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  Volume 39, Number 3, Fall 1996

Table of Contents

Politics over the Gulf: Trevor Griffiths in the Nineties

pp. 381-391

Oleanna: David Mamet's Power Play

pp. 392-403

Almost "Better to Be Nobody": Feminist Subjectivity, the Thatcher Years, and Timberlake Wertenbaker's The Grace of Mary Traverse

pp. 404-420

Workers' Theatre and the "War of Position" in the 1930s

pp. 421-435

Crommelynck and Meyerhold: Two Geniuses Meet on the Stage

pp. 436-447

Observation as System in Eugene O'Neill's The Iceman Cometh

pp. 448-456

Of Melons, Heads, and Blood: Psychosexual Fascism in Griselda Gambaro's Bad Blood

pp. 457-464

Schizophrenia and the Politics of Experience in Three Plays by Brian Friel

pp. 465-474

Blow the Witches Out: Gender Construction and the Subversion of Nationalism in Yeats's Cathleen ni Houlihan and On Baile's Strand

pp. 475-489

Mourning and the Body: Heiner Müller's Fathers and The Foundling Son

pp. 490-506

Storey's "Snare of Doubling"

pp. 507-517

Book Reviews

Tennessee Williams: A Descriptive Bibliography by George W. Crandell, and: Tom: The Unknown Tennessee Williams by Lyle Leverich, and: Special Issue: Tennessee Williams. Mississippi Quarterly by Philip C. Kolin (review)

pp. 518-525

Hot Irons by Howard Brenton, and: Letters I by Edward Bond, and: Letters II by Edward Bond (review)

pp. 525-529

Theatre and Feminist Aesthetics ed. by Karen Laughlin and Catherine Schuler (review)

pp. 529-530


pp. 531-532

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