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  Volume 43, Number 1, Spring 2000

Table of Contents

Dramatic Justice?: The Aftermath of the Holocaust in Ronald Harwood's Taking Sides and The Handyman

pp. 1-12

Postmodernism and Violence in Mamet's Oleanna

pp. 13-31

"It's the Do-Gooders Burn My Ass": Modern Canadian Drama and the Crisis of Liberalism

pp. 32-47

Shame, Guilt, Empathy, and the Search for Identity in Arthur Miller's Death of A Salesman

pp. 48-55

The Pictures of Simon Gray: Dramatizing Degeneration

pp. 56-65

The Politics of Catastrophe: Confrontation or Confirmation in Howard Barker's Theatre

pp. 66-77

Wisdom! Light! Beauty! A Thematic Analysis of Ibsen's Emperor and Galilean

pp. 78-86

Performative Acts of Gendered Emotions and Bodies in Chekhov's The Cherry Orchard

pp. 87-99

From Jug Band to Dixieland: The Musical Development behind August Wilson's Ma Rainey's Black Bottom

pp. 100-108

Into That Rinsing Glare?: Field Day's Irish Tragedies

pp. 109-119

Leaving the Labyrinth: Hella S. Haasse's A Thread in the Dark (De Draad in het donker)

pp. 120-129


Theatre of Chaos: Beyond Absurdism, into Orderly Disorder by William W. Demastes (review)

pp. 130-131

Tennessee Williams: A Guide to Research and Performance ed. by Philip C. Kolin, and: Understanding Tennessee Williams by Alice Griffin, and: The Politics of Reputation: The Critical Reception of Tennessee Williams' Later Plays by Annette J. Saddik (review)

pp. 131-134

Twentieth Century Irish Drama: A Mirror up to Nation by Christopher Murray (review)

pp. 134-136

The Theater of Fernand Crommelynck: Eight Plays by Alain Piette and Bert Cardullo, and: The Crommelynck Mystery: The Life and Work of a Belgian Playwright by Alain Piette and Bert Cardullo (review)

pp. 136-138

Essays on Caryl Churchill: Contemporary Representations ed. by Sheila Rabillard (review)

pp. 138-140

Mammies No More: The Changing Image of Black Women on Stage and Screen by Lisa M. Anderson (review)

pp. 140-142


pp. 143-145

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