1. Dramatic Justice?: The Aftermath of the Holocaust in Ronald Harwood's Taking Sides and The Handyman
  2. Victoria Stewart
  3. pp. 1-12
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  1. Postmodernism and Violence in Mamet's Oleanna
  2. Thomas E. Porter
  3. pp. 13-31
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  1. "It's the Do-Gooders Burn My Ass": Modern Canadian Drama and the Crisis of Liberalism
  2. Jerry Wasserman
  3. pp. 32-47
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  1. Shame, Guilt, Empathy, and the Search for Identity in Arthur Miller's Death of A Salesman
  2. Fred Ribkoff
  3. pp. 48-55
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  1. The Pictures of Simon Gray: Dramatizing Degeneration
  2. Anne Nothof
  3. pp. 56-65
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  1. The Politics of Catastrophe: Confrontation or Confirmation in Howard Barker's Theatre
  2. Liz Tomlin
  3. pp. 66-77
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  1. Wisdom! Light! Beauty! A Thematic Analysis of Ibsen's Emperor and Galilean
  2. Douglas Abel
  3. pp. 78-86
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  1. Performative Acts of Gendered Emotions and Bodies in Chekhov's The Cherry Orchard
  2. Peta Tait
  3. pp. 87-99
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  1. From Jug Band to Dixieland: The Musical Development behind August Wilson's Ma Rainey's Black Bottom
  2. Susan C.W. Abbotson
  3. pp. 100-108
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  1. Into That Rinsing Glare?: Field Day's Irish Tragedies
  2. Shaun Richards
  3. pp. 109-119
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  1. Leaving the Labyrinth: Hella S. Haasse's A Thread in the Dark (De Draad in het donker)
  2. Frances Babbage
  3. pp. 120-129
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  1. Theatre of Chaos: Beyond Absurdism, into Orderly Disorder by William W. Demastes (review)
  2. Jure Gantar
  3. pp. 130-131
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  1. Twentieth Century Irish Drama: A Mirror up to Nation by Christopher Murray (review)
  2. Christopher Innes
  3. pp. 134-136
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  1. Essays on Caryl Churchill: Contemporary Representations ed. by Sheila Rabillard (review)
  2. Liorah Anne Golomb
  3. pp. 138-140
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  1. Mammies No More: The Changing Image of Black Women on Stage and Screen by Lisa M. Anderson (review)
  2. Shelley Scott
  3. pp. 140-142
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  1. Contributors
  2. pp. 143-145
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