1. Chekhov's Tatyana Repina: From Melodrama to Mystery Play
  2. Margarita Odesskaya, Ralph Lindheim
  3. pp. 475-490
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  1. The Seagull: The Stage Mother, the Missing Father, and the Origins of Art
  2. Carol A. Flath
  3. pp. 491-510
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  1. "A Subject Worthy of Ayvazovsky's Brush": Vanya's Misdirected Fury
  2. Karl D. Kramer
  3. pp. 511-518
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  1. Stanislavsky's Production Score for Chekhov's The Cherry Orchard (1904): A Synoptic Overview
  2. Nick Worrall
  3. pp. 519-540
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  1. Center Stage: Chekhov in Russia 100 Years On
  2. John Freedman
  3. pp. 541-564
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  1. Chekhov Translated: Shaw's Use of Sound Effects in Heartbreak House
  2. Miriam Handley
  3. pp. 565-578
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  1. The Whole of Italy Is Our Orchard: Strehler's Cherry Orchard
  2. Pia Kleber
  3. pp. 579-594
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  1. Unfinished Pieces: From Platonov to Piano
  2. David Allen, Marco Ghelardi
  3. pp. 595-614
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  1. Chekhov in Massachusetts: Competing Modernisms at the American Repertory Theatre
  2. John Tulloch, Tom Burvill, Andrew Hood
  3. pp. 615-633
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  1. Friel's Ballybeggared Version of Chekhov
  2. David Krause
  3. pp. 634-649
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  1. A Note on the Transliteration of Russian Names, Words, and Titles
  2. p. iv
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  1. Introduction
  2. Ralph Lindheim
  3. pp. 471-474
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  1. Contributors
  2. pp. 650-651
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