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In this Issue

Table of Contents

  1. Searching for Four-Dimensional form in Sculpture
  2. Alexander
  3. pp. 81-85
  4. restricted access
  1. The Mathematics and Computer Graphics of Spirals in Plants
  2. Robert Dixon
  3. pp. 86-90
  4. restricted access
  1. Gombrich on Art Historical Explanations
  2. David Carrier
  3. pp. 91-96
  4. restricted access
  1. Determining the Preferred Viewpoint in Linear Perspective
  2. Richard Greene
  3. pp. 97-102
  4. restricted access
  1. Generative Systems Versus Copy Art: A Clarification of Terms and Ideas
  2. Sonia Landy Sheridan
  3. pp. 103-108
  4. restricted access
  1. Dream-Work and Art-Work
  2. John A. Walker
  3. pp. 109-114
  4. restricted access
  1. On My Recent Figurative Kinetic Paintings
  2. John Goodyear
  3. pp. 115-116
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  1. Interaction of Linguistic and Visual Representation in Three Kinetic Art Installations
  2. Thorbjørn Lausten
  3. pp. 117-119
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  1. Cymatic Music: Towards a Metatheory of Harmonic Phenomena: My Interactive Compositions and Environments
  2. Ronald A. Pellegrino
  3. pp. 120-123
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  1. Lukács’s Views on Artistic Freedom
  2. Bela Kiralyfalvi
  3. pp. 124-126
  4. restricted access
  1. Engineering Philosophy—The Third Culture?
  2. Douglas Lewin
  3. pp. 127-132
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  1. The Eye of the Beholder: A Critical Examination of Some Cultural Aspects of Scientific Creativity
  2. Robert E. Schofield
  3. pp. 133-137
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  1. Terminology
  3. p. 138
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  1. Aesthetics for Contemporary Artists
  2. Elmer H. Duncan
  3. pp. 139-143
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  1. History of the Idea of Progress by Robert Nisbet (review)
  2. J. Lukasiewicz
  3. p. 145
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  1. Language and Responsibility by Noam Chomsky (review)
  2. John Dennis
  3. pp. 145-146
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  1. The Pattern of Expectation, 1644–2001 by I. F. Clarke (review)
  2. J. C. Kapur
  3. p. 146
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  1. Marx and Wittgenstein: Social Praxis and Social Explanation by David M. Rubinstein (review)
  2. Peter Y. Windt
  3. pp. 146-147
  4. restricted access
  1. Shock of the New by Robert Hughes (review)
  2. Peter Lipman-Wulf
  3. p. 147
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  1. Entropy: A New World View by Jeremy Rifkin, Ted Howard (review)
  2. J. C. Kapur
  3. pp. 147-148
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  1. The Anatomy of Nature by Andreas Feininger (review)
  2. Gwyneth Thurgood
  3. p. 148
  4. restricted access
  1. Moments of Vision by Kenneth Clark (review)
  2. John Adkins Richardson
  3. pp. 148-149
  4. restricted access
  1. Sculpting with Cement by Lynn Olson (review)
  2. J. J. Beljon
  3. p. 149
  4. restricted access
  1. Art and Camouflage: Concealment and Deception in Nature, Art and War by Roy R. Behrens (review)
  2. David S. Fensom
  3. p. 149
  4. restricted access
  1. Drawings: A Contemporary Approach by Claudia Betti, Teel Sale (review)
  2. Madhoor Kapur
  3. pp. 149-150
  4. restricted access
  1. The Artist’s Handbook of Materials and Techniques by Ralph Mayer (review)
  2. George A. Agoston
  3. p. 150
  4. restricted access
  1. The Professional Artist’s Manual by Richard Hyman (review)
  2. Peter Lipman-Wulf
  3. p. 150
  4. restricted access
  1. Color Science for Lighting the Stage by William B. Warfel, Walter R. Klappert (review)
  2. George A. Agoston
  3. p. 150
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  1. Painting Flowers with Watercolor by Ethel Todd George (review)
  2. Eudoxia Woodward
  3. p. 150
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  1. Opaque Watercolor by Wallace E. Turner, and: A Direct Approach to Painting by Alfred C. Chadbourn, and: The Painterly Print: Monotypes from the Seventeenth to the Twentieth Century by Sue Welsh Reed et al. (review)
  2. James W. Davis
  3. p. 151
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  1. The Art Nouveau Style Book of Alphonse Mucha ed. by David M. H. Kern, and: Art Nouveau Cut and Use Stencils by JoAnne C. Day, and: A Treasury of Design for Artists and Craftsmen: 725 Paisleys, Florals, Geometrics, Folk and Primitive Motifs by Gregory Mirow (review)
  2. Paul Ré
  3. p. 151
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  1. The Museum Educator’s Manual ed. by Mary Lou Kelly (review)
  2. Jean C. Rush
  3. pp. 151-152
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  1. Yoruba Beadwork: Art of Nigeria by William Fagg (review)
  2. Carson I. A. Ritchie
  3. p. 152
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  1. L’Empire du non-sens: L’Art et la societé technicienne by Jacques Ellul (review)
  2. Jacques Mandelbrojt
  3. p. 152
  4. restricted access
  1. The Oxford Companion to Twentieth-Century Art ed. by Harold Osborne (review)
  2. Ralph Putzker
  3. pp. 152-153
  4. restricted access
  1. Expressionism: A German Intuition, 1905–1920 (review)
  2. George A. Agoston
  3. p. 153
  4. restricted access
  1. Proceedings of Workshop in History of Art 1977 ed. by Ratan Parimoo (review)
  2. S. I. Clerk
  3. p. 153
  4. restricted access
  1. Contemporary Aesthetics in Scandinavia ed. by Lars Aagard-Morgensen, Göran Hermeren, and: Cultural Participation: The Examples of Canada and Bulgaria by D. Paul Schaefer, Nedialka Blagoeva-Abramova (review)
  2. Judith Coxe
  3. pp. 153-154
  4. restricted access
  1. Superrealist Painting and Sculpture by Christine Lindey (review)
  2. S. I. Clerk
  3. p. 154
  4. restricted access
  1. The Ardis Anthology of Russian Futurism ed. by Ellendea Proffer, Carl Proffer (review)
  2. Natasha Kolchevska
  3. pp. 154-155
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  1. A Century of Light by James A. Cox (review)
  2. Richard I. Land
  3. p. 155
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  1. The Spirit of Colors: The Art of Karl Gerstner ed. by Karl Gerstner and Henri Stierlin (review)
  2. Roy Osborne
  3. p. 155
  4. restricted access
  1. Light-Symphony No. 1, An Experiment in Four-dimensional Art by Paul Konrad Hoenich (review)
  2. Richard I. Land
  3. p. 156
  4. restricted access
  1. Milan Knizak: Unvollstandige Dokumentation (Some Documentary) 1961–1979 (review)
  2. Stephen C. Foster
  3. p. 156
  4. restricted access
  1. The Drawings of Alfred Pellan (review)
  2. Joan B. Attabe
  3. p. 156
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  1. Out of This Century: Confessions of an Art Addict by Peggy Guggenheim (review)
  2. Joan B. Altabe
  3. p. 157
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  1. Artful Scribbles: The Significance of Children’s Drawings by Howard Gardner (review)
  2. G. W. Granger
  3. p. 157
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  1. Letters
  2. Douglas Davis, LeGrace Benson, Karol J. Mysels, George Manupelli, Christopher Frith, Doug Sandle, Barbara Stafford
  3. pp. 158-159
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  1. The International Society for the Arts, Sciences and Technology (ISAST)
  2. Roger F. Malina
  3. pp. i-ii
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