgang Marx (review)

pp. 273-275

Skryabin, Philosophy and the Music of Desire by Kenneth M. Smith (review)

pp. 275-277

The Aesthetic Life of Cyril Scott by Sarah Collins (review)

pp. 277-280

American Music

MacDowell by E. Douglas Bomberger (review)

pp. 280-283

Sweet Dreams: The World of Patsy Cline ed. by Warren R. Hofstra (review)

pp. 283-285

John Kirkpatrick, American Music, and the Printed Page by Drew Massey (review)

pp. 285-287

Anything Goes: A History of American Musical Theatre by Ethan Mordden (review)

pp. 287-289


Frederic Mompou: El eterno recomenzar by Adolf Pla i Garrigós (review)

pp. 289-292

Hamilton Harty: Musical Polymath by Jeremy Dibble (review)

pp. 292-295

Hipness, Jazz

Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music by Jesse Weaver Shipley (review)

pp. 295-297

Dig: Sound and Music in Hip Culture by Phil Ford (review)

pp. 297-299

The John Coltrane Reference by Chris DeVito, et al. (review)

pp. 299-300

Opera, Medicine

Not without Madness: Perspectives on Opera by Fabrizio Della Seta (review)

pp. 301-303

A History of Opera by Carolyn Abbate, Roger Parker (review)

pp. 303-305

Bad Vibrations: The History of the Idea of Music as a Cause of Disease by James Kennaway (review)

pp. 305-307


The Pierrot Ensembles: Chronicle and Catalogue, 1912–2012 by Christopher Dromey (review)

pp. 308-309

Beethovens Orchestermusik und Konzerte: Das Handbuch ed. by Oliver Korte, Albrecht Riethmüller (review)

pp. 309-312

Guide to the Pianist’s Repertoire by Maurice Hinson, Wesley Roberts (review)

pp. 312-314

Sovereign, Sacred

Sovereign Feminine: Music and Gender in Eighteenth-Century Germany by Matthew Head (review)

pp. 315-317

Music in Early Franciscan Thought by Peter V. Loewen (review)

pp. 317-319


A Theory of Music Analysis: On Segmentation and Associative Organization by Dora A. Hanninen (review)

pp. 320-322

Books Recently Published

pp. 323-331

Music Reviews

Music from Medieval Britain

Songs in British Sources c. 1150–1300 ed. by Helen Deeming (review)

pp. 332-336

Eighteenth-Century Chamber Music from the Spanish Court

Tríos para dos violines y violonchelo. Series VI y VIII ed. by Lluís Bertran Xirau, and: Cuartetos de cuerda L184–L199 ed. by Miguel Ángel Marín, Jorge Fonseca (review)

pp. 336-340

Keyboard Music by Galuppi

Le opere strumentali. Serie prima: Musica per tastiera, Volume 1: Opera 1, Opera 2, Passatempo al cembalo ed. by Mario Folena, Roberto LoreggianLe opere strumentali. Serie prima: Musica per tastiera, Volume 2: [Manoscritti da fonti veneziane] ed. by Federica Iannella, Giuliana Maccaroni, and: Le opere strumentali. Serie prima: Musica per tastiera, Volume 3: [Manoscritti da fonti italiane (non veneziane)] by Elisa Fontana, Roberto Velasco, and: Le opere strumentali. Serie prima: Musica per tastiera, Volume 4: [Manoscritti da fonti italiane diverse]by Alvise De Piero (review)

pp. 340-345

The Original Version of Bizet’s L’Arlésienne

L’Arlésienne: Drame en trois actes et cinq tableaux. Version originale de 1872 pour ensemble instrumental et chœur by Georges Bizet (review)

pp. 345-349

Newly Published Music by Benjamin Britten

Three Songs for Les Illuminations by Benjamin Britten, and: Six Early Songs (1929–31) for medium voice and piano by Benjamin Britten, and: Two Pieces for violin, viola and piano (1929) by Benjamin Britten, and: Two Psalms: Out of the deep, Praise ye the Lord, for SATB chorus and orchestra by Benjamin Britten, and: Variations for piano (1965) by Benjamin Britten (review)

pp. 349-352

Music Received

pp. 353-360

Index to Advertisers

p. 362