We cannot verify your location
Browse Book and Journal Content on Project MUSE

  Volume 47, Number 4, Winter 2004

Table of Contents

Irish Theatre: Conditions of Criticism

pp. 561-571

Mirror up to Nurture: J. M. Synge and His Critics

pp. 572-584

Violence on the Abbey Theatre Stage: The National Project and the Critic; Two Case Studies

pp. 585-593

The Critical "Gap of the North": Nationalism, National Theatre, and the North

pp. 594-606

Throwing Theory at Ireland?: The Field Day Theatre Company and Postcolonial Theatre Criticism

pp. 607-623

"Besides the Obvious": Postcolonial Criticism, Drama, and Civil Society

pp. 624-635

"The Laughter Will Come of Itself. The Tears Are Inevitable": Martin McDonagh, Globalization, and Irish Theatre Criticism

pp. 636-658

Irish Theatre Criticism: De-territorialisation and Integration

pp. 659-670

Irish Theatrical Celebrity and the Critical Subjugation of Difference in the Work of Frank McGuinness

pp. 671-685

Wordmadeflesh: Writing the Body in Irish Theatre

pp. 686-700

Listening Differently: The Croon Collaboration

pp. 701-720

Review Article

Historicising Is Not Enough: Recent Developments and Trends in Irish Theatre History

pp. 721-731


pp. 732-734

Index to Volume 45, 2002

pp. 735-738

Index to Volume 46, 2003

pp. 739-742

Index to Volume 47, 2004

pp. 743-745

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access