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In this Issue

Table of Contents

  1. Flat-Sphere Perspective
  2. Fernando R. Casas
  3. pp. 1-9
  4. restricted access
  1. Holographic Stereograms in Assemblage
  2. Aaron Kurzen
  3. pp. 10-14
  4. restricted access
  1. Computer Art: Artificial Intelligence and the Arts
  2. Stephen Wilson
  3. pp. 15-20
  4. restricted access
  1. “Masters of Analytic Art”: Filonov, His School and the Kalevala
  2. Robin Milner-Gulland
  3. pp. 21-27
  4. restricted access
  1. On my Concept of Perceptual Perspective that Accounts for Parallel and Inverted Perspective in Pictorial Art
  2. Boris V. Rauschenbach
  3. pp. 28-30
  4. restricted access
  1. Report on the Exhibition and Symposium on Ilya Chashnik and the Soviet Geometric Tradition 1910–1930 at Austin, Texas, U.S.A.
  2. John E. Bowlt
  3. pp. 31-33
  4. restricted access
  1. Impermanence: A Curators Viewpoint
  2. Peter Cannon-Brookes
  3. pp. 34-35
  4. restricted access
  1. Hidden Harmonies of Henry Moore’s Sculpture ‘Vertebrae’
  2. György Doczi
  3. pp. 36-37
  4. restricted access
  1. A New Medium for Visual Artists: Ultrasonic Imaging
  2. Pál Greguss
  3. pp. 38-40
  4. restricted access
  1. Some Misunderstandings about Color Perception, Color Mixture and Color Measurement
  2. Dorothea Jameson
  3. pp. 41-42
  4. restricted access
  1. Polychromed, Multi-Positional, Sheet Aluminum Sculpture
  2. Johanna Jordan
  3. pp. 43-45
  4. restricted access
  1. My Painting and the Impact of a Different Culture on it
  2. Maurice Lang
  3. pp. 46-48
  4. restricted access
  1. My Computer-Aided Art: Lines of Permutations
  2. Torsten Ridel
  3. pp. 49-51
  4. restricted access
  1. Sinkiang: A Profound Inspiration to Chinese Artists
  2. Lin Xiaoping
  3. pp. 52-55
  4. restricted access
  1. Jocelyn Chewett, Canadian Sculptor (1906–1979)
  2. Stephen Gilbert
  3. pp. 56-59
  4. restricted access
  1. Terminology
  3. p. 60
  4. restricted access
  1. Einstein for Beginners by Joseph Schwartz and Michael McGuinness (review)
  2. Nan Conklin
  3. p. 63
  4. restricted access
  1. Extraterrestrial Civilizations by Isaac Asimov (review)
  2. Ralph J. Turner
  3. pp. 63-64
  4. restricted access
  1. Toward Distant Suns by T. A. Heppenheimer (review)
  2. David A. Hardy
  3. p. 64
  4. restricted access
  1. Religion and Art in Conflict by Samuel Laeuchli (review)
  2. Susan Glyn
  3. pp. 64-65
  4. restricted access
  1. The Aquarian Conspiracy: Personal and Social Transformations in the 1980s by Marylin Ferguson (review)
  2. Robert F. Erickson
  3. p. 65
  4. restricted access
  1. The Age of Structuralism: Levi-Strauss to Foucault by Edith Kurzweil (review)
  2. Paul Heyer
  3. pp. 65-66
  4. restricted access
  1. Seeing Berger: A Revaluation of Ways of Seeing by Peter Fuller (review)
  2. John Adkins Richardson
  3. p. 66
  4. restricted access
  1. About Looking by John Berger (review)
  2. Lucia Adams
  3. p. 66
  4. restricted access
  1. Cultural Materialism: The Struggle for a Science of Culture by Marvin Harris (review)
  2. Waldo Haisley
  3. p. 67
  4. restricted access
  1. The Teaching Process and Arts and Aesthetics ed. by Gerald L. Knieter, Jane Stallings (review)
  2. Marilyn A. Johnston
  3. pp. 67-68
  4. restricted access
  1. A Judgment of Art: Fact and Fiction by Frederic Taubes (review)
  2. F. David Martin
  3. p. 68
  4. restricted access
  1. Feminine Beauty by Kenneth Clark (review)
  2. Nancy Hubbe
  3. p. 68
  4. restricted access
  1. Perspective for Artists: The Practice and Theory of Perspective as Applied to Pictures, with a Section Dealing with Its Application to Architecture by Rex Vicat Cole (review)
  2. B. V. Rauschenbach
  3. p. 69
  4. restricted access
  1. Understanding Perspective by Radu Vero (review)
  2. Richard Greene
  3. p. 69
  4. restricted access
  1. The Tuning of the World by R. Murray Schafer (review)
  2. W. Garner
  3. pp. 69-70
  4. restricted access
  1. The Realist Tradition: French Painting and Drawing 1830–1900 by Gabriel P. Weisberg, Petra ten-Doesschate Chu (review)
  2. Rémy G. Saisselin
  3. p. 70
  4. restricted access
  1. Dada and After: Extremist Modernism and English Literature by Alan Young (review)
  2. Joseph Germana
  3. p. 70
  4. restricted access
  1. Art in the Third Reich by Bertold Hinz (review)
  2. Joseph Acheson
  3. p. 71
  4. restricted access
  1. The High Road to the Moon: Paintings by R. A. Smith by Bob Parkinson (review)
  2. Bruno L. Stanek
  3. p. 71
  4. restricted access
  1. August Černigoj by Peter Krečič (review)
  2. John E. Bowlt
  3. pp. 71-72
  4. restricted access
  1. Pablo Picasso: A Retrospective ed. by William Rubin (review)
  2. Madhoor Kapur
  3. p. 72
  4. restricted access
  1. The Art of Raymond Jonson, Painter by Ed Garman (review)
  2. Paul Ré
  3. pp. 72-73
  4. restricted access
  1. Jim Dine Figure Drawings 1975–1979 by Constance Glenn (review)
  2. Harry Rand
  3. p. 73
  4. restricted access
  1. Proudhon, Marx, Picasso: Three Studies in the Sociology of Art by Max Raphael (review)
  2. Berel Lang
  3. p. 73
  4. restricted access
  1. John Dobson, Architect and Landscape Gardener by Lyall Wilkes (review)
  2. Rod Hackney
  3. pp. 73-74
  4. restricted access
  1. Miró: Selected Paintings (review)
  2. S. I. Clerk
  3. p. 74
  4. restricted access
  1. Directions 1981 by Miranda McClintic (review)
  2. Henry P. Raleigh
  3. p. 74
  4. restricted access
  1. In Good Shape: Style in Industrial Products, 1900 to 1960 by Stephen Bayley (review)
  2. Donald Bash
  3. pp. 74-75
  4. restricted access
  1. Goncharova: Stage Designs and Paintings by Mary Chamot (review)
  2. Anthony Parton
  3. p. 75
  4. restricted access
  1. Zao Wou-Ki by Jean Leymarie (review)
  2. Peter Cannon-Brookes
  3. p. 75
  4. restricted access
  1. Cool Museums and Hot Museums: Towards a Museological Criticism by Jorge Glusberg (review)
  2. F. David Martin
  3. p. 76
  4. restricted access
  1. Analyzing an Art Museum by William S. Hendon (review)
  2. Gifford Phillips
  3. p. 76
  4. restricted access
  1. Book of Animals by Helen Iranyi, and: Animals: A Picture Sourcebook ed. by Don Rice (review)
  2. Carson I. A. Ritchie
  3. pp. 76-77
  4. restricted access
  1. Colors from the Earth: The Artist’s Guide to Collecting, Preparing and Using Them by Anne Wall Thomas (review)
  2. George A. Agoston
  3. p. 77
  4. restricted access
  1. Coloring of Plastics: Theory and Practice by Mukhtar Ahmed (review)
  2. George A. Agoston
  3. p. 77
  4. restricted access
  1. Letters
  3. pp. 79-80
  4. restricted access
  1. Books Received
  3. pp. 77-78
  4. restricted access