We cannot verify your location
Browse Book and Journal Content on Project MUSE

  Volume 42, Number 4, Winter 1999

Table of Contents

A Note on the Transliteration of Russian Names, Words, and Titles

p. iv


pp. 471-474

Chekhov's Tatyana Repina: From Melodrama to Mystery Play

pp. 475-490

The Seagull: The Stage Mother, the Missing Father, and the Origins of Art

pp. 491-510

"A Subject Worthy of Ayvazovsky's Brush": Vanya's Misdirected Fury

pp. 511-518

Stanislavsky's Production Score for Chekhov's The Cherry Orchard (1904): A Synoptic Overview

pp. 519-540

Center Stage: Chekhov in Russia 100 Years On

pp. 541-564

Chekhov Translated: Shaw's Use of Sound Effects in Heartbreak House

pp. 565-578

The Whole of Italy Is Our Orchard: Strehler's Cherry Orchard

pp. 579-594

Unfinished Pieces: From Platonov to Piano

pp. 595-614

Chekhov in Massachusetts: Competing Modernisms at the American Repertory Theatre

pp. 615-633

Friel's Ballybeggared Version of Chekhov

pp. 634-649


pp. 650-651

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access