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Table of Contents

  1. Catching the Wind in a Net: The Shortcomings of Existing Methods for the Analysis of Performance
  2. Jure Gantar
  3. pp. 537-546
  4. DOI: https://doi.org/10.1353/mdr.1996.0080
  5. restricted access
  1. Performing Writing: Inscribing Theatre
  2. Michael J. Sidnell
  3. pp. 547-557
  4. DOI: https://doi.org/10.1353/mdr.1996.0095
  5. restricted access
  1. The Actor's Medium: On Stage and in Film
  2. Marc Silberman
  3. pp. 558-565
  4. DOI: https://doi.org/10.1353/mdr.1996.0015
  5. restricted access
  1. With(holding) the Knife: Representing the Unrepresentable (Wo)man in Anna
  2. Rosalind Kerr
  3. pp. 566-573
  4. DOI: https://doi.org/10.1353/mdr.1996.0031
  5. restricted access
  1. Theatre as Social Science: A Comparative Study of Eugenio Barba's Barter Performances and the 1992 Los Angeles Riots
  2. Ian Watson
  3. pp. 574-584
  4. DOI: https://doi.org/10.1353/mdr.1996.0046
  5. restricted access
  1. Towards an International Theatre
  2. Rosette C. Lamont
  3. pp. 585-598
  4. DOI: https://doi.org/10.1353/mdr.1996.0061
  5. restricted access
  1. Performing the Self
  2. Marvin Carlson
  3. pp. 599-608
  4. DOI: https://doi.org/10.1353/mdr.1996.0075
  5. restricted access
  1. Performing Race: Anna Deavere Smith's Fires in the Mirror
  2. Janelle Reinelt
  3. pp. 609-617
  4. DOI: https://doi.org/10.1353/mdr.1996.0090
  5. restricted access
  1. Body Politic(s): the Actor as Mask in the Théâtre du Soleil's Les Atrides and La Ville Parjure
  2. Brian Singleton
  3. pp. 618-625
  4. DOI: https://doi.org/10.1353/mdr.1996.0009
  5. restricted access
  1. The Lake of Seduction: Body, Acting, and Voice in Hélène Cixous's Portrait de Dora
  2. Erella Brown
  3. pp. 626-649
  4. DOI: https://doi.org/10.1353/mdr.1996.0025
  5. restricted access
  1. Georg Büchner's Dantons Tod: History and Her Story on the Stage
  2. Laura Ginters
  3. pp. 650-667
  4. DOI: https://doi.org/10.1353/mdr.1996.0040
  5. restricted access
  1. Shifting Through Space-Time: A Chronotopic Analysis of Peter Sellars' Don Giovanni
  2. Terry Donovan Smith
  3. pp. 668-679
  4. DOI: https://doi.org/10.1353/mdr.1996.0055
  5. restricted access
  1. Blotting and the Line of Beauty: On Performances by Botho Strauss and Peter Handke
  2. Alfred Nordmann
  3. pp. 680-697
  4. DOI: https://doi.org/10.1353/mdr.1996.0069
  5. restricted access
  1. What does Chaos Theory have to do with Art?
  2. Dean Wilcox
  3. pp. 698-711
  4. DOI: https://doi.org/10.1353/mdr.1996.0084
  5. restricted access
  1. Imperialism and Theatre: Essays on World Theatre, Drama and Performance ed. by J. Ellen Gainor (review)
  2. Joanne Tompkins
  3. pp. 712-713
  4. DOI: https://doi.org/10.1353/mdr.1996.0003
  5. restricted access
  1. Playwriting Women: Female Voices in English Canada by Cynthia Zimmerman (review)
  2. Paula Sperdakos
  3. pp. 713-715
  4. DOI: https://doi.org/10.1353/mdr.1996.0019
  5. restricted access
  1. Feminist Theaters in the U.S.A.: Staging Women's Experience by Charlotte Canning (review)
  2. Ellen Donkin
  3. pp. 715-717
  4. DOI: https://doi.org/10.1353/mdr.1996.0034
  5. restricted access
  1. British Realist Theatre: The New Wave in Its Context, 1956-1965 by Stephen Lacey (review)
  2. Paul Haxo
  3. pp. 717-718
  4. DOI: https://doi.org/10.1353/mdr.1996.0049
  5. restricted access
  1. Theater in Israel ed. by Linda Ben-Zvi (review)
  2. Hanna Scolnicov
  3. pp. 718-720
  4. DOI: https://doi.org/10.1353/mdr.1996.0063
  5. restricted access
  1. Conversations With (and About) Beckett by Mel Gussow (review)
  2. Elizabeth Klaver
  3. pp. 720-721
  4. DOI: https://doi.org/10.1353/mdr.1996.0077
  5. restricted access
  1. Beckett On and On ... ed. by Lois Oppenheim and Marius Buning (review)
  2. Katharine Worth
  3. pp. 721-722
  4. DOI: https://doi.org/10.1353/mdr.1996.0092
  5. restricted access
  1. Peter Brook by Albert Hunt and Geoffrey Reeves (review)
  2. Malcolm Page
  3. pp. 722-724
  4. DOI: https://doi.org/10.1353/mdr.1996.0011
  5. restricted access
  1. The Inner Strength of Opposites: O'Neill's Novelislic Drama and the Melodramatic Imagination by Kurt Eisen (review)
  2. Michael Hinde
  3. pp. 724-726
  4. DOI: https://doi.org/10.1353/mdr.1996.0027
  5. restricted access
  1. Performing Nostalgia: Shifting Shakespeare and the Contemporary Past by Susan Bennett (review)
  2. Amy S. Green
  3. pp. 726-728
  4. DOI: https://doi.org/10.1353/mdr.1996.0042
  5. restricted access
  1. Gendering Bodies/Performing Art: Dance and Literature in Early-Twentieth-Century British Culture by Amy Koritz (review)
  2. Libby Smigel
  3. pp. 728-729
  4. DOI: https://doi.org/10.1353/mdr.1996.0057
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  1. Introduction
  2. David A. Blostein, Josette Féral
  3. pp. 533-536
  4. DOI: https://doi.org/10.1353/mdr.1996.0048
  5. restricted access
  1. Contributors
  3. pp. 730-732
  4. DOI: https://doi.org/10.1353/mdr.1996.0071
  5. restricted access
  1. Contents of Volume XXXIX
  3. pp. 733-739
  4. DOI: https://doi.org/10.1353/mdr.1996.0086
  5. restricted access