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In this Issue

Table of Contents

  1. Psychology and Art in Leonardo
  2. W. R. Crozier, A. J. Chapman, Rudolf Arnheim, Karen Tsao
  3. pp. 161-162
  4. restricted access
  1. Psychology and the Arts: An Historical Summary
  2. W. Ray Crozier, Antony J. Chapman
  3. pp. 163-164
  4. restricted access
  1. Social Interaction in Photographing
  2. Halla Beloff
  3. pp. 165-171
  4. restricted access
  1. C. P. Snow’s Fiction of Two Cultures
  2. Peter Stringer
  3. pp. 172-176
  4. restricted access
  1. Cézanne’s Landscapes and the Functions of Vision
  2. Pavel Machotka
  3. pp. 177-179
  4. restricted access
  1. On the Horizon: Picture Perception and Gibson’s Concept of Information
  2. Sheena Rogers, Alan Costali
  3. pp. 180-182
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  1. Art and Ambiguity
  2. Judith Farr Tormey, Alan Tormey
  3. pp. 183-187
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  1. Unusual Pictures: An Analysis of Some Abnormal Pictorial Structures in a Painting by Juan Gris
  2. John Willats
  3. pp. 188-192
  4. restricted access
  1. The Scientific Study of Artistic Creativity
  2. Gerald C. Cupchik
  3. pp. 193-195
  4. restricted access
  1. The Cognitive Basis of Aesthetic Experience
  2. Margot D. Lasher, John M. Carroll, Thomas G. Bever
  3. pp. 196-199
  4. restricted access
  1. The Psychology of Abstraction and the Visual Arts
  2. Robert W. Witkin
  3. pp. 200-203
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  1. Children’s Sensitivity to Stylistic Features in Literature
  2. Christine Massey, Howard Gardner, Paula Blank, Ellen Winner
  3. pp. 204-207
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  1. Artistic Value Judgments and the Value of Judging the Arts
  2. Hans Kreitler, Shulamith Kreitler
  3. pp. 208-211
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  1. Imaginary Worlds Take Shape: A Study of Creative Work in Sculpture
  2. Margery B. Franklin
  3. pp. 212-216
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  1. Some Psychological Processes in the Development of the Creativity of Van Gogh and Faraday
  2. Ken Rouse
  3. pp. 217-221
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  1. Art Images Associated with States of Expanded Consciousness: A Study of the Individual Case
  2. Peter Butcher
  3. pp. 222-224
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  1. Stylistic Evolution in European Music
  2. Colin Martindale, Anne Uemura
  3. pp. 225-228
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  1. A New Measure of ‘Good Taste’ in Visual Art
  2. H. J. Eysenck
  3. pp. 229-231
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  1. Laypeople as Architectural Designers
  2. Roderick J. Lawrence
  3. pp. 232-236
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  1. Understanding Religion Through the Psychology of Art
  2. Benjamin Beit-Hallahmi
  3. pp. 237-240
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  1. Art-making in Clinical Training for Conceptualization, Integration, and Self-awareness
  2. Harriet Wadeson, Pat Allen
  3. pp. 241-242
  4. restricted access
  1. Processing Literary Works Under Repeated Presentation
  2. L. Halasz
  3. pp. 243-244
  4. restricted access
  1. Advances in Intrinsic Motivation and Aesthetics ed. by Hy. I. Day (review)
  2. Michael J. Apter
  3. p. 249
  4. restricted access
  1. The Experience of Motivation: The Theory of Psychological Reversals by Michael J. Apter (review)
  2. Kim James
  3. pp. 249-250
  4. restricted access
  1. The Cognitive Paradigm: Cognitive Science, a Newly Explored Approach to the Study of Cognition Applied in an Analysis of Science and Scientific Knowledge by Marc de Mey (review)
  2. Trevor Pateman
  3. p. 250
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  1. The Promise of Cognitive Psychology by Richard E. Mayer (review)
  2. Kim James
  3. pp. 250-251
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  1. Art and the Creative Unconscious by Erich Neumann (review)
  2. Donald Brook
  3. p. 251
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  1. Essays on Art and Ontology by Leone Vivante (review)
  2. David R. Topper
  3. p. 251
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  1. The Art and Science of Visual Illusions by Nicholas Wade (review)
  2. James F. Watkins
  3. pp. 251-252
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  1. Illusions, Patterns and Pictures: A Cross-Cultural Perspective by J. B. Deregowski (review)
  2. Sheldon Richmond
  3. p. 252
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  1. Light, Color and Environment: A Discussion of the Biological and Psychological Effects of Color, with Historical Data and Detailed Recommendation for the Use of Color in the Environment by Faber Birren (review)
  2. Albert Garrett
  3. pp. 252-253
  4. restricted access
  1. Linear Perspective: Its History, Directions for Construction, and Aspects in the Environment and in the Fine Arts by Willy A. Bärtschi (review)
  2. Richard Greene
  3. p. 253
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  1. The Anthropology of Art by Robert Layton (review)
  2. James A. Goldman
  3. p. 253
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  1. Ruskin and the Art of the Beholder by Elizabeth K. Helsinger (review)
  2. Doug Sandle
  3. p. 254
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  1. The English Vision: The Picturesque in Architecture, Landscape and Garden Design by David Watkin (review)
  2. Rod Hackney
  3. p. 254
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  1. The Cultural Critics: From Matthew Arnold to Raymond Williams by Lesley Johnson (review)
  2. Ralph A. Smith
  3. pp. 254-255
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  1. L’Image, Communication Fonctionelle by Abraham A. Moles, Elizabeth Rohmer (review)
  2. Jacques Mandelbrojt
  3. p. 255
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  1. Lifelong Learning and the Visual Arts: a Book of Readings ed. by Donald Hoffman, Pearl Greenburg, Dale Fitmer (review)
  2. Vic Gray
  3. pp. 255-256
  4. restricted access
  1. Egon Schiele by Simon Wilson (review)
  2. Christopher Crouch
  3. p. 256
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  1. The Many Worlds of Archile Gorky by Karlen Mooradian (review)
  2. Michael Fitzgerald
  3. p. 256
  4. restricted access