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  Volume 47, Number 3, Fall 2004

Table of Contents

From: Modern Drama

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Telling a Spatial History of the Columbian Exposition of 1893

pp. 349-366 | DOI: 10.1353/mdr.2004.0059

Misrecognition and Antimodernism in the Grove Plays of the Bohemian Club

pp. 367-398 | DOI: 10.1353/mdr.2004.0037

Wildean War: Politics of Fins-de-si├Ęcle Spectatorship

pp. 399-422 | DOI: 10.1353/mdr.2004.0033

The Art of Living: History as Use-Value in The Romans in Britain

pp. 423-445 | DOI: 10.1353/mdr.2004.0007

Traumatizing Romanticism in Brian Friel's Faith Healer

pp. 446-463 | DOI: 10.1353/mdr.2004.0051

Seeking "The Mercy of Fathers": Sebastian Barry's The Steward of Christendom and the Tragedy of Irish Patriarchy

pp. 464-479 | DOI: 10.1353/mdr.2004.0046

"Before" and "After" in Stoppard's Arcadia

pp. 480-499 | DOI: 10.1353/mdr.2004.0042

Tom Stoppard: In the Russian Court

pp. 500-524 | DOI: 10.1353/mdr.2004.0055

Playing at Lives: Biography and Contemporary Feminist Drama

pp. 525-545 | DOI: 10.1353/mdr.2004.0017


Playing Australia: Australian Theatre and the International Stage ed. by Elizabeth Schafer and Susan Bradley Smith (review)

pp. 546-549 | DOI: 10.1353/mdr.2004.0027

Ethnic Drag: Performing Race, Nation, Sexuality in West Germany by Katrin Sieg, and: Modern German Political Drama 1980-2000 by Birgit Haas (review)

pp. 550-553 | DOI: 10.1353/mdr.2004.0023

Scenography in Canada: Selected Designers by Natalie Rewa (review)

pp. 553-554 | DOI: 10.1353/mdr.2004.0013

Land/Scape/Theater ed. by Elinor Fuchs and Una Chaudhuri (review)

pp. 554-555 | DOI: 10.1353/mdr.2004.0003

New Visions in Performance: The Impact of Digital Technologies ed. by Gavin Carver and Colin Beardon (review)

pp. 556-557 | DOI: 10.1353/mdr.2004.0049


pp. 558-559 | DOI: 10.1353/mdr.2004.0061

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