restricted access   Volume 47, Number 3, Fall 2004

Table of Contents

From: Modern Drama

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Telling a Spatial History of the Columbian Exposition of 1893

pp. 349-366

Misrecognition and Antimodernism in the Grove Plays of the Bohemian Club

pp. 367-398

Wildean War: Politics of Fins-de-si├Ęcle Spectatorship

pp. 399-422

The Art of Living: History as Use-Value in The Romans in Britain

pp. 423-445

Traumatizing Romanticism in Brian Friel's Faith Healer

pp. 446-463

Seeking "The Mercy of Fathers": Sebastian Barry's The Steward of Christendom and the Tragedy of Irish Patriarchy

pp. 464-479

"Before" and "After" in Stoppard's Arcadia

pp. 480-499

Tom Stoppard: In the Russian Court

pp. 500-524

Playing at Lives: Biography and Contemporary Feminist Drama

pp. 525-545


Playing Australia: Australian Theatre and the International Stage ed. by Elizabeth Schafer and Susan Bradley Smith (review)

pp. 546-549

Ethnic Drag: Performing Race, Nation, Sexuality in West Germany by Katrin Sieg, and: Modern German Political Drama 1980-2000 by Birgit Haas (review)

pp. 550-553

Scenography in Canada: Selected Designers by Natalie Rewa (review)

pp. 553-554

Land/Scape/Theater ed. by Elinor Fuchs and Una Chaudhuri (review)

pp. 554-555

New Visions in Performance: The Impact of Digital Technologies ed. by Gavin Carver and Colin Beardon (review)

pp. 556-557


pp. 558-559