1. Aaron Copland’s Soviet Diary (1960)
  2. Kevin Bartig
  3. pp. 575-596
  4. DOI: 10.1353/not.2014.0043
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  1. C. P. E. Bach Sources at the Library of Congress
  2. Daniel F. Boomhower
  3. pp. 597-660
  4. DOI: 10.1353/not.2014.0049
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  1. Notes for Notes
  2. pp. 661-665
  3. DOI: 10.1353/not.2014.0055
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  1. SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture by Nathan Hesselink (review)
  2. Soojin Kim
  3. pp. 668-670
  4. DOI: 10.1353/not.2014.0067
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  1. And We’re All Brothers: Singing in Yiddish in Contemporary North America by Abigail Wood (review)
  2. Benita Wolters-Fredlund
  3. pp. 672-674
  4. DOI: 10.1353/not.2014.0041
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  1. Gothic Music: The Sounds of the Uncanny by Isabella van Elferen (review)
  2. Alexander Carpenter
  3. pp. 674-676
  4. DOI: 10.1353/not.2014.0047
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  1. This Music Leaves Stains: The Complete Story of the Misfits by James Greene Jr (review)
  2. Brandon Peter Masterman
  3. pp. 676-679
  4. DOI: 10.1353/not.2014.0053
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  1. Shall We Play That One Together? The Life and Art of Jazz Piano Legend Marian McPartland by Paul de Barros (review)
  2. Mark Gridley
  3. pp. 682-684
  4. DOI: 10.1353/not.2014.0065
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  1. Concise Guide to Jazz by Mark C. Gridley (review)
  2. Matthew Snyder
  3. pp. 687-690
  4. DOI: 10.1353/not.2014.0077
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  1. The Recorder and Other Members of the Flute Family in Writings from 1100 to 1500 by David Lasocki (review)
  2. Beth Thompson
  3. pp. 694-695
  4. DOI: 10.1353/not.2014.0057
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  1. Messiaen’s Final Works by Christopher Dingle (review)
  2. Vincent Benitez
  3. pp. 695-698
  4. DOI: 10.1353/not.2014.0063
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  1. Harmony in Haydn and Mozart by David Damschroder (review)
  2. Steven D. Mathews
  3. pp. 698-700
  4. DOI: 10.1353/not.2014.0069
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  1. Brahms Beyond Mastery: His Sarabande and Gavotte, and its Recompositions by Robert Pascall (review)
  2. Michael Vaillancourt
  3. pp. 700-702
  4. DOI: 10.1353/not.2014.0075
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  1. Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn by Matthew Dirst (review)
  2. Mark A. Peters
  3. pp. 703-704
  4. DOI: 10.1353/not.2014.0042
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  1. Sergey Prokofiev, Diaries 1924–1933: Prodigal Son by Anthony Phillips (review)
  2. Kevin Bartig
  3. pp. 706-708
  4. DOI: 10.1353/not.2014.0054
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  1. Wagner’s Melodies: Aesthetics and Materialism in German Musical Identity by David Trippett (review)
  2. Kirsten S. Paige
  3. pp. 708-710
  4. DOI: 10.1353/not.2014.0060
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  1. The Quilting Points of Musical Modernism: Revolution, Reaction, and William Walton by J. P. E. Harper-Scott (review)
  2. Luca Lévi Sala
  3. pp. 710-712
  4. DOI: 10.1353/not.2014.0066
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  1. The Music History Classroom ed. by James A. Davis (review)
  2. Jessica H. Grimmer
  3. pp. 713-715
  4. DOI: 10.1353/not.2014.0072
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  1. Books Recently Published
  2. Matt Ertz, James Procell
  3. pp. 716-726
  4. DOI: 10.1353/not.2014.0040
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  1. Met Opera On Demand: Student Access (review)
  2. Kathleen DeLaurenti
  3. pp. 727-729
  4. DOI: 10.1353/not.2014.0046
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  1. The Mathew Holmes Manuscripts I: Cambridge University Library MS Dd.2.11 (review)
  2. Gary R. Boye
  3. pp. 730-732
  4. DOI: 10.1353/not.2014.0052
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  1. Knyaz’ Igor’ = Prince Igor: Opera ed. by Anna Bulycheva (review)
  2. Albrecht Gaub
  3. pp. 739-745
  4. DOI: 10.1353/not.2014.0070
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  1. Orchestral Works by George Butterworth (review)
  2. James Brooks Kuykendall
  3. pp. 745-748
  4. DOI: 10.1353/not.2014.0076
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  1. Communications
  2. p. 762
  3. DOI: 10.1353/not.2014.0056
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  1. Index to Advertisers
  2. p. 763
  3. DOI: 10.1353/not.2014.0062
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  1. Cumulative Index to Advertisers Volume 70
  2. p. 781
  3. DOI: 10.1353/not.2014.0068
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  1. September 2013 through June 2014
  2. Martin D. Jenkins
  3. pp. 782-790
  4. DOI: 10.1353/not.2014.0074
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  1. Music Received
  2. David Knapp
  3. pp. 751-761
  4. DOI: 10.1353/not.2014.0050
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