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  Volume 70, Number 4, June 2014

Table of Contents

Aaron Copland’s Soviet Diary (1960)

pp. 575-596
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C. P. E. Bach Sources at the Library of Congress

pp. 597-660
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Notes for Notes

pp. 661-665
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Book Reviews

Ethnomusicology: Performing Culture

Gentleman Troubadours and Andean Pop Stars: Huayno Music, Media Work, and Ethnic Imaginaries in Urban Peru by Joshua Tucker (review)

pp. 666-668
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SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture by Nathan Hesselink (review)

pp. 668-670
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From Opera Boat to Silver Screen: Visual and Sonic Culture of Cantonese Opera (尋覓粵劇聲影: 從紅船到水銀燈) by Sai-shing Yung (review)

pp. 670-672
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And We’re All Brothers: Singing in Yiddish in Contemporary North America by Abigail Wood (review)

pp. 672-674
|

Gothic and Punk

Gothic Music: The Sounds of the Uncanny by Isabella van Elferen (review)

pp. 674-676
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This Music Leaves Stains: The Complete Story of the Misfits by James Greene Jr (review)

pp. 676-679
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Jazz

Eurojazzland: Jazz and European Sources, Dynamics, and Contexts ed. by Luca Cerchiari, Laurent Cugny, Franz Kerschbaumer (review)

pp. 679-682
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Shall We Play That One Together? The Life and Art of Jazz Piano Legend Marian McPartland by Paul de Barros (review)

pp. 682-684
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Keith Jarrett’s The Köln Concert by Peter Elsdon, and: People Get Ready: The Future of Jazz is Now! ed. by Ajay Heble, Rob Wallace, and: Beyond a Love Supreme: John Coltrane and the Legacy of an Album by Tony Whyton (review)

pp. 684-687
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Concise Guide to Jazz by Mark C. Gridley (review)

pp. 687-690
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Instruments and Performance Practice

“Diess herrliche, imponirende Instrument”: Die Orgel im Zeitalter Felix Mendelssohn Bartholdys ed. by Anselm Hartinger, Christoph Wolff, Peter Wollny (review)

pp. 690-692
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Mozarts Tempo-System: Ein Handbuch für die professionelle Praxis: Alle Autograph bezeichneten Tempi in 420 Gruppen von Stücken gleicher Charakteristik mit 392 kommentierten Notenbeispielen und allen relevanten Quellentexten by Helmut Breidenstein (review)

pp. 692-694
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The Recorder and Other Members of the Flute Family in Writings from 1100 to 1500 by David Lasocki (review)

pp. 694-695
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Analysis and Stylistic Evolution

Messiaen’s Final Works by Christopher Dingle (review)

pp. 695-698
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Harmony in Haydn and Mozart by David Damschroder (review)

pp. 698-700
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Brahms Beyond Mastery: His Sarabande and Gavotte, and its Recompositions by Robert Pascall (review)

pp. 700-702
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Bach and Bach Family

Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn by Matthew Dirst (review)

pp. 703-704
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Carl Philipp Emanuel Bach: Portrait Collection I: Catalogue ed. by Annette Richards, and: Carl Philipp Emanuel Bach: Portrait Collection II: Plates ed. by Annette Richards (review)

pp. 705-706
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Nineteenth and Twentieth Centuries

Sergey Prokofiev, Diaries 1924–1933: Prodigal Son by Anthony Phillips (review)

pp. 706-708
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Wagner’s Melodies: Aesthetics and Materialism in German Musical Identity by David Trippett (review)

pp. 708-710
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The Quilting Points of Musical Modernism: Revolution, Reaction, and William Walton by J. P. E. Harper-Scott (review)

pp. 710-712
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Pedagogy

The Music History Classroom ed. by James A. Davis (review)

pp. 713-715
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Books Recently Published

pp. 716-726
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Digital Media Reviews

Met Opera On Demand: Student Access (review)

pp. 727-729
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Music Reviews

The Mathew Holmes Manuscripts I: Cambridge University Library MS Dd.2.11 (review)

pp. 730-732
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Il terzo libro de madrigali a cinque voci con alcuni di Giovanni Gabrieli: Venezia, Angelo Gardano 1589 by Andrea Gabrieli (review)

pp. 732-735
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Elias = Elijah: Ein Oratorium nach Worten des Alten Testaments = The Words Selected from the Old Testament op. 70 ed. by Christian Martin Schmidt, and: Elias = Elijah: Ein Oratorium = An Oratorio, and: Christian Martin Schmidt, and: Elias = Elijah, op. 70, MWV A 25, Klavier-Bearbeitungen = Arrangements for Pianoforte (review)

pp. 735-739
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Knyaz’ Igor’ = Prince Igor: Opera ed. by Anna Bulycheva (review)

pp. 739-745
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Orchestral Works by George Butterworth (review)

pp. 745-748
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Fortunato: An Opera in Three Scenes (1958) ed. by Stephanie Jensen-Moulton, and: Fortunato: Orchestration of Scene 1 ed. by Stephanie Jensen-Moulton (review)

pp. 748-750
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Music Received

pp. 751-761
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Communications

p. 762
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Index to Advertisers

p. 763
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Cumulative Index to Advertisers Volume 70

p. 781
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September 2013 through June 2014

pp. 782-790
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Research Areas

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