1. Politics over the Gulf: Trevor Griffiths in the Nineties
  2. Stanton B. Garner Jr.
  3. pp. 381-391
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  1. Oleanna: David Mamet's Power Play
  2. Steven Ryan
  3. pp. 392-403
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  1. Almost "Better to Be Nobody": Feminist Subjectivity, the Thatcher Years, and Timberlake Wertenbaker's The Grace of Mary Traverse
  2. Martha Ritchie
  3. pp. 404-420
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  1. Workers' Theatre and the "War of Position" in the 1930s
  2. Jim Miller
  3. pp. 421-435
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  1. Crommelynck and Meyerhold: Two Geniuses Meet on the Stage
  2. Alain Piette
  3. pp. 436-447
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  1. Observation as System in Eugene O'Neill's The Iceman Cometh
  2. Yvonne Vera
  3. pp. 448-456
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  1. Of Melons, Heads, and Blood: Psychosexual Fascism in Griselda Gambaro's Bad Blood
  2. Eric J. Nuetzel
  3. pp. 457-464
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  1. Schizophrenia and the Politics of Experience in Three Plays by Brian Friel
  2. Maureen S.G. Hawkins
  3. pp. 465-474
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  1. Blow the Witches Out: Gender Construction and the Subversion of Nationalism in Yeats's Cathleen ni Houlihan and On Baile's Strand
  2. Susan C. Harris
  3. pp. 475-489
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  1. Mourning and the Body: Heiner Müller's Fathers and The Foundling Son
  2. Jeanette R. Malkin
  3. pp. 490-506
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  1. Storey's "Snare of Doubling"
  2. Maria Margaroni
  3. pp. 507-517
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  1. Hot Irons by Howard Brenton, and: Letters I by Edward Bond, and: Letters II by Edward Bond (review)
  2. Janelle Reinelt
  3. pp. 525-529
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  1. Theatre and Feminist Aesthetics ed. by Karen Laughlin and Catherine Schuler (review)
  2. Julie Adam
  3. pp. 529-530
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  1. Contributors
  2. pp. 531-532
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