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Table of Contents

  1. The Question of Liz: Staging the Prisoner in Our Country's Good
  2. Stephen Weeks
  3. pp. 147-156
  4. DOI: https://doi.org/10.1353/mdr.2000.0065
  5. restricted access
  1. Tom Stoppard and the Invention of Biography
  2. Ira B. Nadel
  3. pp. 157-170
  4. DOI: https://doi.org/10.1353/mdr.2000.0024
  5. restricted access
  1. Dancing at Lughnasa: Unexcused Absence
  2. Prapassaree Kramer
  3. pp. 171-181
  4. DOI: https://doi.org/10.1353/mdr.2000.0014
  5. restricted access
  1. Splitting Images: Samuel Beckett's Nacht und Träume
  2. Graley Herren
  3. pp. 182-191
  4. DOI: https://doi.org/10.1353/mdr.2000.0062
  5. restricted access
  1. Camusian Existentialism in Arthur Miller's After the Fall
  2. Derek Parker Royal
  3. pp. 192-203
  4. DOI: https://doi.org/10.1353/mdr.2000.0041
  5. restricted access
  1. Black Cats and Green Trees: The Art of Maria Irene Fornes
  2. Sally Porterfield
  3. pp. 204-215
  4. DOI: https://doi.org/10.1353/mdr.2000.0035
  5. restricted access
  1. "So entirely unexpected": The Modernist Dramaturgy of Marjorie Pickthall's The Wood Carver's Wife
  2. Patricia L. Badir
  3. pp. 216-246
  4. DOI: https://doi.org/10.1353/mdr.2000.0016
  5. restricted access
  1. Lulu: pantomime in one act by Félicien Champsaur
  2. Albert Bermel
  3. pp. 252-264
  4. DOI: https://doi.org/10.1353/mdr.2000.0027
  5. restricted access
  1. Challenging Myth and Tradition: National/Cultural Identity and the Irish Theatrical Canon
  2. Brian Singleton
  3. pp. 265-275
  4. DOI: https://doi.org/10.1353/mdr.2000.0053
  5. restricted access
  1. Deconstruction and Development of the Opera Carmen
  2. Dan Friedman, Gabrielle Kurlander
  3. pp. 276-287
  4. DOI: https://doi.org/10.1353/mdr.2000.0050
  5. restricted access
  1. Suzuki Tadashi's "The Chekhov": Three Sisters, The Cherry Orchard, and Uncle Vania
  2. Ian Carruthers
  3. pp. 288-299
  4. DOI: https://doi.org/10.1353/mdr.2000.0005
  5. restricted access
  1. The Snark and the Orchard: A Polemical Afterword
  2. Ronald Bryden
  3. pp. 300-310
  4. DOI: https://doi.org/10.1353/mdr.2000.0038
  5. restricted access
  1. Studies in Strindberg by Michael Robinson (review)
  2. Kerstin Gaddy
  3. pp. 312-313
  4. DOI: https://doi.org/10.1353/mdr.2000.0058
  5. restricted access
  1. Tragedy and Comedy: A Systematic Study and a Critique of Hegel by Mark William Roche (review)
  2. Jure Gantar
  3. pp. 314-315
  4. DOI: https://doi.org/10.1353/mdr.2000.0069
  5. restricted access
  1. Pirandello and His Muse: The Plays For Marta Abba by Daniela Bini (review)
  2. Donato Santeramo
  3. pp. 318-320
  4. DOI: https://doi.org/10.1353/mdr.2000.0020
  5. restricted access
  1. Edges of Loss: From Modern Drama to Postmodern Theory by Mark Pizzato (review)
  2. Erik Weissengruber
  3. pp. 320-322
  4. DOI: https://doi.org/10.1353/mdr.2000.0031
  5. restricted access
  1. Introduction: Remaking Modern Classics
  2. Christopher Innes
  3. pp. 248-251
  4. DOI: https://doi.org/10.1353/mdr.2000.0002
  5. restricted access
  1. Contributors
  2. pp. 323-326
  3. DOI: https://doi.org/10.1353/mdr.2000.0006
  4. restricted access